The Leftovers

https://littlerobotguy.bandcamp.com/

BROKEN TAPES: I-V is a collection of songs that did not make the cut for the upcoming album. It is the firs of three parts with the remaining two to be released very soon after. Please show your support via my BANDCAMP as it benefits the artist, thank you! 

IN OBSIDIAN RECORDS

ARTIFICIAL GHOSTS (RELIC)

Outro

Tension filled percussion gives way to tribal orchestration, blending somber, carnival-Esque strings with evolving melodic layers. The piece transforms from conflict into a romantic odyssey, capturing the cyclical nature of transformation.

Season of Change

Solo

Circling

The Leftovers: Season 2 (Music from the HBO Series)

Entropy for Meg

Dark Cloud for Kevin

The Leftovers: Season 1 (Music from the HBO Series)

The Departure

Only Questions

Afterimage 1

The Leftovers (Main Title Theme)

De Profundis

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

soundcloud:tracks:442679790

Entropy for Meg

max richter

Related tracks