The Leftovers

Wait For Me

The Twins (Prague)

Perihelion

Richter: Perihelion

7. Abuata - Vasl-e Goosheh-ha

“Luminous Silence” is a gentle soundscape of slow, beautiful, and restorative music created to bring calm to the mind and peace to the heart. Each track flows like a soft current of light—subtle, spacious, and serene—perfect for study, prayer, meditation, or quiet reflection.

This album is designed to support moments when the soul needs stillness: a calm workspace, a sacred corner for devotion, or a peaceful place to unwind at the end of the day. With its warm tones and luminous atmosphere, the music invites you into a deep sense of rest—where thoughts settle, breathing slows, and the world grows softer.

“Luminous Silence” is an offering of gentle presence, helping you reconnect with clarity, peace, and the quiet beauty of simply being. Perfect for anyone seeking restful focus, spiritual grounding, or a sanctuary of sound.

Blessed are the Gentle

And here I am, once again. Back to my piano, my sounds, my notes.
I'm in love with this week's song. I hope you will enjoy and share it, as much as you can. 

Original photo credit: http://www.sxc.hu/profile/guitargoa


Week #8

The Flying of a Leaf

Bear Story II

The Leftovers: Season 1 (Music from the HBO Series)

The Departure

Only Questions

Afterimage 1

The Leftovers (Main Title Theme)

She Remembers

Dona Nobis Pacem 2

De Profundis

From the award winning release, The Piano, Nocturne in A Minor is an original composition by Steinway artist, Chad Lawson.

Nocturne in A Minor

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

soundcloud:tracks:442679790

She Remembers

max richter

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