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Vocals by SD

Lyrics:
البشر كائنات تطفو
عديمة الحياء
 في بلاد لا تعرف النور
 كل الأمور معقدة
 تلتهم العقول
 فنستيقظ مثل البارحة 
 نفطر فشل
 ونمضي في محاوله أن نتذكر أيام المدرسة 
 الأصدقاء قبل أن يعرفوا معني الجشع
 و الخجل من كل نظرة معبأة بسؤال
 ويأتي الغداء .. فنأكل نكد
 كم من الترهات في اليوم اسمعها أنا
 السكوت لا يعني الموافقة
 نعبر سوياً ولا أحد يتذكر منا أحد 
 كلٍٍ يداهمه الضجر 
 وهو الأشد من الحزن أو الغضب
 حان العشاء .. والجيوب مثل جذوع النخيل
 فنأكل النوم .. ولا نحلم
 مالنخوليا
 عندما يصبح الإكتئاب رفاهية لا نملكها
 والعمل واجب والعبادة فرض
 و الجنس تجارة والأموال ورق
 والإنسان عدم
؟فما يبُطل صيام الأمل
 نكره الموت لكننا كثير النعاس
 أما الألم فهو الدليل على بقانا أصحاء
 إحذر! عندما لا تشعر بالألم 
 إحذر! عندما لا تشكو من علل 
 ارضى بجسد عاجز ما دام الصبا على مقربة منك 
 رائحة العسل
 إحساس الشجر
 ذهبت حرارة توت و بدأ الورق يتساقط
 كم كانت جميلة أيام الشلل
 ذهبت 
 ولكن الجسد لا يشفى من الوصب
 يسيطر العقل على العمل 
 فنبدأ من حيث اِبتدينا
 يلا الملل
 البشر كائنات تطفو على الإستحالة
 عديمة الابتكار
 في بلد تغرق في الكسل
 كل المخلوقات نافقة
 ولا أحد مسؤول
فهل يدوم هذا السواد 
 فلا يختلف كثيراً اليوم من غداً

نطفو

Promo Mix for monthly night "HNNY's Honey Pot" at Tranan, Stockholm.

Music For Listening Vol. 5

Tracklist:

1. GRiPPiN MY BALLS
2. Pasquale
3. Leslie Van Houten

~MariusMane~

Leslie Van Houten EP

Shigeo Sekito -- Special Sound Series Vol. II // (1975) セキトウシゲオ -- 華麗なるエレクトーン ２ 《ザ・ワード》

alternate dl link:
https://mega.co.nz/#!Wd4FXa5A!wHZe8-W1T_6qHNRTdQgPb4u3a_RXpr8-US6x96-AcaI

(i did not upload the mega.co link)

2. ハピネス

such a big wonderful world

Another mess about on a Saturday night !
Iman Omari -Last night felt like a summer dream
Cover Kendrick Lamar - Money Trees
I do not own any rights to the music

Money Treeeees !

"Notion" EP Release Date: 11th Sep 2015 - iTunes & Apple Music / 18th Sep. 2015 - all stores)
iTunes: apple.co/1Q0zPkX
Apple Music: apple.co/1JUbpbp

Chopstick & Johnjon’s Berlin based Suol label follow up their balmy Summer Daze collection with an equally warming EP from label stalwarts Ulrich Harrison and Marlon Hoffstadt a.k.a Tender Games. 
Having had a busy summer including live shows at a slew of international festivals the artful pair offer up their "Notion" EP: a 4 track collection of gently ambling rhythms and heart-rending melodicism.
Swooning and snaring vocals are spread and reverberated before "Walking On" is formed upon a theme of altruism. Purring organ tones and patterning tambourines interweave ahead of an arresting Rhodes motif before urgency is added through the injection of layered synths and additive percussion.

Tender Games & Mulay - Flames

pre-order: https://habibifunkrecords.bandcamp.com/album/musique-original-de-films

هل تريدون الاستماع الى ما كنا نشتغل عليه الفترة الماضية ؟ يمكنم الآن أن تطلبو مسبقا إصدار " حبيبي فانك " الثالث، حيث سنأخذكم معنا هذه المرة بأنغامنا إلى الجزائر. إن أحمد مالك بمثابة إينيو موريكوني الجزائر، إذ ألف و أنتج معظم موسيقى الأفلام الجزائرية في السبعينيات. موسيقى رائعة، مفعمة بالأحاسيس و غير اعتيادية. بعد موافقة تامة من أهل الراحل، يمكنكم و أخيرا الاستماع للمرة الأولى إلى إحدى إنتاجاته، أو النقر على الرابط من أجل طلب مسبق.

I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didn’t know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the “Sawtuha” release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia. 

Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malek’s “Musique Originale De Films” album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malek’s compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to one’s imagination. 

Around that time I became captivated with the idea of reissuing some of Ahmed Malek’s music. I knew some people had tried to locate his family but, but with no success. In the end it was an incredible amount of luck that made it possible for you to read these words and listen to this record. I had a DJ gig in Beirut playing old Arabic records and I mentioned my passion for Ahmed Malek’s music to a friend. She said she knew one person in Algier, and as much as it would be a shot in the dark, she could ask her if she had an idea of how to find Malek’s family. Two weeks went by before I heard back, and what I got was incredibly good news. Her Algerian friend was the neighbor of Ahmed Malek’s daughter! I’m not a spiritual person, but it felt like the universe wanted to see this release happen. 

I started to speak with Henya, Ahmed Malek’s daughter and she was more then happy with our idea. She assured us that her father would have loved the plan as well. She provided us with tons of awesome material, from great photos, to unseen video footage and unreleased tracks; she also told us more about her father’s life: 

Ahmed Malek was born on March, 6th 1932 at Bordj El Kiffan, Algiers. He was the oldest son of a family of 3 brothers and one sister. He went to work at a young age in factories to help his father to raise the family. His mother died when he was 12. It was then that decided he wanted to become a musician, and after graduating school he studied at the Algerian Conservatory. He gained recognition for his craft from an early stage and won several prizes and medals nationally and internationally (The "Premier grand prix des arts et des lettres de la composition" in 1972, the golden medal at the "Panafrican Festival" in 1976, and the "Prix du mérite national pour la composition musicale" in 1987). He was the conductor of the "Algerian Television Orchestra“ for many decades and represented his country at international events such as the Expo In Japan, Canada, Cuba and Spain. He passed on the 24th of July, 2008, at his home in El Mouradio, Algiers.


Habibi Funk 003: Ahmed Malek - Omar Gatlato (Unreleased version.  Pre-order link is description)

03 - I CAN SHOW YOU HIGH

приходи весна

Tappa Zukie-Cool Down

Voici une version guitare voix enregistré en une seule prise de ces petits riens de Serge Gainsbourg.

Ces Petits Riens Serge Gainsbourg



<a href='https://theartistunion.com/tracks/4be766'>Download for free on The Artist Union</a>

Free Download

Bekle Dedi Gitti

MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT 09 SEPT

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tch Tch Tch”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

02 Whadya Want?  - Open Spaces 3:49 (ES003)

Putting this track on the internet so people can listen to it. Because it's a groove. And it wasn't available online before, can you believe it?

You'll Never Know - Walter and the Beggers

One of my favourite tracks, an edit of Black Sabbath's 'Planet Caravan'. Respect to DJ Steef for such great work.

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Maya Stengårds Jonsson