a disgusting fuck pit of everything I like

what i like_part7

The New Four Seasons - Vivaldi Recomposed

Winter 1 (2022)

NO THANK YOU

No Merci

Movement 7 Americana - Arrival at JSOC

Graduation

Barry Bonds (feat. Lil Wayne)

Settle (The Remixes)

You & Me (Flume Remix) [feat. Eliza Doolittle]

Instant Vintage

Excuse Me (Album Version) [feat. Angie Stone & Calvin Richardson]

Screws

Have a listen to '7th October' off my new project 'Antiphon' Buy/Listen to it here: https://alfamist.bandcamp.com ! Share it if you like! Thanks!

Alfa Mist - Keys/Vocals
Rudi Creswick - Double Bass
Gaspar Sena - Drums
Mansur Brown - Guitar

It's the only rap on the new project (Lyrics below)but for more rap stuff follow @2nd3xit! 

Recorded at @pinkbirdrecordingco

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www.instagram.com/alfamist
www.twitter.com/alfamist

Lyrics:

I weren't gonna vent, but what a turn of events,
I'm confirming the end, I was sleeping in the services then,
she's the weakest in her circle of friends, 
she was flirting with men, I'm learning to mend, 
there's alot of hurt to amend, and I wanted to return to the sender
but I never heard her again so I
turned to the next, pressed the burden of them,
she immersed, usually I'd be the first to defend,
but I'm showing no concern it's a trend,
tables turn, I'm pulling out, we had a date confirmed,
but to me that's a mistake I earned, it aches it burns,
got a second degree like I paid to learn,
I should be letting it be cos it makes me worse,
I should be setting her free from the chains and curse,
but she's no better than me, what's the safety word?
Why is it ladies first? Why can't people get what they deserve?

Antiphon

7th October

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Winter 1 (2022)

max richter

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