Shaders

Moderat's Milk (The Lonely Edit)

Download: http://www.xlr8r.com/mp3/2014/02/zoetrope

Download

King of the Mountains - Zoetrope

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' out on Erased Tapes.

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

Recovery

Buy 12"/DL

Rival Consoles - Recovery

Planète - Visions

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Pre-order the CD/2LP/DL: http://www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Burnt

Buy 2xLP/CD/DL

Kiasmos - Burnt

iTunes - http://smarturl.it/MCKindred
A few years ago I did a remix of a track by Dominik Eulberg called Sansula, which featured an instrument of the same name. After the release a builder of sansula instruments in the Netherlands was kind enough to give me one as a present in case I wanted to use one again in a live recording, which I have finally got around to doing now with this track!

My process consisted of me sitting in my studio (badly) playing the thumb plucked sansula for quite a while, so that I could go back to the recording and pull out some useable loops as a starting point. I wanted a nice warm analogue chord progression to complement, but more in the high bass and low mids than my usual chord progression that's down really low, to fill the mix with the warmth as much as possible.

The track still needed something though, so I turned to some spare recordings of my favourite vocalist - Kathrin deBoer, from some of our previous recording sessions. I didn't want to go for the usual full lyrical approach of a vocal collab track, I just wanted to add some small snippets of human feeling to round off the track properly.

The release is coming out on Fields on the 1st of December along with an intense synth experiment with a Prophet 08, and beautiful remixes from David August and Throwing Snow.

If you're not into buying music there is also a new website I have just launched which will be providing exclusive new free downloads for all in return for signing up to the website - http://www.maxcooper.net/downloads

Origins

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

OsakaStockholm 118

Original Music by Desert (Cristina Checa & Eloi Caballé)
Remix and Additional Production by Sau Poler, Pedro Vian, Sunny Graves, LANOCHE. 
Artwork by Arnau Pi
Modern Obscure Music 2015

www.modernobscuremusic.com

Desert - Saps Prou Bé (Sau Poler Remix)

when you are alone

Ex Machina OST - Falling

Buy Altair

Altair

I had a lot of train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of movement and time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

You can find that project and a longer explanation of the video ideas here: https://vimeo.com/241546182

For the music I wanted to bring ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there.

You can hear the whole EP here: https://lnk.to/WorldPassingByEP

Whole EP Stream/Buy

Resynthesis [Mesh004]

The next preview of my new album is out today. It is repetition, that seemingly boring thing which gives us all the magic of music, with its repeats inside repeats.

The track was written for a video chapter of the new AV show story "Yearning for the Infinite". The visualisation shows our cities as duplicated animated structures stretching off into the infinite distance (which I'll post very soon), and tells the story of our endless societal growth, with the music telling the same story by what means it can. Perhaps you'll find it a maddening listen, I hope not. For me there's always been something special about musical simplicity, like there's nowhere to hide, and if there's only two chords, they better be good ones. Also the track is for escaping the 5 second socials attention span thing, it needs a few minutes to work, ideally eyes closed headphones on, if you can spare me the time I promise it will be worth it!

Listen to Repitition here: https://ffm.to/pdn5ban

Artwork by Renick Bell

Repetition

Find "The Waiting Room" in The Ghostly Store: http://www.theghostlystore.com/collections/music/products/lusine-the-waiting-room

Lusine - February

Emergence

Order from Chaos

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Resynthesis [Mesh004]

Max Cooper

Recent comments

christian68

Replay me/ody

i love techno

Imp_Regina _S_.

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