relax for a second

https://youtu.be/O7tqlU-1wB4 - audio (not original)

Vezal

Thom Yorke - Dawn Chorus (Instrumental Slowed Reverb)

outside

øneheart - outside (slowed + reverb)

øneheart x reidenshi - distorted memories (slowed)

this song is for non-profit.

credits to øneheart

øneheart - this feeling (slowed + reverb)

this sound is for non-profit only on my behalf

austin farwell - new home (slowed)

composer : Alexandre Lepoutre
Gear 
Orange crush Amp
Yamaha Revstar guitar
memory man with hazarai pedal
EarthQuaker Devices Afterneath Pedal
Plugin : reapitch , valhalla supermassive, Blackhole eventide...

Five o'clock in the morning

The quiet comedown — a soft crash into emotion after the high. Glowing pads, submerged rhythm, and that unmistakable TRMNL haze.

TRMNL.05

Sleep

nor earth, nor boundless sea (Pt. 9)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

nor earth, nor boundless sea (Pt. 9)

max richter

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