Rope Mojo_part2

This ambient album immerses the listener in a calm, expansive soundscape shaped by deep drones and soft, emotionally resonant pads. Slowly evolving layers drift through a quiet atmosphere where time feels suspended, allowing space for reflection, stillness and inner presence. The absence of rhythm and percussion gives each composition room to breathe, unfolding with a fragile sense of intimacy and depth.

Between gentle shadows and faint light, the sound shifts from darker, enveloping tones to brighter, almost weightless passages. Beneath the surface, a subdued sense of contemplation emerges — echoing moments where thoughts linger a little longer than intended, yet remain quiet, softened by warmth and subtle harmony.

A tranquil journey through atmosphere and emotion, designed for late-night listening, creative focus or moments of peaceful solitude.

Listen on Spotify

Drowned in Memories (Ambient Version - Speed Up)

just as i remember

Collection of recorded fragments from 2025

Experimental  18.10.25

Sleep

Path 17 (Before the Ending of Daylight) (Pt. 7)

Patterns (Lux) (Pt. 4)

Space 26 (epicardium) (Pt. 2)

Patterns (Lux) (Pt. 1)

Space 26 (epicardium) (Pt. 1)

Patterns (Lux) (Pt. 2)

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Patterns (Lux) (Pt. 4)

max richter

Related tracks