Gorgeous piece and performance 😊🎶🎹

Romantic and melancholy classical music. Updates every Wednesday with popular tracks in West Asia.

Study Symphonies

On a Summer Night

*innenleben

Glasscherbenviertel

Between Chords and Silences

From Four Venezuelan Waltzes - II. Andréina & III. Natalia  
Composer Antonio Lauro  

Performed by Plínio Fernandes 
Recorded live at Riverbank Arts Centre, Newbridge, Kildare on Saturday 5th April 2025.

Part of a Music Network tour. 
5 - 13 April 2025, toured to Kildare, Dublin, Galway, Clare, Wexford and Waterford.

Recorded, Edited & Mixed by Donncha Moynihan (The Rise Studio | Cork) 

From Four Venezuelan Waltzes - II. Andréina & III. Natalia - Composer Antonio Lauro

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Eolyne 1 Pour Catherine

An album to indulge thoughts about how you can grow to become your best you.

Count To Ten

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

Les airs faciles

Saturation

"Intermezzo," 1969, by Jeraldine Saunders Herbison, b. 1941, USA, Piece No. 13 from Music by Black Composers, Flute Volume 1.

Created in partnership with the National Flute Association. (https://www.nfaonline.org/)

Music by Black Composers is a project of the Rachel Barton Pine Foundation. For more information, please visit www.musicbyblackcomposers.org/ and www.rbpfoundation.org/.

Dr. Paula Gudmundson, flute
Dr. Diana Shapiro, piano

Donald Schraugnagel, post-session producer and engineer

MBC Flute 1-13, Herbison - "Intermezzo" (FLUTE AND PIANO)

"In Thoughts of All Those We Love" - A quiet musical tribute — composed for piano, cello, clarinet, and orchestra.

The piano opens gently, like an inner reflection. The cello responds with deep warmth, a voice drawn from memory. The clarinet adds a touch of light — a fragile spark between sorrow and solace. The orchestra unfolds with restraint, offering space and support, never overwhelming.

This piece is a tender greeting to those who have shaped our lives — near or far, present or remembered. A soundscape that doesn’t seek closure, but carries us forward. Between loss and connection, music emerges that remains.

In Thoughts Of All Those We Love

Eternal Ascent for Reed Quintet

Eternal Ascent portrays the Greek myth of Sisyphus, who was punished by the Gods and sentenced to roll a large boulder up a hill every day, only for it to fall back down when it neared the top.

This constant and arduous task symbolizes the more frustrating side of learning to play an instrument, the stretches of time where no progress is being made or even periods of regression. The music reflects this anguish through its dark and somber tone, with moments of ascending hope anticlimactically returning to the same introductory material, starting this relentless journey over once more.

Though this myth can be a daunting one, we can all be hopeful that we have the ability to push the metaphorical boulder to the top of the mountain with enough work and persistence.


Eternal Ascent

Wistful Spirit

A wordless melody sung by a choir reminiscent of a Gregorian chant. No percussive elements or complex instrumental arrangements. The melody is simple and repetitive, creating a meditative and solemn atmosphere.

AI Cover of instrumental Moonpub Music tune. No other use for this tune than background music. The tune's title & number are for my own reference to find the tracks of these recordings back when needed. I use these tunes and Soundcloud's player for some background music to homepage projects. You are free to do the same.

She

Maziyar Parsa

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