her speaking over that groovy track is simply sexy lol

Macho - Jaako Eino Kalevi

Tosca - Honey

wanted to post this one for ages. Feeling Free to do so now. It's just an extended version that I made to play it out wherever I can. ummhh and sorry for the image. I googled Fühl Dich Frei and when I saw this i really had to ...

Wolfsmond - Fühl Dich Frei (Basso's Maxi Edit, 2011)


I walk beyond ideas of wrong and right,
and I meet myself in that quiet field.
When my soul lies down in that grass,
the world grows too full for speech.

I keep my eyes on the road.
I keep my passion alive.
I ask my heart what I hold—
pain, sorrow—
and I let the Light enter through the place that aches.

There is a candle in my heart, ready to rise.
There is a space in my soul, ready to open.
I feel it.
I honor it.

I let myself be drawn by what I love.
I unfold my own myth.
I release worry and remember who created thought.
I step out of the prison,
walk through the open door.

When the world pushes me to my knees,
I rise in the perfect position for prayer.
I wrap myself in gratitude—
it feeds every corner of my life.

I sing as the birds sing,
unafraid of who listens.
I respond to the calls that lift my spirit.
My wound lets the Light enter.
I wash myself clean, melt the old self away.
From the heart, I touch the sky.

I speak to you in a hundred silent ways.
I see beauty with the vision that knows.
I balance holding on and letting go.
Anything I lose returns in a new form.
Through love, thorns become roses.

I rise.
I soften.
I expand.
I open.
I return to myself—
traveling light through every breath of the day.



Field of Light

Vocals: Tigerlight

Production: Payfone

Released on vinyl.

Video:
https://www.youtube.com/watch?v=lR6gsJsryls

BUY: 
https://golfchannelrecordings.bandcamp.com/album/paradise-mice-life-subconscient-lamentation

Payfone ft. Tigerlight - Subconscient Lamentation

NYC-via-London singer and producer Baba Ali builds a low-tempo house cut around an old school groove that harks back to Prince. Recently tipped by Gold Panda as his one to watch in 2017, Baba is a serious talent to keep an eye on.

Read more & buy: http://www.stampthewax.com/2017/02/23/premiere-baba-ali-cog-in-the-wheel/
Watch the official video: bit.ly/cog-in-the-wheel

NOMAD

Watch Official Video

Baba Ali - Cog In the Wheel (STW Premiere)

Ahead of my gig at the Jazz Cafe, I thought i'd make Mother Theresa available as a free download until 25th August. Recorded in Havana, Cuba 2015 and released as part of the Highlife World Series pt 1  :)

"The highlight for us is Auntie Flo’s ‘Mother Theresa’, a lazy track with a free-flowing melody. Subdued compared to the others on the EP, the smoky jazz influence is unexpected, with a wandering trumpet introducing itself halfway through. As the track’s soft pads and percussive textures build, you’re caught up in the spiralling solo and the track’s brassy crescendo."
Stamp The Wax

Vocals – Eric Alejandro
Trumpet – Julio Rigal
Percussion – Yissy
Keys - Jorge Aragon Brito
Production and arrangements - Brian d'Souza/Auntie Flo

Mother Theresa

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

Phase II

Mildlife - Phase II (RREP02)

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Sillyboy’s Ghost Relatives can proudly claim to be “Greek radio’s favourite soft rock band”. The Athens-based quartet – fronted by bass-wielding former TV commercial composer turned Balearic popster Charalambos Kourtaras – are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

So far, international stardom has passed them by, though their distinctive songs have caught the ear of a range of DJs across the globe. One was Claremont 56 founder Paul ‘Mudd’ Murphy, who has worked his magic on one of the band’s previously unreleased gems, “In A Small Place”.

Perfectly capturing the claustrophobic reality of life in a small, remote town or village where everyone knows everyone else’s business, the song sees Sillyboy plan his escape over a mesmerizing backing track rich in ghostly synthesizers, chunky bass guitar, spacey electronics and a shuffling groove that sits somewhere between pitched-down dub disco and early ‘80s West Coast AOR.

Murphy’s “Extended Version” allows the track room to breathe, teasing out the clandestine and atmospheric instrumentation – eyes-closed guitar solos included – before introducing Sillyboy’s rueful and paranoid vocals. You’ll find the Greek band’s slimmed-down – and arguably even more trippy – original version on the B-side, completing a fittingly high quality musical package to kick-start Claremont 56’s 2019 release schedule.

In A Small Place (Mudd's Extended Mix)(Clip)

both songs are written and performed by 
Kees Berkers & Yves Lennertz
aka YĪN YĪN

One Inch Punch 
recorded by Gino Bombrini
mixed by Gino Bombrini
Mastered by Christian Bethge

The Grey Chamber of Hinachō Otome
Recorded at Rama Tonstudio by Christian Bethge
Mixed By Gino Bombrini
Mastered by Christian Bethge

Macho - Jaako Eino Kalevi

Maxlalimace

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