Name: Andante / Reflection (End Title) by max richter in classical
Duration: 3 min 29 s
Description: A collection of music from some recent scoring projects

I really like that you incorporate classical tradition in your compositions, keep up the great work!

classical

Download on Bandcamp, part of "Singles - Volume 2"
https://tristaneckerson.bandcamp.com/album/singles-volume-2-album

A collection of music from some recent scoring projects

Andante / Reflection (End Title)

Arbenita (11 years)

A collection of Max's recent filmscore work, together with some tracks from the albums which have recently been featured in various feature films.

PERFECT SENSE / David Mackenzie - Luminous

Ólafur Arnalds, widely known for his powerful film and TV scores (including Broadchurch), is joined by pianist Alice Sara Ott for a haunting new take on Chopin's music. Turning their backs on the traditional approach to piano recordings, they tracked down a number of old instruments and recorded them with beguiling warmth and intimacy—occasionally adding an atmospheric ambience. You feel close to the piano and, strangely, closer to the music. Many tracks use Chopin as a starting point, which is magically interwoven with the rich instrumental language that Arnalds' many fans will immediately recognize.

Olafur Arnalds & Alice Sara Ott - Written In Stone

Federico Albanese - THE BLUE HOUR


'The Blue Hour' will be released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016   

Buy on Itunes - https://itunes.apple.com/us/album/the-blue-hour/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.   

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.  

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Buy on itunes

Migrants

anne marie & james arthur - rewrite the stars (piano)

This is the first track from my second collaborations collection (Out 11th March) and features the amazing Yuri Kono.  

I have many talented friends and I love to work with people. After a few years I found I had a small collection of music that I wanted to share so started this Collaborations series. I am very lucky to work with such talented people. 


LUCY CLAIRE - Kawaita Tsuki / The Barren Moon Ft. Yuri Kono

My personal contribution in Celebration of a declared annual holiday by Nils Frahm.  "Piano Day".
The 88th day of this year 28th March 2016
You can also enjoy the fitting visuals created for the piece here - https://www.youtube.com/watch?v=Ujg4YXWaAT4&feature=youtu.be

Enjoy x

'In The Wake' - Piano Day 2016

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

Merry Christmas Mr. Lawrence (a.k.a. Forbidden Colours) by Ryuichi Sakamoto (1983)

Live video: http://www.youtube.com/watch?v=G_v_pbd-O8U

Soundtrack from the movie Merry Christmas Mr. Lawrence (戦場のメリークリスマス), a.k.a. Furyo in Europe, directed by Nagisa Oshima, and starring David Bowie, Tom Conti, Ryuichi Sakamoto and Takeshi Kitano.

The instrument is a Kawai VPC1 controlling a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and... straight from the 80's a sampled preset named "Touch Perco" from the Yamaha DX7 mk2 synth.

Spotify

Ryuichi Sakamoto 坂本龍一 Merry Christmas Mr. Lawrence [live cover]

http://heinali.bandcamp.com/album/sway-sway

Sway, Sway

Ryuichi Sakamoto - Seven Samurai (album three)

transcription of ryuichi's solo performance at the trio tour 20121212, rikuzen takata.
https://www.dropbox.com/s/vlyp75l1aa2zjq2/Energy%20Flow-2.pdf

ryuichi sakamoto energy flow

Special guest Ryuichi Sakamoto Live aｔ New York 2002

Forbidden Colours

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Andante / Reflection (End Title)

max richter

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