Love the brass! what patches and articulations are you using for the staccato notes?

The All Seeing-Sky
Concerto for two percussionists and orchestra
by Ioannis John Psathas
2021

Duration 22m

Written for - and dedicated to - Fabian Ziegler and Luca Staffelbach.

Commissioned by Orchestra Wellington (New Zealand), the Christchurch Symphony Orchestra (New Zealand), and City Lights Concerts (Switzerland)

In resistance to the fireworks-driven mega-spectacle of recent percussion concertos (some of which I’ve written myself), I’ve scored this work for a Mozart-sized orchestra and limited the solo parts to no more than marimba (soloist 1) and vibraphone (soloist 2).

There are three movements:
1. The Portals of Dis
2. The Upper World
3. The All-Seeing Sky

This concerto is inspired by a number of interwoven concepts. The phrase The All-Seeing Sky refers to both the omnipresent technological surveillance of the 21st century, and the ‘other’ omnipresence, God in his/her/its/their myriad historical chroniclings. 

Gustave Doré’s spellbinding illustrations of Dante’s Divine Comedy inspired the first two movements. The Portals of Dis depicts the (imagined) inner realisation that one is actually being ferried across the river Styx, to arrive – with a great welcoming fanfare – at the gates of Dis. The musical language of this movement is evocative of antiquity, particularly ancient Greece.

After having traversed the many levels of hell the travellers in Dante’s Inferno find the hidden road that provides the way back to The Upper World – and emerge back into our world, the bright world. The unsettled nature of the ending of this movement suggests that the world we live in now has more than a passing resemblance to hell as we imagine it.

The role of the two soloists in this concerto is fluid. At times the soloists play in virtuosic unison, and sometimes their two instruments are treated as one ‘meta-instrument’. Often the two soloists are foreground drivers of the music, other times they are equal partners with the orchestra. And sometimes they take on a background role of accompanying the orchestra (at the end of second movement, for example, the two soloists are providing a warm, quietly supporting and loving minimalist underpinning for the orchestra’s final utterances).

The All-Seeing Sky 3 The All-Seeing Sky (original composer demo) 2022

The All-Seeing Sky 2 The Upper World (original composer demo) 2022

The All-Seeing Sky 1 The Portals Of Dis (original composer demo) 2022

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VST's used:
Spitfire Audio: Albion I
CineSamples: Cinebrass Core
East West: Symphonic Orchestra Silver, Stormdrum 2
Heavyocity: Evolve Mutations 2, Damage

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In December 2015 one of my life dreams came true: During the first Hollywood Scoring Open Orchestra Session, I was able to record my music with the fabulous Local 47 studio musicians at the Warner Bros. Eastwood Scoring Stage in L.A.
This was one of the most intimidating and most exciting moments in my life. Luckily it was captured on this beautiful video. Please enjoy!

CREDITS:

Recorded & Mixed by Dennis Sands

Performed by the Hollywood Studio Symphony at the Warner Bros. Eastwood Scoring Stage

Conducted by Mark Graham

Music Preparation by JoAnn Kane Music

Contracted by Hollywood Scoring

Mastered by Jörn Druhmann

Short Flight in a Big Balloon (Warner Bros. Scoring Stage)

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