02 Love Your Very Soul

Perceptions Vol. 3

First Light

Garreth Broke - First Light

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Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

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Bandcamp: stevengutheinz.bandcamp.com

Web: stevengutheinz.com

Proportion

Hi friends!
"Peregrino" is a quiet and relaxing piano piece that talks about life as a constant journey and reflect on the path we have traveled and the one that still lies ahead.
I hope you like it.

Regards!!!

Peregrino (Deeper Meaning moniker)

The Veil

Something Lost

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Jerusalem Athens Alexandria Vienna London Unreal

Album Title: Resident Evil: Biohazard Sound Chronicles (Fanmade OST)
Subtitle: A Fanmade Resident Evil Inspired Soundtracks
Artist: nezuki_chan
Release: 2025

The darkness has a sound. "Biohazard Sound Chronicles" is a fanmade original soundtrack by nezuki_chan, reimagining the essence of Resident Evil through haunting, cinematic soundscapes. Each track plays like a lost chapter of the series — unsettling, atmospheric, and deeply immersive. Orchestral fragments, industrial textures, cold synth layers, and organic sound design combine to create a sonic journey into survival horror.

[Track Concept]:

Each piece is inspired by iconic Resident Evil–like locations and scenarios, turning them into tense and immersive soundscapes:

Save Rooms – melancholic piano themes and soft drones, fragile moments of safety in a hostile world.

Underground Corridor – metallic echoes, dripping water, the sound of footsteps swallowed by endless tunnels.

Hidden Forest – distorted natural ambience, ominous strings, fog and dread between the trees.

Abandoned Train Tunnel – screeching rails, reverberating iron, claustrophobic horror in the dark.

R.P.D Police Department – Corridor – ominous pulses, flickering lamps, the iconic emptiness of a haunted police station.

Abandoned Hospital – sterile emptiness, rhythmic dripping, mechanical hums, and cold, echoing piano notes.

Raccoon City: Quarantine (Boss Theme I) – aggressive percussion, distorted strings, pounding bass for a desperate battle.

Underground Tunnels (Boss Theme II) – heavy industrial rhythms, chaotic synths, relentless tension.

The Graveyard – fog, choirs, distant bells, a requiem of unease and forgotten souls.

Underground Laboratory – pure sci-fi horror: synthetic pulses, machine distortions, resonant drones.

Underwater Research Facilities – muffled, pressurized tones, distorted ambience evoking the crushing depths.

Air Plane – Last Boss Theme – fast-paced orchestration, thunderous percussion, the sound of final despair.

Credits (Alone) - an emotional female vocal, telling the story of some places in the game and what all been seen.

[Artistic Vision]:

This album is not a copy, but a reinterpretation of the Resident Evil atmosphere. Each track feels like a missing piece of survival horror history — from the flickering comfort of the Save Rooms to the apocalyptic intensity of the last boss fight. With "Biohazard Sound Chronicles", nezuki_chan combines the series’ iconic sound identity with a unique personal style, crafting something authentic yet original.

⚠️ Note: This album is a fanmade project. It is not affiliated with or endorsed by Capcom or the Resident Evil series.

Resident Evil - Hidden Forest | Instrumental Fan Music

Peace (Instrumental)

Siltais

free download of the live album:
https://dirkmaassen.com/music

To The Sky (Live In Cologne) - free album download: https://dirkmaassen.com/music

Through Darkness
Composed & Produced by Brock Hewitt
from "The Rising of the Sun"
Copyright 2020 Stories in Sound

------

So excited to announce the release of my brand new full length piano album "The Rising of the Sun" !! I hope it brings you a peaceful serenity as we enter into the summer season :)

You can listen to it on Spotify, Apple Music, Youtube and other major music streaming platforms!! Thank you all for your on-going support :) 

https://open.spotify.com/artist/1PWCCcjCmwzjYb48VWpGcm

https://music.apple.com/ca/artist/brock-hewitt-stories-in-sound/1227900382

https://www.youtube.com/playlist?list=PLloa3NkCSJE9X8gWW1I9FSR-D27dBHuDg

Stream/Download

Through Darkness ∞

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Something Lost

max richter

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