Good day Veysi, I hope you are doing well. I want to ask you the question which I have written on the subject of mail. Am I misreading? The reason of asking this question is that, the more I am reading Habermas, I feel his main concern was the possibility of communication in the public realm. Which I feel he has overcome already from the Knowledge-Human Interest. I had that sign when I came through the concept of ''emancipatory interest''. It was an third interest, which was beyond to the understanding of technical and practical interest. Please correct me if I am wrong, I had this understanding that Habermas was still trying to go the emancipatory interest, (the interest which free itself to it says, (Developing an emancipatory interest enables individuals to free themselves from the intersubjective or commonly held meanings that dominate their understanding of their current world). 

(Record 1) The question of intellect

Fri, 30 Jul 2021 at 7:19 PM

(...) which gives me the sense that it wasn't just the interests which Instrumental action had on technical and practical interest. I am afraid to go to that position, because I have not still yet over to the fact that the (Human-Interests) which are effected in technical and practical interest is more critical to architecture production. I am asking myself do I have still possibility to construct my theses on Habermas notion of ''Human Interest''. I feel he is going to public sphere where he can conduct and bring into being by his communication action.  

Please enlighten me if possible,

Regards,
Waseem Ahmad

(Record 2) The question of intellect

Knowledge & Constitutive Interest:  It clarifies what theory is and is not and what it can and cannot do for habermas.

(Record 3) The question of intellect

We shall meet again

Does the fear of displacement only concern space, or does it also imply a problem of scale? How does this fear affect the lived experiences of those who are not-at-home? Consisting mainly of sound recordings, texts and drawings, Waseem Ahmad Siddiqui’s exhibition tackles Walter Benjamin’s “now-time” (Jetztzeit) by drawing primarily from the artist’s personal history. In this essay, Siddiqui treats displacement not only as a spatial but also as a temporal interruption, while exploring the notion of “disappointed hope”, which he sees as a source of resilience in the face of uncertainty, in various mediums and scales.

Record - 1 _ Depo Istanbul (Exhibition) - Can I stay at your place?

Record - 2 _ Depo Istanbul (Exhibition) - Can I stay at your place?

I am radio anchor in Açık Radyo (open radio).

Mausiqi