2021

https://elusiverec.co.uk/album/elsvrec024-korablove-autochrome-incl-anonym-slavaki-remixes
Two heavy-weight original cuts from Korablove, mixed by the artist on analogue tape, and accompanied by skilful remixes from Anonym and Slavaki. Another unique timeless recording from Elusive. Out end of 2015 on beautiful limited edition 12" vinyl.

Artist: Korablove
Title: Autochrome
Cat.No.: ELSVREC024
Format: 12” vinyl, digital
Release Date: 18.12.2015

A1. Korablove – Train in Vain (7:32)
A2. Korablove – Autochrome (7:12)
B1. Korablove – Train in Vain (Anonym Nan Madol Mix) (7:50)
B2. Korablove – Autochrome (Slavaki Remix) (6:23)

www.elusiverec.co.uk

[ELSVREC024]
Written and produced by Korablove.
Additional production and remix on B1 by Anonym.
Additional production and remix on B2 by Slavaki.
Mastered by Anthony Lim.
Artwork by Gero Wortmann.
Copyright Elusive 2015

[ELSVREC024] B2. Korablove - Autochrome (Slavaki Remix)Preview / 12" out now!

Available at
https://pro.beatport.com/release/at-variance/1554476
https://itunes.apple.com/de/album/at-variance-ep/id993163818

Kommune Zwei - At Variance - MBF LTD 12066

Release Date: 29th June 2015

See Video on YouTube - https://www.youtube.com/playlist?list=PL9cpKlhHCVvjxe-QAe9q8XYAnatizZpiV

See more at
http://www.traumschallplatten.de/mbfltd/mbfltd12066/mbfltd12066.html

At Variance

Kommune Zwei - At Variance

With great honor we welcomed the guys from @ladsmusique to our family, early this year. As one half of the duo, Luc Angenehm, was our first guest in our Podcast series, he has more or less been with us from the very start, as we admired his music from the early steps. 

Now collaborating with the skillful Gary Pilz aka. Deep Suite, they form 'LADS' - an organic-groove project, that is quickly making some fuzz with their first release on @proton. With our next release, the guys were up to re-vision Pavel Svetlove & Alexandra Pride's "Waterfall" and they quite succeeded in all the things they went for. Opening up to a different rhythm and an all new melody creeping' up throughout the track. We are proud to finish the Premieres off with this one! Now it's all ready for a Happy New Year!

'Waterfall' is out NOW on all major stores - support us here : https://www.beatport.com/release/waterfalls/2170607

-----------------------------------------------------------------------------------------
-Artists-

► LADS :
Soundcloud : @ladsmusique
Facebook : www.facebook.com/ladsmusique/
Instagram : www.instagram.com/ladsmusic/

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Visit our Official Facebook : www.facebook.com/niewiederschlafen
Visit our Official Youtube : www.youtube.com/user/niewiederschlafen
Visit our Official Soundcloud : @niewiederschlafen

Pavel Svetlove, Alexandra Pride - Waterfall (LADS Remix) [Nie Wieder Schlafen]

Follow @bird-noire

Listen on Spotify - https://open.spotify.com/album/0u0zAhGf01xBRtYWIuT15O

Remix package coming soon featuring Arude, Just Her, Padre, Sam Goku, Felix Wittich and Quatri. 

Artwork by Katie Holloway

Buy/Support

Bird Noire - Give You Everything

High Highs - Glamorous Party (Cameo Culture Remix)

From the forthcoming Map.ache album... Can't come soon enough

Map.ache - Dream Awake (Giegling LP 08)

Alex Banks Feat Asgeir Chasms (Eagles & Butterflies Remix)

Le Dust Sucker - Everybody Used To (Rebolledo Mix)

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

2021

Maxim Lapchuk