This is the 1st track and a gentle and warm piano solo song included in '24 Piano Sketches' that is a new solo album from Yuki Murata, the Tokyo-based pianist/composer and member of the cinematic instrumental music band, Anoice, and its side projects, RiLF and Films, who fascinates music fans in the world by her lovely melodies and piano sounds.

As the name suggests, '24 Piano Sketches' includes 24 piano songs which Yuki Murata plays improvisations on her own grand and upright pianos. This long project is going to add 2 songs every month and ultimately 24 songs in one year, allowing the listeners to feel the changing of the season in real-time via the beautiful, warm, and sometimes melancholic piano sounds.

This time, she purposely selected a cassette tape recorder, a MiniDisc player, and an early generation of iPhone as the recording equipments for each song, unlike studio albums from her own bands such as Anoice. These retro and simplistic recording devices were able to capture not only a creaking noise coming from the piano and the environmental sounds outside the window, but also a noise occurred by cheap microphones, which make this album so impressive. Its nostalgic soundscape may remind her listeners of her first solo album 'Films' and second solo album 'Home'.

You should feel the changing of the seasons with the beautiful piano melodies.

24 Piano Sketches

BandCamp

siesta (Anoice / Yuki Murata '24 Piano Sketches')

The Veil

Proof Beyond Doubt

By The Sea, Depart And Eternity Theme

The Bechstein Tapes is a collection of drifting, emotive piano pieces, played on my 111 years old Bechstein piano, which I always refer to as 'Mme Bechstein' - A gentle conversation with her, creating an intimate miniature in mood.

Enjoy. 🙏 Sebastian

The Bechstein Tapes 2

Spotify & Co.

Feather In The Breeze

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Proof Beyond Doubt

max richter

Related tracks