Trouble (Prod. By DXOR)

Like You Did

RIP DearDear

dededada

Second single from Illmac's upcoming "Still Standing" project, produced by Chase Moore. 

And the award goes to......



LYRICS:

Verse 1

I know I might be tripping, I just feel like I'm the GOAT
I know, I know that I'm a bit bias
Shit, I ride my dick so often I don't got no room for bitches or these dick riders
Fuck these dick riders
I'm my biggest critic and my biggest fan, I swear that life's a trip
You want a life like this?
Shit, one minute I'm like "God damn man, now you's a cold a piece"
Next one I'm like "I ain't shit"
Hold up, I'm the shit
Inner conflict, failure and what's been accomplished
We just on two different planes now, who's in the cockpit?
Best friends that never talk, chicks I get involved with
Every win took several losses, the lessons daunting
Trying to evil backwards, stepping forward 
What you jealous for?
Told her water don't flow upward and to never force it
Steady courses over rocky roads, heading toward them
Heart and soul speak volumes to me but my head ignores them

Hook
If they were giving Oscars out for acting like you give a fuck
Then I would probably be a nominee
and I would have an Oscar now for acting like I give a fuck
I'm sorry but no apologies
If they were giving Oscars out for acting like you give a fuck
Then you would probably be a nominee
I would probably have an Oscar now for acting like I gave a fuck
I'm sorry but not apologies

Verse 2
Got us playing the background, yeah, that role
Camped out in this glass house as we cast stones
Glass full but my hat low, there's a side that I can't show
Like the passcode on my trap phone, I'm an asshole
Look at what we've become
I wonder why she so fragile, she wonder why I'm so numb
I wonder why I'm concerned, focused on getting this bread
She wonder why I'm so extra, don't let it get to your head
I said, I know we started on the low, right
But somewhere along the road we must have lost control
Made a movie called Heart and Soul
About someone that lost them both, who played the starring role?

Hook

Verse 3
Recently your moods seem to be confused
even if your lips don't move your wounds speak to me the truth
I think our frequencies are skewed
We go in circles, keep me in the loop
Jesus please excuse the evil deeds we do
She should probably get an Oscar for the best performance, uh huh
You should probably get an Oscar for the best performance, 
I see you, I see you

Hook

Oscar Nominee (prod. by Chase Moore)

The Return Of The Prodigal Son

Carry On

Next Phase

Black COAL - No Face No Case (Prod. Mike Hayes)

Stream/Download

Shadows

WELCOMETOHEAVENIMGOINGTOHELL

Minute to Midnight

Can't Do That Anymore

Affiliated with Tech N9ne's Strange Music label, the hip-hop group Mayday!'s 2006 national hit, "Groundhog Day," did not start out having any rotation on radio or MTV, but rather on YouTube. The DJ Craze-produced ode to the office nine-to-fiver, with Cee-Lo Green on the hook in Gnarls Barkley mode, received over two million views within just 48 hours, breaking the site's record. The story broke out to many of the mainstream media outlets (including ABC's World News Tonight and The New York Times), stirring up interest from some major record labels. 

This massive attention and acclaim sprouted from humble origins. MC Bernbiz, born Bernardo Garcia, and producer/keyboardist Plex Luthor, born Aaron Eckhart, were just two Miami suburbanites (Kendall, Florida, to be exact) who thought it would be fun to collaborate. Plex actually had previous recording experience as part of a few endeavors in Miami's rap underground, particularly Algorithm, before they came together in the early 2000s; plus, he also has contributed work to the Discovery Channel and the Cartoon Network's Adult Swim programming. Mayday!'s debut was the 2004 song "Quicksand," a local underground hit that brought their eclectic hip-hop over to the at-the-time newly formed SouthBeat Records. Under the label, they were better able to communicate the gamut of their musical influences like rock, jazz, and Miami dance -- a reflection of Miami's rich, cosmopolitan culture -- through their eponymous debut album released in September 2006. 

That same month they were designated as mtvU "Freshmen Five" artists, which nominated them as a college favorite well poised to hit it big in the majors. The group's career was put on hold as SouthBeat ran into financial problems and began a long, slow descent into bankruptcy, but consulting with other artists on the dying label introduced them to Ben Miller, aka rapper Wrekonize. Wrekonize joined the group in 2010, the same year they self-released the album Stuck on an Island, the title referring to the group's label problems. In 2011, rapper Tech N9ne invited the group for a guest shot on his Welcome to Strangeland album, an apt title since the group signed with Tech's Strange Music that same year. They debuted on the label in 2012 with the album Take Me to Your Leader. Believers followed in 2013, while their 2014 effort was a collaboration with rapper Murs and arrived with the mashed-up title ¡Mursday! The LP Future Vintage followed in 2015 and featured guest shots from Tech N9ne along with Afro-beat star Femi Kuti. Their seventh set, Search Party, was issued in 2017. The album enlisted Tech N9ne, Common Kings, J.L., Danny Acosta, and more. ~ Cyril Cordor, Rovi

Can't Do That Anymore

¡MAYDAY!

Recent comments

Bleak

Samantha🌻

Related tracks