Name: Maha Mrityunjaya Mantra - 108 Times Chanting By 21 Brahmins by Maysa A. Hajjaj Makan in piece
Duration: 30 min 51 s
Description: Maha Mrityunjaya Mantra - 108 Times Chanting By 21 Brahmins

🕉 OM tryambakaṃ yajāmahe sugandhiṃ puṣṭi vardhanam urvārukamiva bandhanān (or bandhanāt) mṛtyor mukṣīya māmṛtāt 🙏 Unto Him who is one with the Three Mothers (shaktis of Will, Knowledge and Action); the dweller of ajna and the sahasrara chakras, we offer our very selves in sacrifice unto Him who awakens our shakti right from the muladhara chakra, thus activating fragrances in our body, prana and mind, unto Him who nourishes all our shaktis, strengthens our devotion by his grace, and makes us advance into the spiritual dimension. As a melon drops from the vine upon ripening, so, may I, upon the ripening of the fruits of our actions be released, attain moksha from bondage that is death, and thereby may I never again be parted from the immortality of atman, the Spiritual Self or parama-atman, the Supreme Self. 🙏 Ahymsin - Mahā-mṛtyuñjaya Mantra https://www.ahymsin.org/maha-m-tyunjaya-mantra/

piece

Listen to 1 Hour Version : https://youtu.be/OvpteHSdIWs

Om Namo Bhagvate Rudraya
ॐ नमो भगवते रुद्राय

This is one of the most powerful Rudra Mantras, which is chanted to remove negativity, negative thoughts, emotions from inside and cleanses the environment around us and at home. Meditate regularly on this powerful Shiva Mantra, especially in the evenings to keep harmful energies at bay.

Copyright © 2022 Meditative Mind®

⌘ TRACK INFO ⌘
Track : Om Namo Bhagvate Rudraya
ISRC : AUTMZ2081034
SKU : OvpteHSdIWs | M293
Music & Vocals :  Dilpreet Bhatia

Rudra Mantra

Listen 1Hr Version ▶

RUDRA MANTRA 》Powerful Shiva Mantra to Eliminate Negative Energies 》Shiv Stotram

 
OM namaste astu bhagava viśveśvarāya mahādevāya tryabakāya | 
tripurāntakāya trikāgnikālāya kālāgnirudrāya || 
nīlakahāya mrutyujayāya sarveśvarāya | 
sadāśivāya śrīmanmahādevāya nama || 
 
OM asya śrīśivasahasranāmastotramahāmantrasya śambhur !"i | 
anu"upa chanda | sadāśivo devatā | 
maheśvara iti bījam | gaurī śakti | 
sarvairiti kīlakam | 
śrīsāmbasadāśiva prītyarthe jape viniyoga | 
 
|| dhyānam || 
śānta padmāsanastha śaśidharamakua pañcavaktra trinetra 
śūla vajra ca kha&ga paraśumabhayada dak"abhāge vahantam | 
nāga pāśa ca ghaā vara&amaruyuta cākuśa vāmabhāge 
nānālakārayukta sphaikamainibha pārvatīśa namāmi || 
  2
OM hirayabāhu senānīrdikpatistarurāa hara | 
harikeśa paśupatirmahāna saspiñjaro m!&a || 1|| 
 
vivyādhī babhluśa śre"ha paramātmā sanātana | 
sarvānnarāa jagatkartā pu"eśo nandikeśvara || 2|| 
 
ātatāvī mahārudra sasārāstra sureśvara | 
upavītirahantyātmā k"etreśo vananāyaka || 3|| 
 
rohita sthapati sūto vāijo mantrirunnata | 
v!k"eśo hutabhugdevo bhuvantirvārivask!ta || 4|| 
 
uccairgho"o ghorarūpa pattīśa pāśamocaka | 
o"adhīśa pañcavaktra k!tsnavīto bhayānaka || 5|| 
 
sahamāna svararetā nivyādhirnirupaplava | 
āvyādhinīśa kakubho ni"agī stenarak"aka || 6|| 
 
mantrātmā taskarādhyak"o vañcaka parivañcaka | 
arayeśa paricaro niceru stāyurak"aka || 7|| 
 
prak!nteśo giricara kuluñceśo guhe"ada | 
bhava śarvo nīlakaha kapardī tripurāntaka || 8|| 
 
 
  3
vyuptakeśo giriśaya sahasrāk"a sahasrapāta | 
śipivi"aścandramaulirhrasvo mī&hu"amo.anagha || 9|| 
 
vāmano vyāpaka śūlī var"īyānaja&o.anau | 
ūrvya sūrmyo.agriya śībhya prathama pāvakāk!ti || 10|| 
 
ācārastārakastāro.avasvanyo.anantavigraha | 
dvīpya srotasya īśāno dhuryo gavyayano yama || 11|| 
 
pūrvajo.aparajo jye"ha kani"ho viśvalocana | 
apagalbho madhyamormyo jaghanyo budhniya prabhu || 12|| 
 
pratisaryo.anantarūpa sobhyo yāmyo surāśraya | 
khalyorvaryo.abhaya k"emya ślokya pathyo nabho.agraī || 13|| 
 
vanyo.avasānya pūtātmā śrava kak"ya pratiśrava | 
āśu"eo mahāseno mahāvīro mahāratha || 14|| 
 
śūro.atighātako varmī varūthī bilmirudyata | 
śrutasena śruta sāk"ī kavacī vaśak!dvaśī || 15|| 
 
āhananyo.ananyanātho dundubhyo.ari"anāśaka | 
dh!"u pram!śa ityātmā vadānyo vedasammata || 16|| 
 
tīk"e"upāi prahita svāyudha śastravittama | 
sudhanvā suprasannātmā viśvavaktra sadāgati || 17|| 
 
srutya pathyo viśvabāhu kāyo nīpyo śucismita | 
sūdya sarasyo vaiśanto nādya kūpyo !"irmanu || 18|| 
 
sarvo var"yo var"arūpa kumāra kuśalo.amala | 
meghyo.avar"yo.amoghaśakti vidyutyo.amoghavikrama || 19|| 
 
durāsado durārādhyo nirdvandvo du sahar"abha | 
īdhriya krodhaśamano jātukara puru"uta || 20|| 
 
ātapyo vāyurajaro vātya kātyāyanīpriya | 
vāstavyo vāstupo re"myo viśvamūrdhā vasuprada || 21|| 
 
somastāmro.arua śaga rudra sukhakara suk!ta | 
ugro.anugro bhīmakarmā bhīmo bhīmaparākrama || 22|| 
 
agrevadho hanīyātmā hantā dūrevadho vadha | 
śambhurmayobhavo nitya śakara kīrtisāgara || 23|| 
 
mayaskara śivatara kha&aparśuraja śuci | 
tīrthya kūlyo.am!tādhīśa pāryo.avāryo.am!tākara || 24|| 
  4
śuddha pratarao mukhya śuddhapāiralolupa | 
ucca uttaraastāryastāryajñastāryah!dgati || 25|| 
 
ātārya sārabhūtātmā sāragrāhī duratyaya | 
ālādyo mok"ada pathyo.anarthahā satyasagara || 26|| 
 
śa"pya phenya pravāhyo&hā sikatya saikatāśraya | 
iriyo grāmaī puya śaraya śuddhaśāsana || 27|| 
 
vareyo yajñapuru"o yajñeśo yajñanāyaka | 
yajñakartā yajñabhoktā yajñavighnavināśaka || 28|| 
 
yajñakarmaphalādhyak"o yajñamūrtiranātura | 
prapathya kiśilo gehyo g!hyastalpyo dhanākara || 29|| 
 
pulastya k"ayao go"hyo govindo gītasatkriya | 
hradayyo h!dyak!ta h!dyo gahvare"ha prabhākara || 30|| 
 
nive"pyo niyato.ayantā pāsavya sapratāpana | 
śu"kyo harityo.apūtātmā rajasya sātvikapriya || 31|| 
 
lopyolapya paraśadya parya pūra purātana | 
bhūto bhūtapatirbhūpo bhūdharo bhūdharāyudha || 32|| 
 
bhūtasagho bhūtamūrtirbhūtahā bhūtibhū"aa | 
madano mādako mādyo madahā madhurapriya || 33|| 
 
madhurmadhukara krūro madhuro madanāntaka | 
nirañjano nirādhāro nirlupto nirupādhika || 34|| 
 
ni"prapañco nirākāro nirīho nirupadrava | 
sattva sattvaguopeta sattvavita sattvavitpriya || 35|| 
 
sattvani"ha sattvamūrti sattveśa sattvavittama | 
samastajagadādhāra samastaguasāgara || 36|| 
 
samastadu khavidhvasī samastānandakāraa | 
rudrāk"amālābharao rudrāk"apriyavatsala || 37|| 
 
rudrāk"avak"ā rudrāk"arūpo rudrāk"apak"aka | 
viśveśvaro vīrabhadra samrāa dak"amakhāntaka || 38|| 
 
vighneśvaro vighnakartā gururdevaśikhāmai | 
bhujagendralasatkaho bhujagābharaapriya || 39|| 
 
bhujagavilasatkaro bhujagavalayāv!ta | 
munivandyo muniśre"ho muniv!ndani"evita || 40|| 
  5
munih!tpu&arīkastho munisaghaikajīvana | 
munim!gyo vedam!gyo m!gahasto munīśvara || 41|| 
 
m!gendracarmavasano narasihanipātana | 
m!tyuñjayo m!tyum!tyurapam!tyuvināśaka || 42|| 
 
du"am!tyuradu"e"a m!tyuhā m!tyupūjita | 
ūrdhvo hiraya paramo nidhaneśo dhanādhipa || 43|| 
 
yajurmūrti sāmamūrti !1mūrtirmūrtivarjita | 
vyakto vyaktatamo.avyakto vyaktāvyaktastamo javī || 44|| 
 
li1gamūrtirali1gātmā li1gāli1gātmavigraha | 
grahagraho grahādhāro grahākāro graheśvara || 45|| 
 
grahak!da grahabhida grāhī graho grahavilak"aa | 
kalpākāra kalpakartā kalpalak"aatatpara || 46|| 
 
kalpo kalpāk!ti kalpanāśaka kalpakalpaka | 
paramātmā pradhānātmā pradhānapuru"a śiva || 47|| 
 
vedyo vaidyo vedavedyo vedavedāntasastuta | 
vedavaktro vedajihvo vijihvo jihmanāśaka || 48|| 
 
kalyāarūpa kalyāa kalyāaguasaśraya | 
bhaktakalyāado bhaktakāmadhenu surādhipa || 49|| 
 
pāvana pāvako vāmo mahākālo madāpaha | 
ghorapātakadāvāgnirdavabhasmakaapriya || 50|| 
 
anantasomasūryāgnima&alapratimaprabha | 
jagadekaprabhu svāmī jagadvandyo jaganmaya || 51|| 
 
jagadānandado janmajarāmaraavarjita | 
khavā1gī nītimāna satyo devatātmā.a.atmasambhava || 52|| 
 
kapālamālābharaa kapālī vi"uvallabha | 
kamalāsanakālāgni kamalāsanapūjita || 53|| 
 
kālādhīśastrikālajño du"avigrahavāraka | 
nāyakartā naaparo mahānāyaviśārada || 54|| 
 
virārūpadharo dhīro vīro v!"abhavāhana | 
v!"āko v!"abhādhīśo v!"ātmā v!"abhadhvaja || 55|| 
 
mahonnato mahākāyo mahāvak"ā mahābhuja | 
mahāskandho mahāgrīvo mahāvaktro mahāśirā || 56|| 
  6
mahāhanurmahāda"ro mahado"ho mahodara | 
sundarabhrū sunayana sulalāa sukandara || 57|| 
 
satyavākyo dharmavettā satyajña satyavittama | 
dharmavāna dharmanipuo dharmo dharmapravartaka || 58|| 
 
k!tajña k!tak!tyātmā k!tak!tya k!tāgama | 
k!tyavita k!tyavicchre"ha k!tajñapriyak!ttama || 59|| 
 
vratak!da vratavicchre"ho vratavidvāna mahāvratī | 
vratapriyo vratādhāro vratākāro vrateśvara || 60|| 
 
atirāgī vītarāgī rāgaheturvirāgavita | 
rāgaghno rāgaśamano rāgado rāgirāgavita || 61|| 
 
vidvāna vidvattamo vidvajjanamānasasaśraya | 
vidvajjanāśrayo vidvajjanastavyaparākrama || 62|| 
 
nītik!nnītivinnītipradātā nītivitpriya | 
vinītavatsalo nītisvarūpo nītisaśraya || 63|| 
 
krodhavita krodhak!ta krodhijanak!ta krodharūpadh!ka | 
sakrodha krodhahā krodhijanahā krodhakāraa || 64|| 
 
guavāna guavicchre"ho nirguo guavitpriya | 
guādhāro guākāro guak!da guanāśaka || 65|| 
 
vīryavāna vīryavicchre"ho vīryavidvīryasaśraya | 
vīryākāro vīryakaro vīryahā vīryavardhaka || 66|| 
 
kālavitkālak!tkālo balak!da balavidbalī | 
manonmano manorūpo balapramathano bala || 67|| 
 
viśvapradātā viśveśo viśvamātraikasaśraya | 
viśvakāro mahāviśvo viśvaviśvo viśārada || 68|| 
 
[variation] 
vidyāpradātā vidyeśo vidyāmātraikasaśraya | 
vidyākāro mahāvidyo vidyāvidyo viśārada ||68|| 
 
vasantak!dvasantātmā vasanteśo vasantada | 
grī"mātmā grī"mak!da grī"mavardhako grī"manāśaka || 69|| 
 
prāv!k!ta prāv!&ākāra prāv!kālapravartaka | 
prāv!pravardhaka prāv!ātha prāv!&vināśaka || 70|| 
 
śaradātmā śaraddhetu śaratkālapravartaka | 
śarannātha śaratkālanāśaka śaradāśraya || 71||  7
 
himasvarūpo himado himahā himanāyaka | 
śaiśirātmā śaiśireśa śaiśirartupravartaka || 72|| 
 
prācyātmā dak"iākāra pratīcyātmottarāk!ti | 
āgneyātmā nir!tīśo vāyavyātmeśanāyaka || 73|| 
 
ūrdhvādha sudigākāro nānādeśaikanāyaka | 
sarvapak"im!gākāra sarvapak"im!gādhipa || 74|| 
 
sarvapak"im!gādhāro m!gādyutpattikāraa | 
jīvādhyak"o jīvavandyo jīvavijjīvarak"aka || 75|| 
 
jīvak!jjīvahā jīvajīvano jīvasaśraya | 
jyoti svarūpo viśvātmā viśvanātho viyatpati || 76|| 
 
vajrātmā vajrahastātmā vajreśo vajrabhū"ita | 
kumāragururīśāno gaādhyak"o gaādhipa || 77|| 
 
pinākapāi sūryātmā somasūryāgnilocana | 
apāyarahita śānto dānto damayitā dama || 78|| 
 
!"i purāapuru"a puru"eśa purandara | 
kālāgnirudra sarveśa śamarūpa śameśvara || 79|| 
 
pralayānalak!da divya pralayānalanāśaka | 
triyambako.ari"a&varganāśako dhanadapriya || 80|| 
 
ak"obhya k"obharahita k"obhada k"obhanāśaka | 
sadambho dambharahito dambhado dambhanāśaka || 81|| 
 
kundenduśakhadhavalo bhasmoddhūlitavigraha | 
bhasmadhāraah!"ātmā tu"i pu"yarisūdana || 82|| 
 
sthāurdigambaro bhargo bhaganetrabhidudyama | 
trikāgni kālakālāgniradvitīyo mahāyaśā || 83|| 
 
sāmapriya sāmavettā sāmaga sāmagapriya | 
dhīrodātto mahādhīro dhairyado dhairyavardhaka || 84|| 
 
lāvayarāśi sarvajña subuddhirbuddhimānvara | 
tumbavīa kambukaha śambarārinik!ntana || 85|| 
 
śārdūlacarmavasana pūrānando jagatpriya | 
jayaprado jayādhyak"o jayātmā jayakāraa || 86|| 
 
ja1gamāja1gamākāro jagadutpattikāraa | 
jagadrak"ākaro vaśyo jagatpralayakāraa || 87||  8
 
pū"adantabhidutk!"a pañcayajña prabhañjaka | 
a"amūrtirviśvamūrtiratimūrtiramūrtimāna || 88|| 
 
kailāsaśikharāvāsa kailāsaśikharapriya | 
bhaktakailāsada sūk"mo marmajña sarvaśik"aka || 89|| 
 
soma somakalākāro mahātejā mahātapā | 
hirayaśmaśrurānanda svarakeśa suvarad!ka || 90|| 
 
brahmā viśvas!gurvīśo mocako bandhavarjita | 
svatantra sarvamantrātmā dyutimānamitaprabha || 91|| 
 
pu"karāk"a puyakīrti puyaśravaakīrtana | 
puyamūrti puyadātā puyāpuyaphalaprada || 92|| 
 
sārabhūta svaramayo rasabhūto rasāśraya | 
OMkāra praavo nādo praatārtiprabhañjana || 93|| 
 
nikaastho.atidūrastho vaśī brahmā&anāyaka | 
mandāramūlanilayo mandārakusumāv!ta || 94|| 
 
v!ndārakapriyatamo v!ndārakavarārcita | 
śrīmānanantakalyāaparipūro mahodaya || 95|| 
 
mahotsāho viśvabhoktā viśvāśāparipūraka | 
sulabho.asulabho labhyo.alabhyo lābhapravardhaka || 96|| 
 
lābhātmā lābhado vaktā dyutimānanasūyaka | 
brahmacārī d!&hācārī devasiho dhanapriya || 97|| 
 
vedapo devadeveśo devadevottamottama | 
bījarājo bījaheturbījado bījav!ddhida || 98|| 
 
bījādhāro bījarūpo nirbījo bījanāśaka | 
parāpareśo varada pi1galo.ayugmalocana || 99|| 
 
pi1galāk"a suraguru guru suragurupriya | 
yugāvaho yugādhīśo yugak!dyuganāśaka || 100|| 
 
karpūragauro gaurīśo gaurīguruguhāśraya | 
dhūrjai pi1galajao jaāma&alama&ita || 101|| 
 
manojavo jīvaheturandhakāsurasūdana | 
lokabandhu kalādhāra pā&ura pramathādhipa || 102|| 
 
avyaktalak"ao yogī yogīśo yogapugava | 
śritāvāso janāvāsa suravāsa suma&ala || 103||  9
 
bhavavaidyo yogivaidyo yogisihah!dāsana | 
uttamo.anuttamo.aśakta kālakaho vi"ādana || 104|| 
 
āśāsya kamanīyātmā śubha sundaravigraha | 
bhaktakalpataru stotā stavya stotravarapriya || 105|| 
 
aprameyaguādhāro vedak!dvedavigraha | 
kīrtyādhāra kīrtikara kīrtiheturahetuka || 106|| 
 
apradh!"ya śāntabhadra kīrtistambho manomaya | 
bhūśayo.annamayo.abhoktā mahe"vāso mahītanu || 107|| 
 
vijñānamaya ānandamaya prāamayo.annada | 
sarvalokamayo ya"ā dharmādharmapravartaka || 108|| 
 
anirvio guagrāhī sarvadharmaphalaprada | 
dayāsudhārdranayano nirāśīraparigraha || 109|| 
 
parārthav!ttirmadhuro madhurapriyadarśana | 
muktādāmaparītā1go ni sa1go ma1galākara || 110|| 
 
sukhaprada sukhākāra sukhadu khavivarjita | 
viś!1khalo jagatkartā jitasarva pitāmaha || 111|| 
 
anapāyo.ak"ayo mu&ī surūpo rūpavarjita | 
atīndriyo mahāmāyo māyāvī vigatajvara || 112|| 
 
am!ta śāśvata śānto m!tyuhā mūkanāśana | 
mahāpretāsanāsīna piśācānucarāv!ta || 113|| 
 
gaurīvilāsasadano nānāgānaviśārada | 
vicitramālyavasano divyacandanacarcita || 114|| 
 
vi"ubrahmādivandyāghri surāsuranamask!ta | 
kirīale&hiphālendurmaikakaabhū"ita || 115|| 
 
ratnāgadāgo ratneśo ratnarañjitapāduka | 
navaratnagaopetakirīī ratnakañcuka || 116|| 
 
nānāvidhānekaratnalasatku&alama&ita | 
divyaratnagaākīrakahābharaabhū"ita || 117|| 
 
galavyālamairnāsāpuabhrājitamauktika | 
ratnāgulīyavilasatkaraśākhānakhaprabha || 118|| 
 
ratnabhrājaddhemasūtralasatkaitaa pau | 
vāmā1kabhāgavilasatpārvatīvīk"aapriya || 119||  10
 
līlāvalambitavapurbhaktamānasamandira | 
mandamandārapu"paughalasadvāyuni"evita || 120|| 
 
kastūrīvilasatphālo divyave"avirājita | 
divyadehaprabhākūasandīpitadigantara || 121|| 
 
devāsuragurustavyo devāsuranamask!ta | 
hastarājatpu&arīka pu&arīkanibhek"aa || 122|| 
 
sarvāśāsyaguo.ameya sarvaloke"abhū"aa | 
sarve"adātā sarve"a sphuranmagalavigraha || 123|| 
 
avidyāleśarahito nānāvidyaikasaśraya | 
mūrtibhava k!pāpūro bhakte"aphalapūraka || 124|| 
 
sampūrakāma saubhāgyanidhi saubhāgyadāyaka | 
hitai"ī hitak!tsaumya parārthaikaprayojana || 125|| 
 
śaraāgatadīnārtaparitrāaparāyaa | 
ji"urnetā va"akāro bhrāji"urbhojana havi || 126|| 
 
bhoktā bhojayitā jetā jitārirjitamānasa | 
ak"ara kāraa kruddhasamara śāradaplava || 127|| 
 
ājñāpakeccho gambhīra kavirdu svapnanāśaka | 
pañcabrahmasamutpatti k"etrajña k"etrapālaka || 128|| 
 
vyomakeśo bhīmave"o gaurīpatiranāmaya | 
bhavābdhitaraopāyo bhagavāna bhaktavatsala || 129|| 
 
varo vari"ho nedi"ha priya priyadava sudhī | 
yantā yavi"ha k"odi"ho sthavi"ho yamaśāsaka || 130|| 
 
hirayagarbho hemāgo hemarūpo hirayada | 
brahmajyotiranāvek"yaścāmu&ājanako ravi || 131|| 
 
mok"ārthijanasasevyo mok"ado mok"anāyaka | 
mahāśmaśānanilayo vedāśvo bhūratha sthira || 132|| 
 
m!gavyādho carmadhāmā pracchanna sphaikaprabha | 
sarvajña paramārthātmā brahmānandāśrayo vibhu || 133|| 
 
maheśvaro mahādeva parabrahma sadāśiva || 134|| 
śrī parabrahma sadāśiva OM nama iti |

Sri Shiva Sahasranama Stotram

108 Om Namo Narayanaya Chanting Powerful Mantra 108 Repetitions

Maha Mrityunjaya Mantra - 108 Times Chanting By 21 Brahmins

The Rudrashtakam (Sanskrit: रुद्राष्टकम, Rudrāṣṭakam) is a Sanskrit composition in devotion of Rudra, composed by the Hindu Bhakti poet Tulsidas (Sanskrit: तुलसीदास). Tulsidas composed in the late fifteenth century in Uttar Pradesh in India and created many other literary pieces including the magnum opus Ram Charit Manas.

The devotional hymn "Rudrashtakam" appears in the Uttara Kand of the celebrated Ram Charit Manas, where Lomash Rishi composed the hymn to propitiate Lord Shiva. His main purpose was to set his pupil free from the curse of Shiva. He succeeded and asked also a second boon (devotion for himself). His pupil would be the bird ' Kaga-Bhusundi' in a next life, a devotee of Shri Rama and an excellent teller of the life story of Shri Rama.

The Ashtakam is in reverence to Rudra, though the context pertains to the Shiva, the post-Vedic transformation of Rudra. It is arguable that the distinction between Rudra and Shiva was already lost by the time of Tulsidas.

The Rudrashtakam is lucid and simple in style and plays an instrumental role in the Shaiva traditions.

Rudrashtakam

If you sincerely listen and pay attention to this composition and meaning of it. This has the potential to make you self realize you of Life itself. 

Watch with lyrics on YouTube - https://youtu.be/hZnYjRXqkCo

For lyrics and its transalation follow this link: https://www.shankaracharya.org/bhaja_govindam.php

Adi Shankara emphasizes the importance of devotion for God as a means to spiritual development and to liberation from the cycle of birth and death. The prayer leaves one in no doubt that the renunciation of our egotistical differences and surrender to God makes for salvation. Many scholars hold that this composition encapsulates with both brevity and simplicity the substance of all Vedantic thought found in whatever other works that Adi Shankara wrote.

Bhaja Govindam sung by Sadhguru, Lyrics by Adi Shankara

Adi Sankara's Nirvana Shatakam - "Mano Buddhi" by Pandit Jasraj in Raag Darbari

Adi Sankara's Nirvana Shatakam - "Mano Buddhi" by Pandit Jasraj

*1*
With his neck, consecrated by the flow of water flowing from the 
thick forest-like locks of hair, and on the neck, where the lofty snake 
is hanging garland, and the Damaru drum making the sound of 
Damat Damat Damat Damat, Lord Siva did the auspicious dance of 
Tandava and may He shower prosperity on us all.

*2*
I have a very deep interest in Lord Siva, whose head is glorified by 
the rows of moving waves of the celestial river Ganga, agitating in 
the deep well of his hair-locks, and who has the brilliant fire flaming 
on the surface of his forehead, and who has the crescent moon as a 
jewel on his head. 

*3*
May my mind seek happiness in the Lord Siva, in whose mind all the 
living beings of the glorious universe exist, who is the sportive 
companion of Parvati (daughter of the mountain king), who controls 
invincible hardships with the flow of his compassionate look, who is 
all-pervasive (the directions are his clothes).

*4*
May I seek wonderful pleasure in Lord Siva, who is supporter 
of all life, who with his creeping snake with reddish brown hood and 
with the luster of his gem on it spreading out variegated colors on the 
beautiful faces of the maidens of directions, who is covered with a 
glittering upper garment made of the skin of a huge intoxicated 
elephant. 

*5*
May Lord Siva give us prosperity, who has the moon (relative of the 
Cakora bird) as his head-jewel, whose hair is tied by the red snake- 
garland, whose foot-stool is grayed by the flow of dust from the 
flowers from the rows of heads of all the Gods, Indra/Vishnu and others. 

*6*
May we get the wealth of Siddhis from Siva's locks of hair, which 
devoured the God of Love with the sparks of the fire flaming in His 
forehead, who is bowed by all the celestial leaders, who is beautiful 
with a crescent moon 

*7*
My interest is in Lord Siva, who has three eyes, who has offered the 
powerful God of Love into the fire, flaming Dhagad Dhagad on the 
flat surface of his forehead who is the sole expert artist of drawing 
decorative lines on the tips of breasts of Parvati, the daughter of 
the mountain king. 

*8*
May Lord Siva give us prosperity, who bears the burden of this 
universe, who is lovely with the moon, who is red wearing the skin, 
who has the celestial river Ganga, whose neck is dark as midnight 
of new moon night covered by many layers of clouds. 


*9*
I pray to Lord Siva, whose neck is tied with the luster of the temples 
hanging on the neck with the glory of the fully-bloomed blue lotuses 
which looked like the blackness (sins) of the universe, who is the 
killer of Manmatha, who destroyed Tripuras, who destroyed the 
bonds of worldly life, who destroyed the sacrifice, who destroyed the 
demon Andhaka, the destroyer of the elephants, and who controlled 
the God of death, Yama. 


*10*
I pray to Lord Siva, who has bees flying all over because of the sweet 
honey from the beautiful bunch of auspicious Kadamba flowers, who 
is the killer of Manmatha, who destroyed Tripuras, who destroyed the 
bonds of worldly life, who destroyed the sacrifice, who destroyed the 
demon Andhaka, the killer of the elephants, and who controlled the 
God of death, Yama. 

*11*
Lord Siva, whose dance of Tandava is in tune with the series of loud 
sounds of drum making Dhimid Dhimid sounds, who has the fire 
on the great forehead, the fire that is spreading out because of the 
breath of the snake wandering in whirling motion in the glorious sky. 


*12*
When will I worship Lord Sadasiva (eternally auspicious) God, with 
equal vision towards the people and an emperor, and a blade of grass 
and lotus-like eye, towards both friends and enemies, towards the 
valuable gem and some lump of dirt, towards a snake and a garland 
and towards varied ways of the world 

*13*
When will I be happy, living in the hollow place near the celestial 
river, Ganga, carrying the folded hands on my head all the time, with 
my bad thinking washed away, and uttering the mantra of Lord Siva 
and devoted in the God with glorious forehead with vibrating eyes. 

*14*
Whoever reads, remembers and says this best stotra as it is said here, 
gets purified for ever, and obtains devotion in the great Guru Siva. 
For this devotion, there is no other way. Just the mere thought of 
Lord Siva indeed removes the delusion.

Shiva Tandava Stotram

The Gayatri Mantra has been chronicled in the Rig Veda, which was written in Sanskrit about 2500 to 3500 years ago, and the mantra may have been chanted for many centuries before that. 

For ages, this beautiful prayer has seemed mysterious to the Western mind and was out of reach even for most Hindus. It was a well guarded secret, withheld from women and from those outside the Hindu Brahmin community. 

Today, it is chanted, meditated to, and sung around the world with reverence and love.  It is often compared to The Lord’s Prayer in significance and impact.  

The beautiful and soothing ancient sounds, the flowing rhythmic patterns, and the powerful intent make the Gayatri Mantra a wonderful part of one’s daily spiritual practice. Because it is an earnest and heartfelt appeal to the Supreme Being for enlightenment, it can be universally applied.  It really doesn’t matter what your religion, your color or your ethnicity is – what matters is your intent, and your authenticity, and your willingness to be moved.

The ancient Hindu scriptures describe how the sage Vishwamitra was given the Gayatri mantra by the Supreme Being as a reward for his many years of deep penance and meditation.  This was to be a gift for all humanity.

It is said that this sacred prayer spirals through the entire universe from the heart of the chanter, appealing for peace and divine wisdom for all.

The Gayatri Mantra inspires wisdom in us.  In very basic but beautiful language, it says "May the divine light of the Supreme Being illuminate our intellect, to lead us along a path of righteousness".  

The Vedas say:

To chant the Gayatri Mantra 
purifies the chanter.
To listen to the Gayatri Mantra 
purifies the listener.
But the mantra does more, as I found out. It opens up your heart. And how well we know, when both our minds and our hearts open, we open ourselves up for new possibilities.

For many devout Hindus, the Gayatri is seen as a Divine awakening of the individual mind and the individual soul – Atman -- and within it, a way to Union with the collective consciousness - Brahman. Understanding and simply loving the essence of the Gayatri Mantra is considered by many to be one of the most powerful ways to touching God. 

One interpretation is that the word Gayatri is derived from the words:

gaya, meaning “vital energies” and
trâyate, meaning “preserves, protects, gives deliverance, grants liberation”. 
So, the two words "Gayatri Mantra" might be translated as “a prayer of praise that awakens the vital energies and gives liberation and deliverance from ignorance”. 

The shorter form of the Gayatri is practiced far more commonly:

“OM BUHR, BHUVA, SWAHA
OM TAT SAVITUR VARENYAM
BHARGO DEVASYA DHEEMAHI
DHIYO YONAHA PRACHODAYAT”

We meditate on the glory of the Creator;
Who has created the Universe;
Who is worthy of Worship;
Who is the embodiment of Knowledge and Light;
Who is the remover of Sin and Ignorance;
May He open our hearts and enlighten our Intellect.

The longer version is more profound.

“OM BHUR, OM BHUVAHA, OM SWAHA, OM MAHAHA, OM JANAHA, OM TAPAHA, OM SATYAM
OM TAT SAVITUR VARENYAM
BHARGO DEVASYA DHEEMAHI
DHIYO YONAHA PRACHODAYAT”

According to the Vedas, there are seven realms or spheres or planes of existence, each more spiritually advanced than the previous one.  It is written that through spiritual awareness and development, we can progressively move through these realms and ultimately merge with the Supreme Being. Many Buddhist teachings have also referred to these seven realms. 

https://en.wikipedia.org/wiki/Gayatri_Mantra

Gayatri Mantra

Ganesh Stuti

Beautiful Sri Krishna's Flute Music - Relaxing and Refreshing Music - Essence of Life (Meaning of Life) ~ because music peaks the Supreme Eternal Truth
''Brahma Kumaris World 'Godly' University for World Transformation'' : Visit website for all Knowledge Awakening : http://brahma-kumaris.com

---- God Has come to speak the Essence of Life, greatness and Purpose of Life ---
~~~~~~~~~~ FOLLOW for daily regular uploads ~~~~~~~~~~~~~

 - in Godly service. Do 'follow' this Sound Cloud channel for daily uploads 
Visit Website: http://bkofficial.com  (One website for Everything)

Visit this Sound Cloud channel : soundcloud.com/klight0 

* RajYog playlist: https://soundcloud.com/klight0/sets/rajyoga-meditation-music-and-songs

* English Playlist (only): https://soundcloud.com/klight0/sets/brahma-kumaris-english

----- PLAYLISTS -----

* BK songs: https://soundcloud.com/klight0/sets/brahma-kumaris-songs-shiv-baba

* BK Classes: https://soundcloud.com/klight0/sets/brahma-kumaris-classes

* Jagadamba (Mamma) ki Murli : https://soundcloud.com/klight0/sets/mamma-classes-brahma-kumaris

* Awakening episodes by Sister Shivani (FULL playlist): https://soundcloud.com/klight0/sets/awakening-with-brahma-kumaris-bk-shivani

* BK Suraj bhai classes: https://soundcloud.com/klight0/sets/bk-suraj-bhai-classes

----------------- * ------------------

Krishna Flute Music - Magic Happy Music - Essence of Life -Bliss

ATHARAVEDA EXERPTS [VEDAMOORTHY K, SHARASCHANDRA BHAT. ARUN LYER]
RUDRAM RECITATION; A.RAMANI SASTRIGAL, KRISHNAMOORTHY, BASKARAN.
PURUSHA SUKTAM; OMKAR VEDIC SADHANA CENTRE

VEDIC HINDU CHANTS [AUTHENTIC CHANTING FOR POSITIVE VIBRATIONS]

Sacred Chants Of Shiva - 04

Download this chant here: 

isha.sadhguru.org/Yogeshwaraya

Isha Downloads Store:
https://www.ishashoppe.com/downloads/portfolio/yogeshwaraya-source-yoga-music-album/

Itunes: 
https://music.apple.com/pg/album/yogeshwaraya-mahadevaya-instrumental/1472130655?i=1472130754

Spotify: 
https://open.spotify.com/album/23khGOil6KIjBuWvlFJRS0

Follow us:

Facebook: www.facebook.com/soundsofisha
Isha Downloads: isha.co/soundsofishadownloads
Twitter: www.twitter.com/soundsofisha
Youtube: www.youtube.com/soundsofisha

Itunes: isha.co/Itunes
Gaana: isha.co/Gaana
Saavn: isha.co/Saavn

This rendition of the Yogeshwaraya chant, also known as the Shiva Stotram, is composed by Sounds of Isha. It begins with an invocation by Sadhguru.
	
In the Indian tradition, Shiva, the Adiyogi has many forms, each of which represents a powerful possibility for inner evolution. Yogeshwaraya - meaning the lord of Yoga - is a musical offering to Adiyogi by Sounds of Isha, Pandit Jasraj and Rakesh Chaurasia.
 
In the yogic tradition, Shiva is not worshiped as a God. He is the Adiyogi, the first Yogi, and Adi Guru, the First Guru from whom the yogic sciences originated. Guru Purnima is celebrated as the day when Adiyogi began the transmission of these sciences to the Saptarishis, his first seven disciples. So this Guru purnima, this is our musical garland. An offering of different renditions of the Yogeshwaraya chant to the Adiyogi.

Lyrics and Meaning: 

Yogeshwaraya Mahadevaya
The Lord of Yoga, the great one

Trayambakaya Tripurantakaya
Three-eyed one, destroyer of the Tripura

Trikagni Kalaya Kalagni Rudraya
He who like fire, devours the past, present and future within himself

Neelakantaya Mrityunjayaya
Blue-throated one, who has conquered death 

Sarveshwaraya Sadashivaya 
Lord of everything, the eternal one

Mahadevaya Namaha
Oh great one, we bow down to you

Isha Foundation is a non-religious, not-for-profit, public service organization, which addresses all aspects of human well being. 
www.ishafoundation.org/

Learn more about Sadhguru
www.isha.sadhguru.org

Maha Mrityunjaya Mantra - 108 Times Chanting By 21 Brahmins

Maysa A. Hajjaj Makan

Recent comments

Gautham

David Nucleo Alexander

hamilton

hamilton

Related tracks