Rope Mojo_part2

Hello. I am Aethery Fields.

There are moments when time seems to stand still.

Instants when fog settles over a landscape and contours blur. "hello." is such a moment, captured in sound, preserved like a fading Polaroid whose edges are already dissolving.
After a distant time in the shadows, sailing the cinematic seas of Dark Ambient and Soundscape with my moniker "Logic Moon", I felt the need to give my brighter side more space. **Aethery Fields** was born, not as an escape, but as a complement. A place where light penetrates through the mist, where silence is not empty but filled with fleeting impressions.

"hello." is the counterpoint to my otherwise busy self. It is a still frame in a fog-veiled landscape, blurred, hazy, yet all the more haunting for it. Sometimes they are mere silhouettes drifting through the sound, vague intimations of melodies that emerge from the mist and vanish again. Then suddenly simple lines crystallize, clear and immediate, before fading back into the haze.

Process
Every track on this album emerged spontaneously, born from the moment itself. I sat down, pressed record, and let the things flow. No overthinking, no perfectionism, only the urge to capture the here and now before it slips away. What you hear is what happened in that instant. A texture, a melody appearing out of nowhere. Minimalist in form, yet rich in emotion. This music reveals my quiet side, that self which strives for deceleration, which dwells in the now and transforms impressions into sound as naturally as breathing. Each piece is an impulse made audible, a fleeting thought given form. It is a pause between breaths, a lingering in the moment before it dissolves.

Like a Polaroid capturing the essence of a vanishing moment, the diffuse light, the blurred atmosphere, the unrepeatable accident, "hello." reflects instants that can never be fully grasped or recreated. Still lifes in stillness, which despite their calm are permeated by countless sounds and impressions. It is the beauty of the imperfect, the transient, the barely visible, the unplanned.
"hello." is an invitation to pause, to lose yourself in the fog and to discover the essential in the blurred, to feel the aliveness within the stillness.

hello.

Song1

528 HZ - RETURNING TO LIGHT

AMV: https://www.youtube.com/watch?v=hd_jzAtjAMY

prod. by me
Lyrics:

[Chorus]
Days
Passing by
I get
Reminded
How
Lonely I am
Lost in this keyboard
Playing emotions
I can not speak

[Verse 1]
I lost track of
Seeds
I sow
And it feels
Nothing is worth
I don't know
For how long
But I think
I forgot

[Verse 2]
Does it
Matter?
Will you
Answer
If in you
I seek
Shelter?

[Verse 3]
I
Feel so hollow
Singing for the morrow
That will
Never come
I don't know
What or who
To
Follow
Other than
These pills
I swallow

[Chorus]
Days
Passing by
I get
Reminded
How
Lonely I am
Lost in this keyboard
Playing emotions
I can not speak

days

Sleep

Path 17 (Before the Ending of Daylight) (Pt. 7)

Space 26 (epicardium) (Pt. 2)

Chorale / Glow (Pt. 3)

Patterns (Lux) (Pt. 1)

Space 26 (epicardium) (Pt. 1)

Patterns (Lux) (Pt. 2)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Chorale / Glow (Pt. 3)

max richter

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