Boddi Ynoch Chi ("Drowning In You")

VIDEO ANIMATION at https://vimeo.com/697211730

I’m in the mountains of the moon
Shining
In the mountains of the moon
Shining down

I got out
Maybe too late
From a city named after a state
Named after a mistake

And we’re sawed off
Against the grain
Traded rush-hour in a bumper car
For the A-train

And then, surprise, you’re 
Covered in signs you don’t recognize
What you think you need you realize is 
Stubbornly elsewhere
Stubbornly elsewhere

uh-hmm

You grow up
And you move out
Collecting success in another man’s
Knock down and drag out 

Then, surprise, 
The whole thing’s just been serialized
What you thought was near you realize is 
Stubbornly elsewhere
Stubbornly elsewhere

Elsewhere, stubbornly elsewhere
Elsewhere, stubbornly elsewhere

I’m in the mountains of the moon
Shining
In the mountains of the moon
Shining down
Elsewhere, stubbornly elsewhere
Elsewhere, stubbornly elsewhere

Boom, surprise, 
Look at how the time just flies
And every face you recognize
Suddenly elsewhere
Suddenly elsewhere
Stubbornly elsewhere
Stubbornly elsewhere

Stubbornly Elsewhere

Listen on Spotify

Hiding away again, Vera starts to feel her psychological stability falling apart.  She continues to pray to anything that will hear her pleas to save her from losing herself while trapped alone so far away from home, and no sign of hearing from Vincent and his team.

Project Umbriel

HIMOS (Hiding Inside My Own Space)

HIMOS - Hiding Inside My Own Space

Fifth track of my album based on Robert W Chambers book "The King in Yellow" (1895).

The King in Yellow

In the Court of the Dragon

noxpox - Fidschi Fun

In the faded world-2023

"sear", premiered by Alarm Will Sound and Alan Pierson at Richardson Auditorium on March 21, 2023.

I spend a lot of time in the kitchen (or at the grill) cooking. It’s something I love to do for myself and others, whether I’m preparing meals for the week or hosting a gathering. In 2018, I read Samin Nosrat’s Salt Fat Acid Heat from cover to cover. At the time, I was more passionate about eating than I was about cooking, but I was willing to learn. 

In the section of the book on Heat, the author talks about an event called the Maillard reaction, a chemical reaction in which heat causes browning of proteins and sugars within ingredients. There are many ways to achieve the Maillard reaction, one of them being the searing method. Simply put, you prepare an extreme heat source (like a 700 degree skillet), you put a raw ingredient on the skillet (like a steak), and then the surface becomes deeply browned (and incredibly flavorful). A few drawbacks of this method include smoking up your kitchen, setting off the fire alarm, sweating profusely, but it’s worth it for the flavor (…sometimes…this is why I like the grill, even in the dead of winter).

sear is a piece based on extreme contrasts, with the idea of blistering heat in mind.

sear

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via The Euclidean Chromaticon

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Number

The Euclidean Chromaticon  | The Loneliest Number - disquiet0591

Stbb 847 Dark Night

Fomando parte de:
https://earsheltering.bandcamp.com/album/3pr-iii-11ses
@earsheltering

--
SONIDO POSTAL - CONFLUENCE
De forma artificial, el audio toma forma de collage progresivo, donde la mezcla de grabaciones de campo comienzan en entornos naturales, con sonidos que representan esa espacialidad, poco a poco va mutando hacia sonidos en los cuales los humanos tienen alguna participación más directa, dilucidando de a poco un sonido más urbano, hasta terminar en el ruido de la ciudad, que refleja más la parte industrial de la misma.
Confluencia retrata una mínima posibilidad de las diferencias y similitudes que pueden contener estos entornos, pudiendo ser apreciados a través del sonido y la representación visual imaginativa, ya sea del lago o el mar, hasta la ciudad.
El audio es una recolección de grabaciones de campo realizadas en diferentes lugares de Argentina, realizado por Damián Alférez:
- Playa acantilados, Mar del plata (sonidos de piedras y el mar).
- Laguna de los Padres, Mar del Plata, Buenos Aires (sonidos del agua, cotorras, gente, insectos).
- Chapadmalal, Buenos Aires (sonidos de ranas y perros).
- Mar del Plata, Buenos Aires ( sonido de gotas de agua en un departamento).
- Puerto Madryn, Chubut (sonidos de la calle, llamadores de ángeles, skates).
- Centro de la ciudad de Mar del Plata (sonidos de vehículos, ventiladores, interferencias).
- José Marmol, Buenos Aires (sonidos de vehículos, y vendedor de chatarra)

Confluence

Johnny’s on the Water was learned from the singing of Appalachian folk singer Jean Ritchie (1922 - 2015). It twists the archetypal story of a woman left behind by a sailor, the singer rejecting grief and finding empowerment: ‘if he can live without me, I can live without him’. This line became the heart of our arrangement. 

We created this arrangement in residence at Snape Maltings in 2022. In slowing down the tempo, destabilising the rhythm, and replacing Ritchie’s sparse dulcimer accompaniment with an ensemble of modular synths, guitars and affected strings, we explore the way that the open sea warps our understanding of time and distance. The trumpet solo was played by Lissie Daly, a tireless campaigner for women in brass.

Musicians:
Lauren Spiceley - fiddle and vocals 
Joseph Woods - guitar and vocals
Martha Wiltshire - cello and vocals
Denis Wouters - electronics and vocals
Lissie Daly - trumpet
Tom O’Connor - fretless bass
Florence Brady - vocals 

Trad. arr. by Lauren Spiceley, Martha Wiltshire, Joe Woods, Denis Wouters, Lissie Daly, Tom O’Connor and Hannah Jacobs
Recorded at Pony Studios by Upcycled Sounds
Mixed by Denis Wouters
Mastered by Felix Davis
Artwork by Floortje Kattemölle, photographed by Martijn Petrus

Johnny's On The Water

composer/bassist

PhD student at Princeton University

contact: maxvinetz@gmail.com

https://www.youtube.com/watch?v=t8SCUUMzUDA&ab_channel=ScoreFollower
https://www.youtube.com/watch?v=MDhK67Gsq-I
https://www.maxvinetz.com/

sear

Max Vinetz

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