Name: STRANGER THAN FICTION / Marc Forster - On the nature of daylight by max richter in Official door
Duration: 6 min 11 s
Description: A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

گاهی میشود گاهی نمی شود این بار هردو شده‌اند اما من نمیخواهم و نمیدانم چرا

قلب من کاش هیچوقت اینطور نمیشد بینمون ..❤️

This wonderful music makes my toes curl...

體會過極致痛苦 才懂得欣賞這首曲子🙏

Official door

Covered by dhe Perissann, thanks for watching. See my youtube channel

Ólafur Arnalds - Reminiscence (Soft Piano)

Dream River. (by Woodsman on Youtube)

You have to keep looking for your soulmate, it is somewhere out there, waiting for you...

Buy on iTunes

Soulmate

The song is called "Fyrsta", which means "First". Because it is the first song of the series, but also because this piano theme was the first thing i managed to write while temporarily living in Los Angeles after weeks of severe creative block while trying to adjust to a new and strange place.

http://olafurarnalds.com/
https://soundcloud.com/olafur-arnalds
https://www.javad-majidi.com/

Ólafur Arnalds - Fyrsta

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

STRANGER THAN FICTION / Marc Forster - On the nature of daylight

walking on a warm night by the sea, hearing a storm that never comes (Dunster)

The Departure theme from HBO series The Leftovers, composed by Max Richter in 2014.

Live video: https://youtu.be/owkJzOgl-iE

The instrument is a Kawai VPC1 controlling a Nord Stage 2 using a sampled Yamaha C7 grand piano, with some delay.

Video

Max Richter - The Departure (The Leftovers) [piano cover w/ delay]

Live video: https://youtu.be/xvmi3ZXUlJY

La valse d'Amélie, composed by Yann Tiersen for the French movie released in 2001.

The instruments are a Kawai VPC1 controlling a Nord Stage 2 using a sample Yamaha C7 grand piano with effects.

Yann Tiersen - La valse d'Amélie [piano]

You can PRE-ORDER Living Room Songs on CD/LP/Download or Special Edition CD&amp;DVD here: 
http://www.erasedtapes.com/store/index/ERATP037

ABOUT LIVING ROOM SONGS:

Icelandic contemporary composer Ólafur Arnalds created and released a new song, one per day for one for one whole week during the month of October 2011. The songs were recorded and filmed live in the living room of his Reykjavik apartment and released instantly for free as streamed videos and mp3 downloads.

Thousands of fans followed this exciting project online at: livingroomsongs.olafurarnalds.com

Living Room Songs will now also be released on CD, Vinyl, Ltd. Special Edition CD &amp; DVD and as High Quality Downloads on December 5th via Erased Tapes.


Following in the spirit of Ólafur Arnalds’ critically acclaimed Found Songs (2009) now comes Living Room Songs. This time Ólafur takes the idea further and invites the audience into the comfort of his living room, where the songs were recorded live and the whole process filmed. The songs were instantly released in form of a free mp3 download and video stream- straight from Ólafur's Reykjavik apartment.

IN HIS OWN WORDS: ‘One night I was just playing my piano here in this apartment and I was writing a new song and I didn't have my phone on me which I usually use to record ideas. So I actually took out my MacBook and I didn't want to open like a proper recording program, so I just opened Photo Booth and recorded a video of myself playing the song so that I would remember the song. And I really liked the atmosphere of that video and that's when I thought I should do a series of songs in my living room...’             – Ólafur Arnalds


Born in the suburban Icelandic town of Mosfellsbær, a few kilometers outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide since his 2007 debut Eulogy for Evolution. Ólafur Arnalds’ second full-length album ...and they have escaped the weight of darkness, continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements. Ólafur is currently touring with Ryuichi Sakamoto on his Trio Tour throughout Europe.

'The indie kid who knows the score’ – Guardian’s Observer

'Timeless and sublime’ **** – Uncut

'An artist of immense maturity' (9/10) – Drowned In Sound

'Hotwired to the soul. ...will reduce you to wordless tears'  – The Quietus


 
TRACK LISTING: 

I. Fyrsta 
II. Near Light 
III. Film Credits 
IV. Tomorrow's Song 
V. Ágúst 
VI. Lag Fyrir Ömmu 
VII. This Place Is A Shelter


Near Light

Ólafur Arnalds - Near Light

Lucid

Abel Korzeniowski - Table For Two

www.abelkorzeniowski.com/
www.facebook.com/abelkorzeniowski
twitter.com/korzeniowski
http://we-movie.com/

Abel Korzeniowski - Dance For Me Wallis

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

STRANGER THAN FICTION / Marc Forster - On the nature of daylight

max richter

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