Music for Coding

Circular as Our Way

Ladytron - Evil (Ewan Pearson remix)

Luz Fantasma

This world just doesn't feel right anymore.
Sometimes, everything just becomes too much. So I keep locking myself away in thoughts of better times.

This is Volume 5 of a series of nostalgic Synth-Pop songs with the distinctive sound of the 1990s, meant to send you back to a time when everything felt so much better.

Immerse yourself in lush analog synths, atmospheric and melancholic synthesizer sounds, and retro drum machines that paint a bittersweet story of memory, longing, and the search for hope.

Whether you're driving alone at night, working from home, or simply closing your eyes and drifting away — this music is your ticket to another time.
Perfect for late-night drives, creative moments, or simply letting go, drifting lost in thought.

Dont miss out on Sentimental Panda on Youtube ❤️

Foreign Love

#StereoSunset

#devsays – “It’s not darkness. It’s the end of the past. Welcome the present.”

Track Details: 120 BPM | Retro Nu-Disco × Synthwave

Stereo Sunset is a warm, groove-driven ride through retro synth textures and emotional lift. The track pulses with a smooth 4/4 beat, rounded synth bass, and shimmering arpeggios that stretch across a wide stereo field. Soft pads and melodic leads drift in and out of focus, layered with breathy male vocals that evoke motion, memory, and connection. The structure unfolds in five emotional phases: glide, pulse, lift, drift, and fade, with each shaped by subtle automation, stereo shimmer, and vocal phrasing.

The mix is clean and expansive, with soft compression, ambient tails, and a sunset-toned palette. Breakdown sections use chopped vocal inserts and reverse reverb to build atmosphere. Every phrase glides. Every synth breathes. Every echo lingers.

Smooth. Sunset. Stereo.

Streaming soon on All Platforms 
Credits: Written, Produced, and Performed by #GautamDev

Connect 
Twitter: https://twitter.com/devstersinc 
LinkedIn: https://www.linkedin.com/in/securityguru

Listen 
Pandora: https://www.pandora.com/artist/gautam-dev/AR6hw2whJ2wkfKg 
Spotify: https://open.spotify.com/artist/59uDcQso3jvsRXbA97LAdc 
Apple Music: https://music.apple.com/us/artist/gautam-dev/1197681651

#StereoSunset #NuDisco #Synthwave #RetroGroove #SunsetInStereo #GautamDev #devZter #MusicByDev #devsays #YoungHeartsCollide #IntoTheNight #WeGlideWeEcho #SunsetLegacy

Stereo Sunset

The Night Land (feat. John Talabot, Axel Boman)

Samsa feat. John Talabot, Axel Boman (Original Mix)

Stars and Dust

Crepuscular Rays Over the Horizon

Erased Tapes Collection V

Little Boy in a Space Suit

La Vague

Articulation

Sudden Awareness of Now

Still Here

Hope

Rule 110

The first single from my 4th solo album, Immunity, released worldwide 3rd June on Domino Records. Available on vinyl and digital now.

Watch the video: http://youtu.be/Q04ILDXe3QE

Open Eye Signal

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Rule 110

Max Cooper

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