somehow, each of his works reaches deep down to my soul and wakes up parts of me that felt dead.

باز وش مکس ریشتر تی دست درد مکنا

Enter The ShadowVerse

Familiar

Nils Frahm - Familiar

Her hakkı saklıdır/all rights reserved
canlı performans için youtube adresime bakabilirsiniz
You can check my youtube address for live performance.
https://www.youtube.com/c/butimarofficial

No More Days

Written & performed by Greg Haines
Published by Erased Tapes Music

Greg Haines – 183 Times

When It's Going Wrong

Vårgrenar

Full album (8 tracks):
Spotify: https://spoti.fi/3ahyQQ8
iTunes: apple.co/2v4OlcG
Bandcamp: bit.ly/2VaaHnU
Others: fanlink.to/iday_soaring

Full album on Spotify

whale

Late and Soon

Late and Soon (Edit)

Breed

This Is Who We Are is one of the most personal and emotionally charged tracks from The Shadowmaker. It captures my journey of self-reflection, facing insecurities, and questioning my place in the world.

Blending ghostly indie with cosmic folk, the song’s wistful melodies and reverb-heavy electronic drums create an airy yet atmospheric soundscape. Lines like “jaded sense of glory” and “heavy are the shoulders with his fading repertoire” reflect the inner battles I’ve faced, while falsetto vocals and withering strings bring a haunting sense of vulnerability.

This track invites you to confront your own “shadow avatars” and embrace the raw truth of who you are. It’s a deeply personal piece that I hope resonates with anyone searching for meaning in life’s complexities.

Thank you for listening.

This Is Who We Are

JSTR jgrey 10_30

31 Oct 25 The Otherworld

Manhattan

[p*dis] distribution sampler for February 2012.

Olafur Arnalds - Another Happy Day - Autumn Day (erased tapes)

Sol Seppy - Move

Second Single track Released by PerfectParadox...
the Never-ending sorrow. darkest Blizzard in the deepest highlands of human nature.

دومین تک‌آهنگ ما...
.غم بی‌پایان. تاریک ترین بوران در ژرف‌ترین ارتفاعات طبیعت بشر

Sorrow Never Ends

Another Happy Day, by Sam Levinson (featuring Ellen Barkin, Ellen Burstyn, Demi Moore...) is premiering at Sundance Festival this weekend! This is a little sample of the music I did for the film. This song is from what is in my opinion one of the strongest moments in the film.
http://sundance.slated.com/2011/films/untitledsamlevinsonproject_sundance2011
Gotta pack my boots and hat now. I hear it's cold out there in Utah...


Lynn's Theme

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Late and Soon (Edit)

max richter

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