Rope Mojo_part2

The quiet comedown — a soft crash into emotion after the high. Glowing pads, submerged rhythm, and that unmistakable TRMNL haze.

TRMNL.05

If witches did manage to get in the house, sleeping with a Bible, a silver dollar, or a knife beneath your pillow had all been recommended as preventatives. Turning your socks inside out before going to bed was also thought to keep away witches. Mustard seed scattered around the bed was equally effective.

Made entirely with the Dexed app in AUM on IPad.

Apotropaia

Immerse your audience in the chilling solitude of a world undone with 8 haunting tracks from the Plagued Earth - Survival Music Collection.

This collection is meticulously crafted to evoke a profound sense of melancholy, horror, and isolation, perfect for the desolate landscapes of your survival games and content.

Crafted by our producer Pathum with no AI, Plagued Earth resonates with:

Haunting and Sparse Compositions: Minimalist arrangements that amplify the feeling of emptiness and the struggle for existence.
Melancholy and Somber Melodies: Themes that convey a deep sense of loss, dread, and the quiet despair of a ruined world.
Eerie and Desolate Soundscapes: Atmospheric textures that paint vivid sonic pictures of abandoned places, lingering threats, and profound loneliness.
Breathe Life (and Despair) into Your Survival Worlds:

Authentically Produced: Experience the unique creative vision of our producer Pathum, ensuring a human touch and distinct sound.
Cinematic Immersion: Each track is precisely designed to deliver a powerful emotional impact for crucial moments, desolate environments, and introspective sequences.
Crystal-Clear Audio: High-quality WAV format ensures pristine sound across all platforms and media.
Seamless Integration: Effortlessly weave these evocative tracks into your survival games, post-apocalyptic narratives, videos, streams, and more to create a truly unforgettable atmosphere.

Normally $19.99, let the chilling sounds of Plagued Earth - Survival Music Collection define the desolate beauty of your next project.

3 - Phat Phrog Studio - Plagued Earth - Hollow Skies

Sleep

Path 17 (Before the Ending of Daylight) (Pt. 7)

Space 26 (epicardium) (Pt. 2)

Patterns (Lux) (Pt. 1)

Space 26 (epicardium) (Pt. 1)

Patterns (Lux) (Pt. 2)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Path 17 (Before the Ending of Daylight) (Pt. 7)

max richter

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