What a JOURNEY you are taking me on dude!! This is beautiful!

Dude!  I’m so glad you listened past the 15 minute mark.  It took essentially thag time to clear the internal space and alllow the hearmony to set in.. i appreciate you to for riding out this raw ass journey with me Jake.   

10 Years of BSR: Skylab Radio takeover - Kia

https://mommusic4.bandcamp.com/track/mom-la-tierra-extended

Spotify

MoM - La Tierra

We are very happy to bring you another remix of Biota's The End Homage - this time from no one less than fabulous Da Iguana with his own signature style, wich we deeply love and it's easy to get lost in this chilled, dubby version of The End. We hope you enjoy this too!

Visit Da Iguana: https://soundcloud.com/da-iguana

Visit Biota: https://soundcloud.com/biota_official

Bandcamp

Biota - The End Homage (Da Iguana's Dubby Touch Remix)

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

As the world tosses and turns, continuously coping with loss and burns, we continue to take and churn. It’s a full-time job living inside of a bubble, inside of a bubble, but we do it well, and boy is it nice here. Let’s take a moment and appreciate the space we have created for ourselves and the people that make that possible, one of those people for me is our next guest, Maryos Syawish, one half of Sleep D, f.k.a Sleepy Dino, and one of the founding member’s of Butter Sessions Records. 



I think the best place to start with Maryos is at the beginning, the beginning being the one love forums (tip of the hat;)) "frAnk" (cannot disclose real name due to legal issues) as he was called used to trawl the forums like he was Tank from the matrix, collecting every bit of vital information (I.e peak 08 -10 bangers), which would ultimately set him on his path to musical enlightenment and thus creating the foundations of the omnipresent ‘Butter Sessions’. Bringing underground Australian electronic music not only into the present but pushing it forward into the future. Where we used to follow, we now lead. Watching Maryos go from strength to strength over the last 15 years has been nothing short of inspirational, the amount of work Maryos and Corey (the other member of Sleep D/Butter sessions) have put into refining their craft and creating something truly amazing. Butter Sessions has been such an incredible platform for the Australian scene, carving out a place for all of us to call home, championing the local scene on a worldwide stage. They’ve come a long way from train-wrecking mixes at miss libertines all those years ago. Amazingly, Maryos has stayed humble this whole time, weird I know, but I’ve tested it time and time again. In an effort to fully embody the idea of being an artist, Maryos sunk himself into the graphical element in a heavy way, through pure ‘fuck around and find out’ he has established his own way of doing things via album artwork, poster design, logo development, and even sculpture work, and no one should be surprised that his work is beyond exceptional (I know sweet fuck all about art, but I do know what I like). Maryos’ star will continue to shine bright for many years to come and I cannot wait to see all the multifaceted fruitions. 



Keeping with the theme of ‘exceptional constructs of site and sound’ Maryos has delivered an interstellar submission. Fully embracing his middle eastern roots through a modern bypass and technical finesse, producing something that truly taps straight into the soul. Layers upon layers of perfectly structured sonic explorations, laced with haunting vocals and rhythm-based static, resulting in this beautifully melancholic love letter from the other side of the world. The mix dips and trip’s in and out of consciousness via waves of absolute hypnotism to put you under, then come the big hits from reality-driven synths to bring you back up for air. Maryos has created something truly powerful and moving here and it’s an honour to be able to bring this into the world. This is the point you take the red pill (not the one with the Mitsubishi logo on it).

Be kind to yourself. X 

his sounds >>>> https://soundcloud.com/sleepd

FHUO # 81 // Maryos Syawish

@syberkid

www.wakinglife.pt
19 - 24 June 2024

📸 studio legein

Sybil at Floresta - Waking Life '23

Recording of Batu B2B Donato Dozzy (the secret B2B) at Aura, Draaimolen Festival 2023, Day 1.

Batu B2B Donato Dozzy at Draaimolen Festival 2023

Walk With Grace

TRACKLIST:
Porangui & Liquid Bloom - Preparing The Path (Skysia Remix)
Skysia x illoh - Fragments
Saturna - It Wanders [vs] Skysia - We Are Light
Skysia - ID
Skysia - Faraway
Enzalla - Fireflies (Skysia Remix)
Orenda - ID
Skysia x Dillard - Within Me (Kadela Remix)
Skysia x Nyquist - ID
Skysia x Orenda - Emerald Bay
Skysia - Falling
Spoken Bird x Chmura - ID
Skysia x Morillo - ID
Kimbra - Top Of The World (CloZee Remix)
Skysia x Earthwave - ID
Gallium - Rootless
Deafadil - Trust
Monty & Visages - TEK
Of The Trees - Durin’s Tower
Comisar - ID
Comisar -ID
Ashez x Chmura - ID
Sumthin Sumthin - Speak
COPYCATT - ID
Monty - Cargo
Lil Fish x Mr. Ours - Bang Bang
Seeker - ID
Skysia - Orchestral Interlude
Skysia - Kailasa (Morillo Remix) [Skysia VIP]
Equanimous x Kaya Project - Mystic Dreaming (Skysia Remix)
Tourist - Kin (Skysia Remix) [Unreleased]
Chmura - ID
Bonobo - Ketto (Skysia Flip)
Odesza - How Did I Get Here (Skysia Flip)
Lowcation x Kadela - ID
Skysia - Meridian
Skysia x illoh - Cascade

Skysia - Overture Mix [Odyzey]

This is the set I played at the Unity Space Festival in Guatemala on Feb 17th 2024 at Gaia Dance Temple in Tzununa. It was a very magical experience and I am deeply grateful for everyone who was vibing and journeying together that night.

Steffen Ki at Unity Space Festival Guatemala 2024

With a remarkable fourteenth season of their Mister Sunday open air parties just around the corner, @mistersaturdaynight's @misterjustincarter shares with us a special excerpt from his NYD sunrise set at Nowadays back in January, pulling out some definitive house and disco classics with heartfelt nods to NYC's deep-rooted dance music history.

Q. What inspiration did you draw upon when recording this mix at Nowadays? How would you describe the feeling in the room that day, and is there a sound, or time/place in dance music history that connects all the different moments in one way or another?

A. I know Nowadays' indoor dance floor intimately, and this slot in particular, starting around 5am on New Year’s Day, is one I’ve played for the past four or five years, so I came in with a very specific idea of what to do.

I knew that the party would be in full-tilt New Year’s Eve energy and that I’d want to hold the pace but move into a more liminal space, so I played records that are propulsive but dreamy. Once I established that headspace, the sun started to rise, so there was a natural energy shift, and I leaned into that. I stopped mixing and played Loft-style for about thirty minutes. Letting records play from beginning to end, playing music with vocals and live instrumentation, it’s grounding, makes it feel like a house party, reminds us that we’re connected with each other. That felt important to me, knowing that the dance floor had been in a more driving mode for eight hours. After that interlude, I built it back up, because there was still like twenty hours to go!

In general, I’m piecing together a few elements in my sets these days: deep, soulful elements that first drew me in when I arrived in NYC in the late 90s; psychedelic, minimal music that was coming from Europe in the 00s, when I first started to DJ; and then that Loft thing I referenced above.

Q. Are there any records in the set that are especially close to your heart, or old favourites that you had been keeping up your sleeve for the right moment?

A. I hadn’t played my 45 of “Be There In the Morning” by Renee Geyer in years. (It’s a record I found on my first Australian tour in Melbourne, at Licorice Pie, back in 2015, actually!) Good sunrise record, obviously. “Will you be there in the morning?” Yes! Here I am!

Q. With the winter months in NYC now behind you, how are preparations coming along for the return of your legendary outdoor Mister Sunday parties? Will you and Eamon be planning to do anything different for your fourteenth year? And after doing it for so long now, how do you guys continue to keep yourselves inspired?

A. We purposefully try to keep Mister Sunday consistent. Of course we’re always digging for music, and we always invite a couple guests who’ve never played, so there’s something that feels fresh for every season. But the consistency that comes from having a weekly party that’s been happening for such a long time, it’s something we consciously try to maintain – it’s one of the main ingredients for the community that has developed around the party. No one has to wonder where the party will be this week, whether it’s happening this Sunday or not, etc. That said, we’re going to be throwing our 500th(!) party this season, and we’ll do something special to commemorate that.

MDC.295 Justin Carter

This track was made at 4am the mountains of Cloudcroft, NM as a spontaneous experiment to express what wanted to come through in that moment.  This song is a self-healing and an interdimensional journey into the heart. It was recorded in a single take on July 1, 2019.

Instruments used were the TC Helicon Voice Live 2 and a Moogerfooger MF-104M for vocals, a UVI Workstation soft-synth modulated using the Touche by Expressive E, and a Zoom H1 for the sampling of the birds as the Sun rose that morning.

Best listened to in the wee hours of night the when it feels safe to do some internal journeying.

Journey Into The Heart

Gabriel Beltran is an artist from El Paso, TX creating ambiatic melodies that range from temporary mood pop to new age dronescapes and charged emotional landscapes.

Journey Into The Heart

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