Name: Life has just begun (2025 Remix) by Mav Green in Your Mix 9
Duration: 4 min 15 s
Description: This song is about the gift of a new life after a special encounter

Hatte ja bereits das "Original" angehört und kommentiert, kann also gut vergleichen. Also, der Remix hat sich gelohnt, klingt nochmal "runder" und saftiger. Macht den Song noch schöner.

This is such a beautiful song. I love the way it flows and how thoughtful the words are. It tells a true story.

Your Mix 9

What actually happens in a perfect symbiosis between electronics and a classical orchestra ?

Is there hope somewhere ?

Electric Orchestra

PASACANA

Send in the Clowns (Cover, Songwriter: Stephen Sondheim)

this was going to be a disco type song, like love is in the air, but it did not sound right with a dance beat, so stripped out all of that, added a 12 str and toned down the keyboard. the vocals will prolly get a do over next week

You don’t have to smile at me when you pass me on the street
You don’t have to cross against the light so we might ‘accidentally’ meet
You don’t have to ask my friends if i still live alone
Or tell my folks you said to say hello
You don’t have to be so kind

You don’t have to come up to my table in a restaurant
And put your hand on top of mine and act so familiar while we talk
You don’t have to find any reason to spend time with me
Or send me little notes I’ll always keep
it’s gonna make me lose my mind

I’ll only fall in love
I’ll only think of you
I’ll only lie awake and wonder, if you’re thinking of me too
I’ll only act a fool
And I’ll want to marry you
It’s all cause of you
You’re too good to be true
I’ll just fall in love

Please don’t ever let me hold you close beneath the starry skies
Pde give me any reason to look deep into your eyes
And if i should ever start to wonder what my life would be
If you were always next to me  I’ll blame you, 
For making me feel this way

I'll Only Fall In Love

Lyric:TheZuZa
Vocal:TheZuZa
Choruses: TheZuZa
Arrangement: TheZuZa
Music prod. THEPXRTY (contract)
Artwork: hand-painted with acrylics by TheZuZa
Audio Language: polish

Album :
https://on.soundcloud.com/B1fGCWV8rkUbvNs26

Playlist:
on.soundcloud.com/L6FruuRXWSz3Rajs9
on.soundcloud.com/pJMG9
on.soundcloud.com/jn1rK
on.soundcloud.com/9STj7
on.soundcloud.com/W1RvH
on.soundcloud.com/YUrGB

Lyric after translation :

Gray Rock : Rock & Mechs


Gray rock, like a magical shield.
Protect me, protect, hold me tight and protect.
Gray rock, like an ancient flame,
It absorbs me, absorbs, takes me all the same.

Gray rock, like a darkened shirt.
It swallows my light, it wraps, it comforts.
Gray rock, like a celestial bloom,
It shields me with fragrance, it fills up my room.

Machines, machines, click boom bang, see who it hits,
Machines, machines, here flowers grow from the pits.
Machines, machines, no matter how cold the winds,
Machines, machines, life here won’t sell in bits.

Gray rock, like an icy gust.
It cuts the words, scattering all foreign dust.
Gray rock, like a forest at night,
It soothes me, soothes, in silence so tight.

Gray rock, like a silent voice,
It guides me, guides through the void of choice.
Gray rock, like a sign from above,
It guards me, guards, when sleep won’t come.

Machines, machines, click boom bang, see who it hits,
Machines, machines, here flowers grow from the pits.
Machines, machines, no matter how cold the winds,
Machines, machines, life here won’t sell in bits.

Machines, machines, click boom bang, see who it hits,
Machines, machines…




Szara Skała : Rock & Mechs (Prod.THEPXRTY)

A deep and dark song about sorrow and sadness. Initially written on piano, I decided to add dissonances and abstract soundscapes. I am very happy that Michael leaned into the dark theme and wrote sparse lyrics with a lot of meaning in between the words. 

Nadine de Macedo: composition, arrangement, piano, synthesizer, production
Michael Karns: vocals, lyrics

Cover design: Nadine de Macedo
Photography: Cristian Palmer

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://michaelkarns.bandcamp.com

==== LYRICS ====

I'm on my own
Here alone
Almost at the bottom
How did we fail?

Did we change?
How are you?
Because I found
Something inside
Something close to us

It's only some words
Calling out 
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true
    
Help me
Help me understand
This new land
Desolate and blue

In the end
It's always been us
You and me
On our own journey

To a new place
It's only some words
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true

Calling To Me

🙏🏼Jesus help me, I'm alone in this world and a f up world it is too🙏🏼

Butterfly of Death

The Butterfly of Death

Infektomorph's mix and master on the same collaboration track. This song is about my least favourite personality trait I wish to abolish.

Impetus & Nemesis

Impetus & Nemesis (Infektomorph mix)

Work for Woodwinds and Percussion

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 1

Suite For Woodwinds and Percussion No. 1

Mats Original 1

Jag mår bra. X ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

File Updated: Lots of goodies added

Notes
I'm thinking of the mentalists who fascinate me in this tune as well as other things. The idea of neuroplasticity and actually wiring your brain. releasing negativity just by intending it or doing the same conversely if that's your frame of mind. Derren Browne and Keith Barry are two great mind specialists worth a rabbit hole each. 


432 A - EADGAD - 96 bpm

Lyrics
One can never know
Ones suffering
It might not show
You might just get a glow & a grin

Brave faces found
We know deep down
Their light flickers sound
Pain as Earth pounds and pounds and pounds and pounds and pounds ...

So give me your pain
Let me release it
Let me find some peace for it
Give me your pain
Let me release it
Let me find some peace of it

Then it gets hard
Untenable
We disconnect
We end this fake mirrored show
We sleep
We wake
Hands tied
Joints and pills to take
We're trying to feel alive
May we all survive

Oh give me your pain
Let me release it
Let me find some peace for it
I'll be your devil drain
Let it out to cease your sore
Lets find peace for more



Give me your Pain

This song is about the gift of a new life after a special encounter

Life has just begun (2025 Remix)

Flora Pines

Magical Thinking

I have always loved the rather risqué ‘Leather’ by Legpuppy and was blown away when the band agreed to me doing a remix of it.  This really has been a labour of love for me, adding my own ideas, restructuring the track and experimenting with the stems: I hope that I have done the track justice.  

You can hear the original version at https://soundcloud.com/legpuppy/leather
Legpuppy have also done a video for this: https://www.youtube.com/watch?v=a9W-qlyBYJ4&feature=em-lsp

Leather (*thommo* remix)

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Mav Green is a singer-songwriter based in Munich, Germany, who is inspired by artists like Kris Kristofferson, Willie Nelson, Johnny Cash or Bob Marley. His songs are telling stories straight from the heart.

Life has just begun (2025 Remix)

Mav Green

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Die ziemlich gute Band

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