Name: SARDOOL - Maut vi nahin auni (Suicide Mix) by Maximum NRG in gurjit
Duration: 7 min 26 s
Description: Sardool Sikander track featuring the Gravediggaz 'suicide'. The Gravediggaz were part of the Wu-Tang Clan.

this mix takes me back. punjabi lyrics v wu tang. nice

gurjit

"Surjit Bindrakhia" (born Surjit Singh Bains) 15 April 1962 – 17 November 2003 was a Punjabi Bhangra singer. He was known for his hekh, in which he sings a note continuously in one breath. His hits include Dupatta Tera Satrang Da, Bas Kar Bas Kar, Tera Yaar Bolda, and Jatt Di Pasand. Surjit is considered to have one of the greatest voices in the history of Bhangra. He received a special jury award at the 2004 Filmfare Awards for his contribution to Punjabi music.

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It's a remix of the Cover song 'Sajjna ve Sajjna' by Binder Bajwa and Sound Ministry featured in the album 'HYPE' by Dj Sanj.
Originally sung by Gurdas Mann.

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First play by BOBBY FRICTION - BBC ASIAN NETWORK INTRODUCING

Teri Aan (I'm Yours) - Tribute to Kuldeep Manak" by VJ Skies feat The late Kuldeep Manak, Jeeta Pawar & Harleen Akhtar

" Teri Aan (I'm Yours) " by VJ Skies is a phenomenally infectious Desi Slow Jam inspired by the Original masterpiece by Kuldeep Manak "Teri Aan Mein Teri". The lead vocal is sung with energy, vitality and honesty by a new talent from Ludhiana Punjab named Jeeta Pawar. The Legend, the late Kuldeep Manak Ji expressed his support for the song with his feature and Harleen Akhtar (featured on Panjabi Hit Squad's - Miss Sohniye) also lends her vocal magic to the song. Instrumentation, Arrangement, Production, Mixing & Mastering has been done completely in house by VJ Skies himself. The song combines both modern and classic sounds and talent, infectious music, a haunting vocal and a some studio magic guaranteed to stimulate the ears and pleasure receptors of any music lover.

The song is to be released on Valentines Day, 14th February on K6 Desi (A subsidiary of K6 Records) and will be available for purchase on iTunes as well as all major online retailers. A full PR/Press Release will be distributed next week.

VJ Skies is currently working on the Acoustic Mix of this song. There will also be a Zen Mix Produced by Indy Beats.

VJ Skies was 1/3 of production trio, Breaking Beats. However due to creative differences VJ Skies, Indy Beats & Mr Cas have now parted ways (on good terms) to pursue their individual solo pursuits.

If you have any questions or require any further information, please do not hesitate to contact us at info@k6desi.com


BOBBY FRICTION presents - Teri Aan (I'm Yours) - VJ Skies feat Kuldeep Manak, Jeeta Pawar & Harleen Akhtar

Mukk Gi Afeem - Original (Mohd. Sadiq & Ranjit Kaur) By Amarjit Rai(mp3)

Sardool Sikander track featuring the Gravediggaz 'suicide'. The Gravediggaz were part of the Wu-Tang Clan. 

SARDOOL - Maut vi nahin auni (Suicide Mix)

To a lot of people, remixing songs is an art. An art that finds a perfect balance of refreshing classics, but breathing new life into the originals, bringing them to an audience that wasn’t around during the first release. That being said, remixing the classics is a risky business. Many artists have tried. Some remixes have gone on to become just as successful as their original counterparts, however, A LOT have not been given the time of day. This is due to the fact that they have been poorly made, to the point where punters have labelled such remixes as disrespectful.

Remixing isn’t just slapping an instrumental or beat over a track, there’s much more to the story than that. To do it properly requires skill, musical knowledge and a genuine appreciation and love of the original release.

Nikka Sev, a now established Panjabi music producer from Derby, UK, is all of the above and more. 3 releases in to his ‘The Remix Sessions’ series, and it is clearly evident he’s no lightweight producer. Each of the three releases brought something different to the table - showcasing the variety of capabilities Nikka has under his belt.

Like with all good things, however, they have to come to an end. At least that’s what we thought. Nikka is back, nearly 3 months after the release of ‘Gidha Pao Kuriyo Remix’ by A.S. Kang, with a Kuldip Manak remix! Titled ‘Gabru Mast Rahe Remix’, Nikka has taken the evergreen original, more commonly known as ‘Amb Da Boota’, and flipped it on its head. Who would’ve thought Manak would ever collaborate with Biggie Smalls?!

Nikka Sev would like to thank everyone involved in the project, in particular, Atepal from Maximum NRG for lending his scratching skills to the track.

Artwork: Omash Daddar
Supported By: Bhangra Tape Deck

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this channel contains the songs by The Legends kuldeepManak, amarSinghChamkila, surjitBindrakhiya. 

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Maximum NRG (The Funky Child): Bhangra and Breaks

In the early 1990s, West London, England was the scene of South Asian kids expressing themselves though music. This sub-culture was marked by two main influences, rural sub-continent lyrics underlaid by jeep beats. This new urban sound had amongst it's ingredients Punjab’s folk music Bhangra combined with US influenced hip-hop. This was the setting we found ourselves in, the DJs known as Maximum NRG (terrible name – we know). 

Formed by a few mates from Southall and Hounslow in the early 90s, we had by the end of that decade been lucky enough to be part of a movement that combined the already evolved sound of say Wolverhampton's Sahotas with Brooklyn’s Notorious B.I.G. Friends such as Hustlers Convention, Asian DJ Culture and Ambassadors of Sound were huge critical masses of that scene. 

The finest moments of this identity expression was to be found in the weekly schedules of mainstream music clubs, beginning in London that hosted, now almost beyond imagination, nights like Bombay Jungle at The Wag, and the incomparable Hot 'n' Spicy at Shaftesbury Avenue’s disused church: Limelight. Birmingham and Nottingham also stood out with Church Club and Kitsch Club. Suddenly, Bhangra was no longer suburban.

This is reputation that we hope Maximum NRG is remembered for. To have, along with tenacious promoters, brought weekly bhangra nights into the public arena – we're talking weekly Bhangra in Chinatown! Suddenly the term minority just seems idiotic. Taking music that we were listening to in our cars, homes, weddings and Walkmans and pumping it though the sound rigs at Ministry of Sound, Bagleys and even Britain’s favourite seaside camp site Great Yarmouth, we found that not only was there a market for it but it was based on genuine musical love. Those who we played with, and to, did not wish to make a choice between Jungle, Bhangra, H&G, R 'n' B and Hip-Hop. 

They wanted the diversity - that was and is our British identity. 

Us? We were just lucky to be available and unemployed and had amongst us a pretty good Mixman - The Funky Child. So, this page is for him and for all those who let us entertain them – thank you ji for the memories. We may never see their likes again.

Thank you for allowing us to share some of those mixes that we tried live at clubs with nothing but two decks, a mixer and a mic. One night we even plugged a three band Walkman with low-battery so we could play Bindrakhia’s Dupatta.  We couldn't do any "rewind" requests! 

We hope you enjoy our old-skool Bhangra sound, it has brought us many awards but what we love most is that because of the music we mix, we can dream that Sardool Sikandar’s best mate was DJ Premier.

#bhangralove

SARDOOL - Maut vi nahin auni (Suicide Mix)

Maximum NRG

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