Name: Kuldeep Manak - Heer Ranjha (The Tormented Soul) by Maximum NRG in OLD SHIT
Duration: 6 min 5 s
Description: This is a mix created as a tribute to one of Maximum NRG's favourite Manak tracks, Heer - doli begi kheriyan di. Its quite an extreme dark hip hop mix so not for the masses.

this makes me get into my car and blast the bass tubes

OLD SHIT

Shohrat Sharab Sohni Naar | Surjit Bindrakhiya | Prod. By DHAMIDUB x STRINGVIBE

This is a mix created as a tribute to one of Maximum NRG's favourite Manak tracks, Heer - doli begi kheriyan di. Its quite an extreme dark hip hop mix so not for the masses. 

Kuldeep Manak - Heer Ranjha (The Tormented Soul)

This mix is of Mohammad Sadiq & Ranjit Kaur's duet, "Pehar De Tharke".

MediaFire Download Link
http://www.mediafire.com/download/z0ek5u1y5fnach3/Mohammad+Sadiq+%26+Ranjit+Kaur+-+Pehar+De+Tharke+%28Folk+Soundz+Remix%29.mp3

Uppit Download Link
http://uppit.com/cyqyet4153zp/Mohammad_Sadiq_&_Ranjit_Kaur_-_Pehar_De_Tharke_%28Folk_Soundz_Remix%29.mp3

Listen to the original here
Track 14 - http://music.raag.fm/Punjabi/songs-6-Sun_Ke_Lalkara_Tera-Mohammad_Sadiq

Mohammad Sadiq & Ranjit Kaur - Pehar De Tharke (Folk Soundz Remix)

Title - Chitte Dand
Vocals - Surjit Bindrakhia
Remix - StringVibe x Dhamidub
Check on YouTube - https://youtu.be/FzodNUOJ9Vc

Surjit Bindrakhia | Chitte Dand (Old Skool Mix) | SVXBE x Dhamidub (Latest Punjabi Songs 2022)

Akbar Ali Jodhan - Mang Liya Sadh Ne (NRGY Remix)

All Time Famous  Of  Kartar Ramla Old Is Gold

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CREDITS 
Rapper: VA$U-V
Singer : VA$U-V
Lyrics: VA$U-V
Music Production : DR HMD
Sound Engineer : DR HMD
Mix & Master Engineer: DR HMD
 
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THE ROACH COLLECTION

PURNA

Purna  feat. Kuldeep Manak

https://itunes.apple.com/ca/album/hmd-on-tha-mix/id902677176?i=902677393
From 2002! HMD's Nasha 2012

HMD ON THE MIX - dj HMD Feat. Surjit Bindrakhia

Sun Lalkara - Surinder Shinda REMIX By Lil Daku

Baaghi Tera Yaar (Jatt.fm)

Baaghi Tera Yaar - JK (Mr-Jatt.com)

After the long anticipated wait Desikay has began to finally release the promos for Listen & Dance Vol 3 - The mixtape which is going to feature the unexpected be sure to keep it locked to my facebook & my twitter for more musicial updates and where i will be djing in a city near you.

www.Twitter.com/desikayonline 
www.Facebook.com/desikayonline 
www.Vogumusic.co.uk


Kuldeep Manak was the adopted name of Latif Mohammed November 1949 -- 30 November 2011). He was a Punjabi singer who was known for singing a genre of traditional Punjabi songs called kaliyan.

Manak was the youngest in his class. He completed his matriculation from the village school, where he was a keen field hockey player. He had an inclination towards singing from a very young age and was persuaded by his teachers to sing and perform on stage. In 1968, at only 19 years of age, he was given the chance to sing with Seema, a popular singer of that period.

Kuldeep Manak was born in the village of Jalal (pb) in the Bathinda district. His father, Nikka Khan, was a singer himself. Manak had two brothers: Siddqui, a devotional singer, and Rafiq, a tantric, who was also briefly famous. Kuldeep Manak's ancestors were the Hazoori Raagis (designated cantors) of Kirtan for Maharaja Hira Singh of Nabha. Manak studied under Ustad Kushi Mohammad Qawwal of Ferozepur.

He was married to Sarabjeet and had two children, a son named Yudhvir Manak (married) and a daughter named Shakti (married). Yudhvir is following in his father's footsteps as an up-and-coming singer from Punjab. Manak was a heavy drinker since young age. He used to say that his habit of drinking came from the people whose company he shared.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2012)

Manak left Bathinda and went to Ludhiana to pursue his career as a singer.[1] He started singing with the duo Harcharan Grewal and Seema. When they came to Delhi, a music company official spotted Manak and asked him to record the song Jija Akhian Na Maar Ve Main Kall Di Kurhi (written by Babu Singh Maan Mararawala) with Seema. His first record features this song along with Laung Karaa Mittra, Machhli Paunge Maape (written by Gurdev Singh Maan). This record was a runaway success. He started an office at Bathinda along with writer Dilip Singh Sidhu, but did not stay there for long and returned to Ludhiana. The first folk song sung by Manak was Maa Mirje Di Boldi, followed by Ohne Maut ne Baajan Maariyan. The writer Hardev Dilgir (also known as Dev Tharikewala) spotted Manak at one of his live performances and penned Lok Gathavan (Folk/old Stories) for him. His first album, 'Teri Khatar Heere', was released by HMV in 1973 which included the 4 songs Jaimal Fatta, Teri Khatar Heere, Raja Rasaloo and Dulleya veh tokra chukayeen aanke. His second album released as a Super-7 vinyl was called 'Punjab Diyan Lok Gathavan', and contained Gorakh da Tilla. In 1976 his first LP was released called 'Ektara'. This included the songs Tere Tilley Ton, Chheti Kar Sarwan Bachcha and Garh Mughlane Dian Naaran. Further early career albums included 'Sahiban Da Tarla' (1978), 'Sahiban Bani Bharaawan Di' (1978), 'Maa Hundhi a Maa' (1980), 'Akhan ch Naziaz Vikdi', 'Ichhran Dhaahan Maardi', 'Jugni Yaaran Di' (1983) and 'Do Gabhru Punjab de'. He also acted in the Punjabi films 'Lambardaarni' (1980) with Yaaran da Truck, and 'Saidan Jogan' (1979) with Sadthon Ni Majji Chaar Hundhiyan. Manak's voice was versatile as within one album he sang in many different pitches and tones to reflect a song's meaning.

Kuldeep Manak - Kasman Nal Vihar - The Dubstep Remix - Produced By H Jandu

All rights are reserved to all the original artists. For ptomotional use only.

Putt Jattan Da - Kuldeep Manak (Dj A-Vee Remix)

It is the collection Old Punjabi Remix Song in Flac format.
* World Highist Quality Song 1470kbps
*Full Bass

Jagga Jatt

Jagga Jatt  - Kuldeep Manak  Surinder Shinda  Jagmohan Kaur | Old Punjabi Song| Dj Flac

Finally managed to squeeze in time for another mix! Check it out and leave feedback!

Follow me on Twitter - https://twitter.com/folksoundz
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Chamkila & Amarjot - Gora Gora Rang (Folk Soundz Remix)

Hari & Sukhmani, ik meri akh kashni

Surinder Shinda- Bari khol ke

Maximum NRG (The Funky Child): Bhangra and Breaks

In the early 1990s, West London, England was the scene of South Asian kids expressing themselves though music. This sub-culture was marked by two main influences, rural sub-continent lyrics underlaid by jeep beats. This new urban sound had amongst it's ingredients Punjab’s folk music Bhangra combined with US influenced hip-hop. This was the setting we found ourselves in, the DJs known as Maximum NRG (terrible name – we know). 

Formed by a few mates from Southall and Hounslow in the early 90s, we had by the end of that decade been lucky enough to be part of a movement that combined the already evolved sound of say Wolverhampton's Sahotas with Brooklyn’s Notorious B.I.G. Friends such as Hustlers Convention, Asian DJ Culture and Ambassadors of Sound were huge critical masses of that scene. 

The finest moments of this identity expression was to be found in the weekly schedules of mainstream music clubs, beginning in London that hosted, now almost beyond imagination, nights like Bombay Jungle at The Wag, and the incomparable Hot 'n' Spicy at Shaftesbury Avenue’s disused church: Limelight. Birmingham and Nottingham also stood out with Church Club and Kitsch Club. Suddenly, Bhangra was no longer suburban.

This is reputation that we hope Maximum NRG is remembered for. To have, along with tenacious promoters, brought weekly bhangra nights into the public arena – we're talking weekly Bhangra in Chinatown! Suddenly the term minority just seems idiotic. Taking music that we were listening to in our cars, homes, weddings and Walkmans and pumping it though the sound rigs at Ministry of Sound, Bagleys and even Britain’s favourite seaside camp site Great Yarmouth, we found that not only was there a market for it but it was based on genuine musical love. Those who we played with, and to, did not wish to make a choice between Jungle, Bhangra, H&G, R 'n' B and Hip-Hop. 

They wanted the diversity - that was and is our British identity. 

Us? We were just lucky to be available and unemployed and had amongst us a pretty good Mixman - The Funky Child. So, this page is for him and for all those who let us entertain them – thank you ji for the memories. We may never see their likes again.

Thank you for allowing us to share some of those mixes that we tried live at clubs with nothing but two decks, a mixer and a mic. One night we even plugged a three band Walkman with low-battery so we could play Bindrakhia’s Dupatta.  We couldn't do any "rewind" requests! 

We hope you enjoy our old-skool Bhangra sound, it has brought us many awards but what we love most is that because of the music we mix, we can dream that Sardool Sikandar’s best mate was DJ Premier.

#bhangralove

Kuldeep Manak - Heer Ranjha (The Tormented Soul)

Maximum NRG

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