Artist: name: SILENT SPECTRE 
Track Name: EUTHANASIA
Catalog Code: SUNTHOID 022
Mastering: MSE
Buy Link: https://sunthoid.bandcamp.com/album/iren-dogsattack
Release Date: 09.12.2023
Follow: 
Label insta:https://instagram.com/sunthoid?igshid=MzRlODBiNWFlZA==
Label Soundcloud: https://soundcloud.com/sunthoid
Artist Soundcloud: https://soundcloud.com/dogsattack
https://soundcloud.com/irenrx

MOTZ Premiere: SILENT SPECTRE - EUTHANASIA [SUNTHOID 022]

Left Behind

Support us and buy the full album on bandcamp : https://synthwaverec.bandcamp.com/album/diabolos-va-05

Edmond Le Sèbre -Introduction

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄:
Z Like Zoloft
𝐛𝐲 Datakult [ @datakult ]
𝐨𝐧 Culture of Violence [ @cultureofviolence ]
•
𝐀𝐯𝐚𝐢𝐥𝐚𝐛𝐥𝐞 𝐟𝐨𝐫 𝐬𝐭𝐫𝐞𝐚𝐦𝐢𝐧𝐠 𝐚𝐧𝐝 𝐩𝐮𝐫𝐜𝐡𝐚𝐬𝐞 𝐨𝐧 𝐁𝐚𝐧𝐝𝐜𝐚𝐦𝐩:
https://cultureofviolence.bandcamp.com/album/v-a-culture-of-violence-fractura-violenta
•
𝐓𝐢𝐭𝐥𝐞: V.A Culture of Violence | Fractura Violenta |
𝐅𝐨𝐫𝐦𝐚𝐭: Digital
𝐑𝐞𝐥𝐞𝐚𝐬𝐞 𝐃𝐚𝐭𝐞: April 10, 2025
•

Fourth compilation of Culture of Violence.
m o r e. n o i s e. • l e s s. v i o l e n c e.

𝐌𝐚𝐬𝐭𝐞𝐫𝐢𝐧𝐠: Doom Room
𝐀𝐫𝐭𝐰𝐨𝐫𝐤: Eglė Vismantė
•

𝐅𝐨𝐥𝐥𝐨𝐰 𝐋𝐚𝐛𝐞𝐥:
𝐒𝐨𝐮𝐧𝐝𝐂𝐥𝐨𝐮𝐝: https://soundcloud.com/cultureofviolence
𝐁𝐚𝐧𝐝𝐜𝐚𝐦𝐩: https://cultureofviolence.bandcamp.com
𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦: https://www.instagram.com/cultureofviolence_label
𝐅𝐚𝐜𝐞𝐛𝐨𝐨𝐤: https://www.facebook.com/cultureofviolence

𝐅𝐨𝐥𝐥𝐨𝐰 𝐀𝐫𝐭𝐢𝐬𝐭:
𝐒𝐨𝐮𝐧𝐝𝐂𝐥𝐨𝐮𝐝: https://soundcloud.com/datakult
𝐁𝐚𝐧𝐝𝐜𝐚𝐦𝐩: https://datakult.bandcamp.com
𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦: https://www.instagram.com/datakult_official
𝐅𝐚𝐜𝐞𝐛𝐨𝐨𝐤: https://www.facebook.com/Datakult

𝐅𝐨𝐥𝐥𝐨𝐰 𝐓𝐌𝐅:
𝐓𝐞𝐥𝐞𝐠𝐫𝐚𝐦: https://t.me/technomusicfreshgroup
𝐒𝐨𝐮𝐧𝐝𝐂𝐥𝐨𝐮𝐝: https://soundcloud.com/technomusicfresh
𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦: https://www.instagram.com/technomusicfresh

HARD PREMIERE: Datakult - Z Like Zoloft [Culture of Violence]

ASMODEUS. 

A MECHANIZED MAYHEM PRODUCTION.

ASMODEUS

The most overtly techno-infused track on Airsongs, Dune Swirl hits with a driving 160 bpm beat right just as you start to get comfortable — firm, grounded, almost reassuring. But around it, chaos gathers. Scratchy, abrasive wind textures crash in from the edges, drawn from the same sonic world as Whirlwind but twisted into something darker. Themes resurface — stabs, swells — but this time they feel frayed and unstable.

At 6 minutes and 39 seconds, it’s a tightly coiled storm. Moments of clarity arrive when the chaos drops out and the beat stands alone, offering a false sense of safety. Then the winds return, jagged and unpredictable. The breath at the end — the hallmark of these Airsongs — is there, but it doesn’t get to finish. It cuts off, abruptly, like a gust caught mid-sigh.

Airsongs

Dune Swirl

Airsongs: Dune Swirl

1327

My next "Brain" themed Track. Hope you enjoy it! 

Brain Fog [180]

I wanted Super Gone World to be called anything other than what it is. The name is too "on the nose" for the global dumpster fire going on as this is released. I wrote like 200 other album titles, nearly all starting with the word "super," like any good Supercontinuum release:

Superconvicted Warlord
Supreme Homonuclear Weapon
Superemotional Dynamite Remberer
Supernatural Apocalyptic Event
Supertoxic superheavy metal
Superversalism
Superscum You've Been Dreaming ov Forever
Supervillianous
Super Gone Hole

As you can see, diminishing returns were really setting in, although I really want to use something with "homonuclear" in it in the future.

These songs started from hardware experiments, mostly. And early on I felt two musical directions happening. One was what I called "SCUM RAVE" and the other was "SISSY GABBER."

SCUM RAVE was a music/feeling that was punchy, probably danceable, sickening, like literally sickening, yellow-green (555 nm), and slightly deranged sounding. It was more like a fast techno with some lo-fi bits and grit, and some catchy leads. "Superumbilical" was the first song that kind of sounded like this to me. "Flamers" started to go that way a little bit, but not so much.

Next, SISSY GABBER was an impulse I had after going to ADE in 2023 (Amsterdam Dance Event). I went to Gabberland. It was nearly all white people, who, to me mostly looked straight, and some kinda tough, (even though I saw a good handful of gay gabbers there). After returning back home to make some music, I was like, I am feeling something that has danceable spastic rhythms that are both fast and slow, and queer. SISSY GABBER felt like something emotionally like vogueing and hakken dancing, but is neither. These were just the sensory webs. I did a whole bunch of Sissy Gabber live drum machine freakouts, mostly like 200 bpm things. "Sissy Gabber" on this record is one of them edited down.

The rest of the songs, well, I'll let you discover them, as they were a joy and sometimes a pain to make or mix. (Okay, I will mention that "Topped Bons" comes from an item at Cinnabon that I saw, and I was like, they didn't ask a gay.) I hope you find the sonic journey from start to end refreshing, as there are a couple different styles on this record.

Incredibly big thanks to Sacerdos for being a solid support during the mastering process and Thomas DeLaney for his amazing artwork which fully brings this record to life!  

AMAZING CREDITS:
Tracks produced and mixed by Supercontinuum
Album artwork by Thomas DeLaney
All tracks mastered by Sacerdos Vigilia
Queen of Sissy manipulated vocals originally Dale Balenseifen 

Purchase on Bandcamp

Flamers

Available on streaming platforms for the 1st time!

Join us on the darkside as Hefty takes us deep down the K-Hole with 10 exclusive tracks in a genre of his own creation - Dark Tek Chillout.

Buy This Album 

Induced Psychosis

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

THE DEVIL’S APOSTLE. 

📨 mayhemtrax666@gmail.com
📸 @mechanizedmayhem
Bandcamp: @mechanizedmayhem666

UAE BASED MECHANIZED MAYHEM IS A SELF TAUGHT UNDERGROUND, HARD INDUSTRIAL TECHNO ARTIST.  

HIS WORK IS SLOWLY GETTING RECOGNIZED BY OTHER ARTISTS AND ENTHUSIASTS IN THE SCENE. HIS IDEA IS TO MAKE HIS KICKS SPEAK FOR EVERY ELEMENT IN HIS TRACKS AND TO ADD TO THAT, HIS TRACKS ARE VERY MINIMALISTIC WITH VERY FEW SOUNDS; JUST A KICK, AN OPEN HAT AND EERIE ATMOS. 

INFLUENCED PURELY BY DARK ARTS AND SATANIC THEMES, HE WISHES TO BRING OUT PURE, RAW SOUNDS WITH HIS TRACKS.

ASMODEUS

MECHANIZED MAYHEM

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