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Minimalist Classical Composers

Europe After The Rain

The Twins (Prague)

Sarajevo

November

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

STRANGER THAN FICTION / Marc Forster - On the nature of daylight

16. Abel Korzeniowski - And Just Like That

Bataille

The Departure theme from HBO series The Leftovers, composed by Max Richter in 2014.

Live video: https://youtu.be/owkJzOgl-iE

The instrument is a Kawai VPC1 controlling a Nord Stage 2 using a sampled Yamaha C7 grand piano, with some delay.

Video

Max Richter - The Departure (The Leftovers) [piano cover w/ delay]

Dans La Maison - Philippe Rombi

"Steve Reich in The Hague"  
 14.12.2003
 Bootleg

Steve Reich - Music for 18 Musicians

#TheBiberProject is a live performance in which the interpretation and recreation of the Baroque repertoire merge with sonic experimentation and interaction. The musical studio is a broad-spectrum cognitive pathway that through interpretations, new readings, audio manipulations, original and recomposed tracks, investigates the expressive canons of the seventeenth century.
This recomposed is the final act of the performance.

Handel' Sarabande - Recomposed

Featured in trailer for Ridley Scott's 'Prometheus'. (international trailer)

Trailer here http://youtu.be/a9jRaa4Wkbk

Taken from the album 'Memoryhouse' available to buy at:
http://fatcat.sandbaghq.com/index.php/max-richter-memoryhouse.html?options=cart


BUY HERE

Max Richter - Sarajevo - Music from Prometheus Trailer

http://heinali.bandcamp.com/album/sway-sway

Sway, Sway

Up! is the last of 7 pieces from the EP "Viva". To the magic of Flying...

If you like my music please give me a smile and like my Facebook page :-): www.facebook.com/Dirk.Maassen.Music

watch my piano video clips at youtube: www.youtube.com/user/ascoltadi?feature

Dirk Maassen - Up! [Final Master] - (Project Ascolta !)

Born and raised in the true Detroit Underground, 1995-1998. 

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

November

max richter

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