somehow, each of his works reaches deep down to my soul and wakes up parts of me that felt dead.

باز وش مکس ریشتر تی دست درد مکنا

Familiar

Nils Frahm - Familiar

Her hakkı saklıdır/all rights reserved
canlı performans için youtube adresime bakabilirsiniz
You can check my youtube address for live performance.
https://www.youtube.com/c/butimarofficial

No More Days

Kosandra / Slowed

Almost Burned

See live video : https://youtu.be/9vrjykY60Mk?si=lPJMysGyC1daf9GW

Listen on Spotify : https://open.spotify.com/intl-fr/track/0Bt18ejzkpJv7BHh8WOEAR?si=b86ed0a15a574699

Interstellar (Hans Zimmer Cover) >> Kwoon

Late and Soon

Late and Soon (Edit)

Eyes Don't Lie_ Yasin Lv

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A Horror From Beyond Our Dimension

A knife in the back

Lili - Aaron (cover)

lyrics
--------
i don't think i've
ever been this fucking stressed in my life
creature part two isn't finished i lied
just to get them off my back though i tried
i can't create when i'm dying inside
moving this weekend i wish i could fly
don't have my car but i still gotta drive
pack up the uhaul and tell my mom bye
hop on i-86 thinkin' bout why

am i like this
i don't like this
all my friends are enemies behind my eyelids
losing sleep i drive all week and raise my mileage
guardin cut his fucking hair now i don't like him
depression take me by 25
fuck going out i'll just stay inside
this isn't you i say to myself every night lately i contemplate suicide
oh but you're famous online so your life must be great they say but that's a fucking lie
crawl into bed around seven a.m. and the headaches come full force i wanna die

hey holywood would your people ever like me?
misunderstood is all i ever might be

all i ever might be

من به تن دردم نیست
یک تب سرکش، تنها پکرم ساخته و دانم این را که چرا
و چرا هر رگ من از تن من سفت و سقط شلاقی ست
که فرود آمده سوزان
دم به دم در تن من.
تن من یا تن مردم، همه را با تن من ساخته اند
و به یک جور و صفت می دانم
که در این معرکه انداخته اند.

نیما

Lynn's Theme

reza pishro To yani

Miyagi & Andy Panda - Kosandra (Slowed + Reverb)

Another Happy Day, by Sam Levinson (featuring Ellen Barkin, Ellen Burstyn, Demi Moore...) is premiering at Sundance Festival this weekend! This is a little sample of the music I did for the film. This song is from what is in my opinion one of the strongest moments in the film.
http://sundance.slated.com/2011/films/untitledsamlevinsonproject_sundance2011
Gotta pack my boots and hat now. I hear it's cold out there in Utah...


Miyagi & Andy Panda - Kosandra (slowed + reverb)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Late and Soon (Edit)

max richter

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