Sa Fest Tek

Musta / Welcome (To My Afrika)
Label / Samosa Records
Released / Forthcoming
Format / Vinyl
Buy from :
https://www.juno.co.uk/products/musta-maracuja-ep/832535-01/
https://www.deejay.de/Musta_Maracuja_EP_SMS023_Vinyl__977182
https://www.decks.de/track/musta-maracuja_ep/cia-ep

A side is ‘Welcome (To My Africa)' which immediately kicks off with a sumptuous rolling bass, distinctive hi-hat and rhythmic bongos to draw you in. In an instant, you’re surrounded by layers of African rhythm guitar, sharp brass and woodwind with the most infectious vocal chants. This really is Afro-Funk at its finest. A bouncing, rocking, rhythmic bomb of a track which will fill any dance floor.

Support :
https://soundcloud.com/samosarecords/
https://soundcloud.com/gabriele-musta
https://www.facebook.com/samosa.records
https://www.facebook.com/gabrielemusta
https://samosarecords.bandcamp.com/

Buy from Juno

PREMIERE: Musta - Welcome (To My Afrika) [Samosa Records]

Eli Brown - Believe EP 

Out now on Filth On Acid

Listen/Stream here: https://snd.click/FOA106

Believe

@missbaas @digital_koala - MADL 2.0

Diva recitative Miss Baas and UKG Junior Digital Koala present their first joint single - MADL 2.0. International garage - available to everyone!

Stream/Download

Miss Baas, Digital Koala - MADL 2.0

Saved release their 100th EP with a superb collection of tracks including my remix of Gary Beck's 'Say What'. 

Released on the 10th March.

Gary Beck - Say What (Adam Beyer Remix) - SAVED100

With the sound of Drumcode’s 15 Year anniversary still ringing in the ears of those who attended one of the labels special tour events or bought the commemorative compilation, Adam Beyer’s seminal Techno label dusts down the bunting and rolls out the party banners once again this month to celebrate the labels landmark 100th release. With such longevity being a mark of the consistency that has come to define Drumcode’s output over the years, it is highly appropriate that this milestone occasion be marked by releasing two new Adam Beyer tracks, The Color Out Of Space and Lovecraft, a collaboration with Ida Engberg, that follows up her Blue Yonder EP from September 2011

Drumcode mark their landmark 100th release with a two-track EP that comes directly from the heart of the label’s operation. Just as with the label’s first release sixteen years ago, Adam Beyer positions himself at the controls, unleashing the shimmering ‘The Color Out Of Space’ with its euphoric melody riding on the back of nagging chords and booming kick. A product of Beyer’s studio collaboration with Ida Engberg, ‘Lovecraft’ takes its place on the b-side, cutting a trippy journey through distinctive chord patterns and undulating melodies that bounce around in the mix, underpinned by a heads-down groove. 

DC100 - Adam Beyer & Ida Engberg - Lovecraft - Drumcode

Free Download

Bang Bang (Dre Mendez & Caleb Dent Edit)

Israeli duo Clüb De Combat deliver a naughty club record to Diynamic and demonstrate their signature Acid House sound.
Opening track „Time" together with Rex The Dog whacks you with a nasty bass line, a hypnotic crushed vocal and those old school analog percussions that won't let you sit still.
„Delirio" hits like a high speed pursuit in an action movie - wailing police sirens, the smell of burnt rubber and crashing through obstacles in order to escape your opponent.
And „Shine" starts off chill, but then quickly ignites with energetic, catchy stabs and syncopated vocals that will have you grooving along from the very first beat.

Clüb De Combat, Rex The Dog - Time (Korgasmatron Part II)

Flashmob

Vitalic • Poison lips

CHAT-BOT’S is a relentless Deep Glitch House LP exploring the tension between human control and autonomous AI voices. Six tracks built on distorted kicks, pulsating sub-bass and brutal glitch textures.
Each piece is a merciless dancefloor machine, cold and hypnotic, with fragmented robotic female phrases whispering commands and system errors. No melodies. No warmth. Just pure industrial darkness.

4. Bard.exeception

„RAINMAKER“ ist ein düsterer, glitch-inspirierter Minimal Deep House Track, der mit einer verzerrten weiblichen Stimme und einer hypnotischen Atmosphäre aufwartet. Sanfte Gewitter- und Regenklänge verschmelzen mit tiefen Bässen und minimalistischem Beat zu einem immersiven Sounderlebnis. Perfekt für nächtliche Clubsessions oder stille Momente im Regen – ein Soundtrack für die digitalen Stürme in deinem Kopf.

Falls du dich fragst: Ja, das ist mehr als nur ein Track. Das ist dein persönlicher Regenmacher.



Rainmaker (Submerged Version)

Immerse yourself in "The Moon", an atmospheric deep house experience that brings the mysterious magic of the moon into sound form. Five tracks full of minimalist groove, ethereal vocals and spherical textures take you on a journey through the phases of the moon, from delicate partial shadows to dark eclipses. Perfect for nocturnal hours when the world goes silent and the sky tells stories. Let yourself be enchanted by "The Moon" - a musical expedition through light, shadow and space.

Crescent Veil

„Satellit C564 & TrES-4b  sind kein gemütliches Soundbett fürs Wohnzimmer-Gucken — das ist purer, pumpender Underground-Dancefloor, getrieben von düsteren, glitchigen Beats und pulsierenden Basslines, die tief in die Eingeweide des Clubkerns eindringen. Diese 5 Tracks verbinden minimalistische Techno-Elemente mit treibenden Grooves, elektronischen Störsignalen 

TrES-4b

FRAGMENTED REALITY:// DARK LOOP drags you into the machine’s shadow. Relentless distorted kicks, glitch pulses, and corrupted whispers create a cold, hypnotic underground collapse.

Dream Corrupt

"Broken Code" ist ein akustischer Abstieg in eine dystopische Cyberpunk-Landschaft. Das Album ist ein unerbittlicher Strom aus pulsierenden Sub-Bässen, fragmentierten Synth-Texturen und kargen, mechanischen Rhythmen. Eine wiederkehrende, glitchige Frauenstimme flüstert und stottert als korruptes Datensignal Schlüsselphrasen, die die Themen von Identität und Fehlfunktion in einer zerfallenden digitalen Welt erkunden. Jeder Track ist ein kaputtes Segment, das durch die unheilvolle Geräuschkulisse von Gewitter und statischem Rauschen verbunden wird. Ein Soundtrack für den "Geist in der Maschine", der sich von den Überresten einer verlorenen Realität ernährt.

Pixel Decay

„BACHI (also known as BxAxCxHxI) is a producer of uncompromising dark glitch techno. His sound is defined by relentless basslines, distorted rhythms, and minimal underground energy. No melodies, no warmth – just pure industrial pressure. A soundtrack for the deepest clubs and late-night resistance.“

Error 001

Project Blaster

“Glitch Cathedral” is a dark and hypnotic journey into the depths of glitch-driven underground house. Six ritualistic tracks merge distorted kicks, deep sub-bass, and glitch textures with cold, fragmented female whispers. No melodies, no warmth – only relentless minimalism and industrial darkness. This LP feels like worship inside a digital cathedral, where machines pray in static and errors become holy chants.

Sa Fest Tek

Max Leonard 4