Exotic Contents / Pulse at the Centre of Being

Pulse At The Centre Of Being

Spectrum

Unspoken Words

Inanimate to Animate (feat. Kotomi)

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' out on Erased Tapes.

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

Recovery

Buy 12"/DL

Rival Consoles - Recovery

Original Music by Desert (Cristina Checa & Eloi Caballé)
Remix and Additional Production by Sau Poler, Pedro Vian, Sunny Graves, LANOCHE. 
Artwork by Arnau Pi
Modern Obscure Music 2015

www.modernobscuremusic.com

Desert - Saps Prou Bé (Sau Poler Remix)

MUST F33D! (Alt mix)

Dreamer Records proudly presents the latest single from Lev Hordynskyi – “Beneath the Veil of Shadows”!
🎧 Out now: https://fordreamers.org/releases/lev-hordynskyi-beneath-the-veil-of-shadows/

🔗 Support the Artist:
https://soundcloud.com/lev-hordynskyi

––––––––––––––––––––––––––––––––––––––––––
🔹 Support Dreamer Music:
www.buymeacoffee.com/dreamermusic

🔹 Explore our full catalogue:
https://fordreamers.org/releases/

🔹 Follow our Spotify playlists:
sptfy.com/dreameronspotify

🔹 Submit your music:
fordreamers.org/submission

🔹 Contact us:
fordreamers.org/contact

OUT NOW

Lev Hordynskyi - Beneath the Veil of Shadows

Stream/Buy: Stream: https://fanlink.tv/nneedyou
Listen on Spotify:
https://open.spotify.com/album/3pRvjS0oCb0uxnn2UtU3U6
Watch on YouTube:
https://www.youtube.com/watch?v=-zm8vLiLW5o

Follow Me:
Spotify: open.spotify.com/artist/6iJssSwlfABvWKmYrR9Cn3
Apple Music: music.apple.com/ua/artist/avrx/1718591883
Instagram: www.instagram.com/avrxsound/
TikTok: www.tiktok.com/@avrx.sound
YouTube: www.youtube.com/@avrxsound
Soundcloud: @avrxsound

Need You

Stream/Buy

Nocturnal Sunshine
www.nocturnalsunshine.co.uk
www.facebook.com/NocturnalSunshineOfficial
open.spotify.com/artist/1BiGjy3Kg99ZgL7E2Qb4Td
@nocturnalsunshinemusic

Out Now on itunes: smarturl.it/nocturnalsunshine

Maya Jane Coles
www.facebook.com/mjcofficial
www.twitter.com/mjcofficial
open.spotify.com/artist/6TshTCYwh9ySzOO6Jy4Ux2
www.instagram.com/mayajanecolesofficial/
soundcloud.com/mayajanecoles/

Stream on Spotify

Nocturnal Sunshine - "It's Alright"

From the album 'Beneath The Surface' out now on Max Cooper's Mesh Label

Download/Stream/Purchase Vinyl here: http://mesh.lnk.to/BeneathTheSurface

Beneath The Surface

Immerse

First single from the latest audio/visual project, Yearning for the Infinite, Perpetual Motion was written for that moment at the end of the night when all the experiments and madness is over and we just need a nice warm chord sequence to send us home in a good mood. 

The name comes from its role in my new visual show, where it plays that same closing role in the story of humans “yearning for the infinite”. Set to drone footage of people in their endless pursuit of life in Mexico City, combined with epic scientific visualisations of different infinite structures. It’s all part of a project commission from the Barbican, which has spawned this new album and live visual experiment.

For tickets to the show, head to my site https://shop.maxcooper.net/tickets

And big thanks to Renick Bell for the "yearning for the infinite" human!

Yearning for the Infinite

Perpetual Motion

Pre-order / stream

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Inanimate to Animate (feat. Kotomi)

Max Cooper

Recent comments

Nastadeep

christian68

MG 91264

𝐘𝐀𝐒

Related tracks