C'est merveilleux comme rythme ! On dirait un peu de la biguine Guadeloupéenne ! C'est original aussi d'entendre du créole de la Réunion! Fos !

Auteur: Maya Pounia
Compositeurs: Moana Apo & Maya Pounia

Session acoustique enregistré par Studio Geckito & Bruno Dennemont

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Session Acoustique ANSANM

The kora music of Toumani Diabaté performed on solo classical guitar.

Jarabi (Passion)

Momo Wandel Soumah - Félenko Yéfé

Samba Touré - Ago Djamba. 
From the album ALBALA. Glitterbeat Records 2013

Samba Touré - Ago Djamba

Medhi - Titi Robin

video here :https://www.youtube.com/watch?v=itHWoneN9Vc&list=PLMyB0zUdcYxB7i0bGf6NulWYtYfMjq7fS

Un petit aperçu des premiers titres produits au Maroc. 
Red Room Records Rabat Productions 2014
 Errance dans le port de Tanger
Guitares : Alexandre Bellando
Enregistrement Mixage Arrangement : Antoine Villette

Tanger Custom

After Sunset Theme-1

Pour ce deuxième album, BKO perpétue la rencontre, jusque là
inédite, entre la musique des griots et celle des chasseurs.
Ce nouveau projet, plus électrique, est l’aboutissement d’un
travail élaboré durant les nombreuses tournées du quintet, en
Europe, en Afrique et en Chine. Originalité, puissance,
virtuosité avec pour ingrédients guitare des griots, luth des
chasseurs, voix poignantes, entourés de maîtres
percussionnistes. A noter: la participation de Mathieu
Boogaerts sur le titre « Mon amour»

Mali Foli Coura

Mon amour - feat. Mathieu Boogaerts

Ignacio rassemble le continent sud-américain avec le continent africain, et imagine la langue divine d’une nouvelle Pangée musicale. Au folklore, Ignacio préfère alors des mantras, profonds, hypnotiques, rythmiques, invitant ainsi le spectateur à voyager dans une méditation à voix haute. Ignacio décline sur un nouvel état de conscience musicale, décomplexée des structures traditionnelles des chansons, et dénudée de toute langue connue et pré-construite.

Belesia / IGNACIO MARIA GOMEZ

Vieux Farka Touré's beautiful latest album was recorded as an homage to his homeland.  Being that his native Mali has been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, his new album, Mon Pays, is devoted to reminding the world about the beauty and culture of his homeland.
 
‘For me it is a statement for the world that this land is for the sons and daughters of Mali, not for Al Qaeda or any militants. This land is for peace and beauty, rich culture and tolerance.This is our heritage, what we must always fight to protect in any way that we can. For me, that means making music that reminds the world of who we are.’
 
Translating as ‘My Nation,’ this predominantly acoustic undertaking had been planned before the invasions began. Inspired by his work with Israeli pianist and vocalist Idan Raichel, Touré initially went into a Bamako studio to honor the acoustic blues tradition of Northern and Southern Mali. Since that time, Mon Pays transformed into an artifact of cultural preservation.

Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational "passing of the torch" as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Their two records together, In the Heart of the Moon and Ali and Toumani, were awarded Grammies. At the 2011 ceremonies, Vieux accepted the prestigious award for his father, who had recently passed from bone cancer.

Mon Pays is the most mature and lovely record yet from one of this generation's most exciting artists to come out of Mali and one of world music's true rising stars.


10 Vieux Farka Toure-Ay Bakoy

Five fresh flavours of a live recording session.

Session Acoustique ANSANM

Maya Kamaty

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