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Junkie XL - instagram.com/tomholkenborg

LNOE - instagram.com/lnoe_label

It’s been nine years since Tom Holkenborg last released under his Junkie XL alias. In those years, Holkenborg has become one of Hollywood’s pre-eminent film composers, working on projects like Zack Snyder’s Justice League, Mad Max: Fury Road, Deadpool and Alita: Battle Angel, collaborating with directors like Robert Rodriguez, James Cameron, Zack Snyder, George Miller, Tim Miller and Peter Jackson.

While working on the Netflix series White Lines set in Ibiza, Tom was inspired to revisit his dance music past. He wrote a series of tracks that he sent to old friend Sasha for feedback, and after playing the tracks out, Sasha asked to release them on his label.

“These tracks were something fun and personal for me, a chance to stretch my dancefloor muscles again, after recalling so many of my Ibiza memories during White Lines,” said Holkenborg. “They are quite different from the classic Junkie XL sound, and I never had any intention of releasing them, but when Sasha asked me too, I couldn’t say no.”

Holkenborg has a long association with Sasha from early in his Junkie XL career, helping to produce Sasha’s 2002 acclaimed debut album airdrawndagger and then later collaborating to release the seminal progressive track Breezer. Sasha was an early champion of Junkie XL in the dance scene adding Future In Computerhell Part II to his Global Underground Ibiza compilation.

As Junkie XL, Holkenborg released six albums, and toured as a live act between 1995 and 2014. A key figure in the Dutch rave scene he headlined major dance festivals and clubs across the globe. Junkie XL collaborated with artists ranging from Gary Numan, Chuck D, Dave Gahan, Robert Smith, Madonna and many others, and famously topped charts around the world with his remix of Elvis Presley’s ‘A Little Less Conversation’.

LNOE139 - Junkie XL - A Fluff Scam

MV006 Kasey Taylor

One of the most loved names on the Australian dance music scene, Kasey Taylor made his mark DJing in his hometown of Melbourne before John Digweed scouted him in the mid-nineties to play at his infamous Bedrock night in London. That was the catalyst for Taylor to take his sound and production to a global audience, leading to international exposure and a permanent move to Europe to satiate the demands of his worldwide bookings.

Currently, he is the creative power behind no less than three record labels. That includes the highly revered Vapour Recordings, the 24-year old mainstay which is over 150 releases deep and the offshoot imprint eVapour8, which topped the Beatport charts at number 1 for 8 weeks with its very first release. The most recent addition to his portfolio is Lo-Fi 45, which has seen Kasey take on a mentor role to use his years of experience to identify, sign and nurture local Australian talent.

More recently Kasey is going through a resurgence, not only is he experiencing a personal and creative renaissance, but he has just completed a rebranding across the board. Vapour Recordings has just gone through a massive revamp which will include a new online portal, merchandise and more. That will also coincide with a release roster of new music that is already creating excitement with some of the scene’s biggest players.

We’ve had covid, we’ve had bushfires, we’ve had the lot, but we can now reset, look to the future and that future is set for one of Australia’s most popular dance music artists to introduce himself to a brand new generation of dance music connoisseurs, and re- introduce him to his loyal followers.

Affiliations – Bedrock/Vapour/Sudbeat/Soundgarden

Socials
http://www.facebook.com/kaseytaylorvapourrecords
http://www.instagram.com/kaseytaylor

Soundcloud
http://www.soundcloud.com/kaseytaylor

Mixcloud
http://www.mixcloud.com/kasey-taylor

Spotify
https://open.spotify.com/artist/4LPdRAStgPlxFxU2B8zJGo?si=SGwjCShQS-akuawi7C-NQg

Website
https://vapourrecordings.com/

Tracklist
Out of Sorts feat. Beacon Bloom – So to Speak
Music in Mind – Love
Stephan K & John Creamer – I Wish You Were Here (Stan Kolev Remix)
Kasey Taylor feat. Amega – Impressions (Danny Bonnici Remix)*
Luka Sambe – Combina
Reset Robot – Dancer
Rogue D, Memoryman AKA Uovo – Electric Safari (Roman Flügel Remix)
Ewan Rill – This Kind (Jamie Stevens Remix)*
Kasey Taylor – Out with the Old*
Mike Isai – Chrysalis (GMJ & Matter Remix)*
Acid Pauli – No Kick, No Cry (DJ Tennis Remix)
QDream & Flashingrood – Bastet (Jamie Stevens Remix)*
Drown feat. Anna Caragnano – Sea on the Moon (The Drifter Remix)
Kasey Taylor & Chris Meehan – Simplicity (Gai Barone Remix)*
Antix – The Rift
Kasey Taylor & Karl Pilbrow – In the Zone*
Eric Lune – Predisposition*
HMC – LSD (Steve Ward Remix)*

*VICTORIAN ARTISTS

Music Victoria Mix Series

MV006 Kasey Taylor

Gude Laune Sven Väth - TDK Time Warp 09-04-2006

Strangers

Paris

Recorded live in berlin in 1992, not sure where anymore
(The pic is me on the woosey’s wedding wagon dancing at Berlin love parade 1992)

Mostly classic early interesting creative melodic trance hypnotic records, but not ‘trance’ as it has developed later on

Starts with wonderful classical ish like version of below

- Vernon - Vernon’s wonderland 
Different mixes and remixes, from the amazing eye q records I think ran or at least Sven catch was involved. Mixing & doubling with two copies creating repeat/echo since back then there was no fix on mixers for such things.

Many I can’t remember the titles and artist, if you do add in the comments please, AND SHAZAM IS CLUELESS ON THOSE lol only false result, because if I see the right title I’ll know for sure

- Vernon - Vernon’s Wonderland - The Future

- Lunatic Asylum - The Meldown Fnac record
This was one hell of an amazing one, played it a lot lot.Fnac that portion of the label was then ran by Laurent Garnier and brought out an amazing catalog of classy techno and house and the label design and covers were amazing 

- Summer breeze - Summer Breeze
   Ralf Hildenbeutel, Sven Väth, also on eye q

- pump up the bass - not sure who and what fast techno acid

- ilsa Gold - Up
So fast and thumping hard, some people really didn’t get it in montreal when I played like that lol

- Mindspace - Cybersonic 
(Oliver Lieb)

- Azid Force - Breakattack from the wonderful Label Superstition from Hamburg in Germany
(It’s Alonso Oliver Lieb)

NOW EVEN FASTER AND HARDER LOL
- Hardsequencer - Brain Cash
Low Spirit record ( Westbam involved)

- Very good but could not remember/find title

Mixing in some bits of Sven Väth – L'Esperanza then full on

- Sven Väth – L'Esperanza (Hope will move mountain mix)
A true gem of the time, big favourite of mine, melodic, intelligent, good

Ending the mix with another amazing melodic classic of that time

-  Humate – Love Stimulation
Mfs Records

Recorded in Berlin 11/07/1992 pt.1

Recorded in 1988 at Bar Lézard 1988, re edited in 2023

Depending at which point I started the cassette to record we miss the first part of songs which I add in and edit some real shaky transitions,but not too many because that’s how it was, not always perfect, but loud, in the club, it created the magic, but listening with headphones, those imperfections comes out and are more noticeable and being the chance taker that I was I dared often to risk executing quite the hard mixes between songs and styles.

Contains lots of acid house and the usual lézard off the wall mixture

First one an acid classic, get real, from Paul Rutherford, a member of Frankie goes to Hollywood.
The simple minds mixed in quite well I though, then mod, then it’s my life, talk talk, then midnight summer dream from the stranglers which was a Jean denis favourite that he made me discover and love.
Then comes Marc Almond, from Soft Cell, with one of my favourite extended version of tears run ring.
Then I think new order comes in, everything’s gone green, after, Les Rita Mitsouko mixing in with 
Le Petit Train. Then a rock psychedelic moment with black widow,
Front 242, Jesus is here, you don’t have to be poor anymore 12” welcome to paradise. Then one of the first lil louie in acid clash, a big classic, with fantastic long long blend with yello the race, then another yello track, then Phuture, your only friend, dark song kinda acid but not about cocaine, then trisomie 21, the last song, then Peter Murphy, then on an exotic vibe which I really loved to bring in for different flavouring, el muhamar, touch el Arab, really amazing one I really love.
The back to acid with Jesus loves the acid, house with wok the bone, which set the dance floor on fire every time, let’s work… more acid, with the outstanding sharp as knife from Roxanne shante, really loved that one a lot a lot. Ending with the twilight zone, very Jamie principal, but not him, great underground one, the party boy.

Bar Lézard - Julia's (1988 re edit 2023)

COMA - The Great Escape 'In Technicolor' Album
https://soundcloud.com/comacologne
https://www.facebook.com/comacologne?_rdr=p
Megical Soul
https://www.facebook.com/Megical-Soul-1017357814989482/?ref=aymt_homepage_panel
https://www.youtube.com/channel/UC-NON0EQBc3TT6VmY_1PaZQ

COMA - The Great Escape (Original Mix)

The sounds in the original song moved me and had me hooked from the moment I heard the clip on beatport, but the song is only 3.5 minutes short. So I stretched it out over 11 minutes to keep those 'feel good feelings' going even longer! Its a sunrise edit because I want to hear this while the sun is rising!

Since this is an edit of more recent song I cannot make it available for download due to copyright stuff. I only hope that coMa realizes that they have some sweet ear candy here and have someone edit it or remix it proper like Lee Burridge, MattDekay, or the Pachanga Boys... or hey, what if CoMa just made an extended version of the original song that would work too ... say up it to 14 minutes of bliss! :)

If you are from CoMa or Kompakt and are annoyed by me having this edit up, send me a msg and I'll take it down...

CoMa - The Great Escape (Corbin S Sunrise Edit)

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Gude Laune Sven Väth - TDK Time Warp 09-04-2006

maw2k

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