Old - part 3

Imaginings

IP3ht41iso66 10_30

This one is a little over a decade old and it would not exist if not for a friend that had come over and started poking around on my keyboard in an attempt to play something.  My DAW was recording it.  It inspired me to make something.  This is what it has become.

Knowing

flip of niteboi - don't like

listen to https://soundcloud.com/niteboi6

spotify & others: https://open.spotify.com/artist/5aUdEtXbJeOjAuNXLn9lkX
buy / download: https://enjoii.bandcamp.com

Stream / Download

niteboi - don't like (enjoii flip)

My newest single PLAYLOUD.

I wrote this song at the beginning of the year when the world was starting to lose its mind, I had no idea how crazy things were gonna get. This song contains every feel I've had since the year began,  from the frustration confusion and anxiety to joy and hope.  This song is for anyone who feels frustrated by the world they live in - A world which seems to get more fucked up by the day.

We have to remember that Life is too short to waste time being concerned with other people’s opinions and to let our own individuality shine and by doing so  we unconsciously give others permission to do the same. 


Stream everywhere here: https://moncrieff.fanlink.to/playloud
Follow me on:
YouTube: https://lnkfi.re/MoncrieffYT
Instagram: https://lnkfi.re/MoncInsta
Twitter:https://lnkfi.re/MoncrieffTwitter

 
Lyrics..

We’re all living in a simulation
Taking pills for over stimulation
Talking to avoid the conversation
When September ends we will awaken

And every president is on the payroll
If you wear a uniform then what you say goes 
I’m a fucking unicorn if i say so  

We chase our dreams while you spread your lies
Build castles in the sky
Heaven knows we’re all gonna die

So fuck your opinions
And fuck your decisions
And fuck politicians
And fuck your permission

We lost our minds
We’re feeling better now 
The kids are high
And they’re never coming down

Generation z - expecations high
I'll decide how i wanna waste my life
Flipping through the pages read between the lines
Mass incarceration of the youth’s your crime

We chase our dreams while you spread your lies
Build castles in the sky
Heaven knows we’re all gonna die

So fuck your opinions 
And fuck your decisions
And fuck politicians
And fuck your permission

We lost our minds
We’re feeling better now 
The kids are high
And they’re never coming down

PLAYLOUD

The Kingdom

Mercy

All Ends

Better Without You

Better Without You (feat. Glowie)

Used to work in the games industry, a very keen photographer, likes music, movies, sport, computing + games, web development, art, tech, sci-fi & social media.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Mercy

max richter

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