Recently came across 1000+ beats from my old laptop. Some absolute rippers in this mix I'd forgotten from my younger years. Tracks from Wragg & Log:One, Dermot Bateman, Shock:Force, DJ Husband, Fausto and more.

Enjoy >:]

Tekky Weapons [Tech Dance & Hard Trance Mix]

Preview the first remix EP on Truncate... remixes from Ben Sims, Mark Broom, and myself...

Available at Beatport!
http://www.beatport.com/release/remixed-part-1/1306404

Limited color vinyl press out now!
http://www.juno.co.uk/products/ben-sims-mark-broom-remixed-part-1/527153-01/

TRUNCATERMX1 Preview

KHR082 | Van Morph "atmospheres"

Winds blow the open grassy places bleak;
But where this old wall burns a sunny cheek,
They eddy over it too, toppling weak
To blow the earth or anything self-clear;
Moisture and colour, and odour thicken here.
The hours of daylight gather atmosphere.

Written & Produced by Van Morph
Mastered by Van Morph
Cover by Evangelos Morph (UK)

More About the artist:
https://www.facebook.com/MorphVan
https://soundcloud.com/morphvan1
https://linktr.ee/VanMorph

KHR082 | Van Morph - Repeatable Thoughts

Ocean Depth

City Shadows

Filth on Acid rounds off an excellent year with another fantastic and forward thinking EP. This one comes from Alex Mine, an Italian psychonaut who will take you to the deeper parts of your mind, making sure that every dawn matters after some proper raving.
This is Filth on Acid NOW. 

Opener Ultra is a dark, hard hitting techno cut with heavy drums that power you into the night. Ego is more melodic, with a deft synth riff drifting about above train track grooves, and Andromeda then sucks you in with its hypnotic drums and cosmic, sci-fi melodies and shooting synth stabs. Last of all, Dawn Matter is the most astral of the lot, with smooth drums rolling deep and subtle acid pricks disappearing off to the horizon. 

This is a superb EP that shows off Alex Mine’s various vital techno styles.

ALEX MINE — EGO (ORIGINAL MIX) [FILTH ON ACID]

Snare Trap / Burning Fire

Snare Trap

Preorder @ Beatport: 19.12.2019
Available @ Beatport: 26.12.2019
Available @ Apple Music & Spotify: 9.1.2020

Quench - Dreams (UMEK Version) PREVIEW

Fresh Blood on our 192nd imprint - Turkey based producer - Burakcan Yilmaz welcomes on board of IAMT! 
Check out his release and enjoy!

Neutral

Burakcan Yilmaz - Again (Original Mix)

Walking on the Clouds

Walking On The Clouds

Originally released in 2019, Iconic went on to become one of FOLUAL's most favoured track to date, with widespread support from the likes of Spartaque, Phutek, Scot Project, Eric Powell, Andreas Kraemer, Luigi Madonna and many more besides. 2020 see's the German purveyor of dark acid odysseys A*S*Y*S make an appearance on Apogee Recordings, as he reworks 'Iconic' into a hard and chunky festival sized bomb, laced with his signature pounding groove and hypnotic acid undertones.

As a consistent figure in Beatport's Techno top 10, coupled with staunch support for his music from the likes of Amelie Lens, Adam Beyer, UMEK, Perc, Veerus and many more, this reworking of Iconic is sure to follow suit and be well received by fans of A*S*Y*S, FOLUAL and Apogee Recordings alike.

www.apogeerecordings.com
www.blackholedistribution.net

FOLUAL - Iconic (A*S*Y*S Remix) - Apogee Recordings

Crashguard also known as Pascal Quadratemps started as a one man techno project and he had his first release on USA Import in Antwerp Belgium. This is where he met the legendary artist M.I.K.E. Push and went on to release a few projects as Musix together. Eventually this paved the way for what soon became their pseudo collaboration together of today – Crashguard. After a few years the boys teamed up and decided to combine a very melodic, yet dark-techno sound of today. The indistinguishable melodic techno sounds of M.I.K.E. Push in combination with Pascal’s darker techno touch make tremendous chemistry in their productions that works brilliantly on the dancefloors.

In The Sphere

Buy / Stream

Push vs Crashguard - In The Sphere

As the first Italian DJ to tour the world, he’s put his homeland on the global techno map. As the first DJ to mix live on the eminent BBC music show Top Of The Pops, he’s helped bring techno to the widest audience possible. As the man behind Meganite – one of Ibiza’s most successful and longest running nights – he has recruited some of the world’s most respected underground DJs as residents; Adam Beyer, Marco Carola and Chris Liebing.

This journey to legendary status began over 25 years, 700 releases and 7 million unit sales ago when he became the first Italian finalist in the world DMC championships in 1988. Galvanising this success the following year with a win on a live broadcast Italian DJ competition called The Walky Cup, his national crown as a premiership DJ was realised... And the world beckoned.

A string of sonic successes, dancefloor dominance and industry victories followed; early chart appearances as R.A.F and co- writing for myriad European house acts during the early 90s led him to become a partner Media Records, while his reptilian trilogy in 1998 elevated him to a global level; ‘Lizard’, ‘Iguana’ and ‘Komodo (Save A Soul)’ fused trance with techno on such a level they became hymns for the biblical superclub explosion during the last few years of the 20th century and charted in many countries. From this point onwards, the world could no longer ignore the dance music and techno phenomenon. And Mauro was driving from the front. As one of the most in-demand artists across the globe, he barely left DJ Mag’s illustrious Top 100 DJ list throughout the first decade of the 21st century.

Constantly searching for innovative developments – both musically and technically – Mauro expressed an early vision that is now common place within electronic music: his ability to bring the underground to the masses, to fuse melody, hooks and harmony with industrial strength drum dynamics, his innate understanding of widescreen DJ selections that cover the whole spectrum created a reputation that positioned him in all corners of techno.

This focus and attitude meant that as a DJ he’s been invited to perform the broadest possible range of peaktime sets from Berlin’s famed Love Parade to Turin Winter Olympics via Timewarp, Tomorrowland, MTV Festival, Awakenings, Sensation, Mayday, Ultra Music Festival, Space Miami, Ibiza and thousands more. As an artist this gave him the freedom to flex from major remixes of top tier acts like Freddie Mercury and The Pet Shop Boys while delivering extensive albums that explore every side of techno with daring experimentation with tracks such as ‘Baguette’, ‘Contaminato’, ‘Hong Kong’, ‘The Riff’ and ‘Asteroids’.

As well as his journeyman DJ sets and full spectrum productions, this vision is also evident in his two brands. Both established in the early 2000s and still going strong to date, his Meganite events and Alchemy label are both melting pots for evolution and development. Meganite at Privilege is one of Ibiza’s most infamous techno parties and has since gone on to take over clubs and arenas across Europe and the US while Alchemy has delivered cuts from the likes of Adam Beyer, Chris Liebing, Joseph Capriati, Paco Osuna, Popof, Sasha Carassi, The Advent, Steve Rachmad, Nicole Moudaber and many more. Not just a label, Alchemy has also given the world a successful festival in Mauro’s motherland Turin in 2010 and is the home to his hugely popular podcast series that is syndicated across the world and listened to by audiences of millions. 

Walking On The Clouds

Mauro Picotto

Recent comments

Ross Patzelt

Paddy Mckittrick

Sygma.it

Related tracks