❤️‍🔥❤️‍🔥❤️‍🔥🪇🎷☮️

Spring:19

Tours City born producer  French Kiwi Juice or  FKJ is due to drop his second EP this summer ‘Time For A Change’ via exciting French label, Roche Musique.

A fresh guise for French Kiwi Juice, this is an artist who has wasted little time embedding his fresh breed of soulful electronic music in our minds. 

Having previously released the undeniably contagious ‘Lying Together’, FKJ has set the blogsphere alight with EP lead track ‘So Much To Me’ which earned a spot in Bondax’s debut XLR8R mix.  

A rare act, for once exceeding all hype, FKJ has carved his own niche with tracks such as ‘Instant Need’; all suave, effortless piano-driven grooves and ‘Unchained’ which is as close to sunshine in audio form as you can possibly get. Completed by ‘Between Moods’ which swings with smooth melodic basslines, ‘Time For A Change’ EP is a lesson in how 
to craft emotion-fuelled, sunshine pop songs.


Already supported by the likes of Bondax, Moon Boots, Earmilk and Indie Shuffle,  FKJ recently played his debut UK show alongside Bondax, Star Slinger and Karma Kid. With music as fresh as this, make sure you keep two eyes firmly peeled for new music from  FKJ and Roche Musique.

FKJ on facebook www.facebook.com/frenchkiwijuice
Roche musique on facebook www.facebook.com/rochemusique?ref=ts&fref=ts

Time for a Change - EP

Instant Need

ITunes

FKJ Instant Need

Cascades

Echoes

Remember

Day After Day

Cycle [Minimal Groove Concept]

Too Much For Me

Beatport

Ouw£ - Mine At Last (Behavior Recordings)

Two Thousand And Seventeen

four tet ▸ la trance / ᴆᴀʀᴋᴋɴᴇ ʀᴇ:ᴇᴅɪᴛ

Download: https://www.xlr8r.com/mp3/bruce-brubaker-riley-keyboard-study-2-version-6-max-cooper-remix

@max-cooper
@bruce-brubaker-official

Codex Versions

Download

Download: Bruce Brubaker - Riley Keyboard Study 2, Version 6 (Max Cooper Remix )

Teenage Birdsong

First single from the latest audio/visual project, Yearning for the Infinite, Perpetual Motion was written for that moment at the end of the night when all the experiments and madness is over and we just need a nice warm chord sequence to send us home in a good mood. 

The name comes from its role in my new visual show, where it plays that same closing role in the story of humans “yearning for the infinite”. Set to drone footage of people in their endless pursuit of life in Mexico City, combined with epic scientific visualisations of different infinite structures. It’s all part of a project commission from the Barbican, which has spawned this new album and live visual experiment.

For tickets to the show, head to my site https://shop.maxcooper.net/tickets

And big thanks to Renick Bell for the "yearning for the infinite" human!

Yearning for the Infinite

Perpetual Motion

Pre-order / stream

Odyssey / Sonne

Odyssey

Blurred

Jarred

Emergence

Waves

Vague Response

Motion

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

Waves

Max Cooper

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