New artists for me for July 2020

01.Into We - Korky Buchek & Esky feat. Bread Club [Sydney]
02.Room 4 Love - Ekkah [London]
03.Who We Are - Dekleyn [Sydney]
04.L.Y.E [La Felix remix] - Later.[Paris]
05.Talk to Me - Mo Sella [Cairo & New York City]
06.Limbo [Stereogamous remix] - Lupa J [Sydney]
07.Connection - Karl Kling [Portland]
08.Glow - Jeffrey Chan [Sydney]
09.You & I [Demi Riquísimo remix] - Elder Island [Bristol]
10.Counting Days - SM1LO feat. Sara Ray [New York City]
11.Woodworm - Superlover [Berlin]
12.Not Alright - Pink Sweat$ [Philadelphia]
13.Lydia - King Sweeties [Auckland]
14.Move [MOTSA remix] - Blush FM [New York City]
15.Belongs to You - Vilda feat. John Linhart [Liege]
16.Shots - The Goods feat. Touch Sensitive & Disco J [Sydney]
17.Yesteryear - Cosmo's Midnight [Sydney]
18.Someone We Used to Love - Lydmor [Copenhagen]

2020.07.July

Korky Buchek X Esky ft. Bread Club - Into We.

Into we ~ Korky Buchek X Esky ft. Breadclub

Connection Single

Connection

Buy Here

Room 4 Love

You & I (Demi Riquísimo Remix)

“Move” Motsa Remix is out now 💿
hope everyone is safe and doing okay in their quarantine 💌

MOTSA 
Soundcloud: https://soundcloud.com/motsamusic
Instagram: https://www.instagram.com/motsamusic/

Move (MOTSA Remix)

www.facebook.com/lydmor/
www.hfn-music.com
www.facebook.com/hfnmusic
www.youtube.com/user/hfnmusicTV
www.twitter.com/hfn_music
www.instagram.com/hfn_music

Lydmor’s new single ”Someone we used to love” is a diverse song that shows both the introverted and more elaborate sides of the electronic pop artist's unique and captivating universe.
 
'Someone We Used To Love' is partly influenced by the Irish author Oscar Wilde and his classic novel 'The Picture of Dorian Gray' from 1890. The novel quotes: 'There is always something ridiculous about the emotions of people whom one has ceased to love". This quote has inspired Lydmor in the creation of her new single.

Lydmor explains about 'Someone We Used To Love':
“I think it’s a very appropriate, arrogant and fantastic thing to shed light on - that thing that happens to us when we have loved someone whom we have now stopped loving. When that person still shows feelings and you find yourself just thinking, "pull yourself together, honestly". Or if that person shows feelings for someone else and you become like "how can you love someone after loving me? I should be stuck in your heart forever." This whole thing about people we once loved, where we, almost no matter what is going on emotionally inside, react with disgust. In "Someone We Used To Love" I have taken a scenario where I imagine myself sitting with someone I’m still in love with and you can see this person reacting with this kind of cold disgust, and I’m just sitting there about to break and burst into tears. And you just know that you are completely pathetic”.
 
In the song, the awkward situation assumes an almost grotesque character. “Nothing matters less to us then the feelings of someone we used to love / nothing is as grotesque to us as the feelings of someone we used to love,” Lydmor sings in the chorus.

The song frames the vulnerability that such a scenario can give. But at the same time, 'Someone We Used To Love' also contains an element of strength. A strength that comes with the recognition of one's fragility, for when one reaches that realization, one is suddenly in a strong position where liberation is underway. 
The contrast between fragility and strength is also supported by the song’s composition where the production goes from icy cold and minimalist to dramatic and bass-heavy.
 
Lydmor describes:
"I wanted to make a real fragile banger! It should have a proper hero chorus. The song has taken a long time to produce because I have been such a perfectionist about it. I tried about 50 different versions of the song until I found the right one ”.

There is an eternal unpredictability connected to Lydmor's work. She is constantly exploring new sides of her artistic endeavour. This year Lydmor was involved in cross-aesthetic collaborations with the dance company Corpus at the Royal Theatre and at this year's Roskilde Festival. She has also created the soundscape for a new stage production of William Shakespeare's ' Twelfth night’', which is scheduled to run at “Oslo Ny Teater” this autumn.

Someone We Used To Love

Lydmor - Someone We Used To Love [CLIP]

Out now : https://idol.lnk.to/OnTimeRemixes

La Felix: 
https://www.facebook.com/LaFelixMusic/ 
https://soundcloud.com/lafelix
https://www.twitter.com/lafelixmusic 
https://www.instagram.com/lafelixmusic/

Follow Later
https://www.facebook.com/Bonjourlater/
https://www.instagram.com/later_music/
https://open.spotify.com/artist/1f5I47xuO3sDZm0hQ8y0nq?si=nYT-lbb_QaKcWhZkMTIOdg

Later. - L.Y.E (La Felix Remix)

Buy / Stream:

Bandcamp (Buy Vinyl LP): https://bit.ly/2SGDgrd

Spotify: https://spoti.fi/2VV2aoX
Apple Music: https://apple.co/3d5z9fN
Amazon Music: https://amzn.to/2YkzQhn

-------------------------------------------------

Sydney space funk trio, The Goods, are Badmandela, Rosario & Black Tree. With the help of some friends, The Goods capture the energy of jamming and improvisation to create music that transports the listeners to a moment in time shared together on their new album 'II'. 

Musically and lyrically ‘II’ is about living in the moment. Each track harnesses the mood or vibration in the room at the time of its inception. The album features 20019's breakaway hit “Let’s Roll” featuring Touch Sensitive (Future Classic), a reminder that mood is about choice...if happiness is a state of mind then why not chose it? “Last Chance” is an invitation to take life by the horns because, in these uncertain times, one can’t take anything for granted. “Voodoo” is that one flame, whose flaws you overlook because they got the mojo while “Walking On Fire” is a nod to band's 80s heroes mixing the likes of Luther, D-Train, and Jam with a future club feel. "Peach" is an anthem for sexual liberation & at the same time being a cheeky funk jam. “Shots”, the album single was born at a jam at Touch Sensitive’s studio - Disco J rocks up a drum loop and turns it into a party! The Beastie Boys meets Marvin Gaye meet Anderson Paak in “Cassandra” resulting from a hang with The Goods’ friend Elliot Hammond of well known Australian band The Delta Riggs, while “Tell Me” is a sexy late night joint for those nights on the prowl. “Che Boog” is an ode to the sleazy funk of Parliament, Funkadelic and Prince , and lastly the Black Mirror inspired “Supersonic” is a tale from a time-travelling consciousness stuck in a dystopian 2020. 

Fueled by their mutual love of hip hop & house music and its intersection with the soul, boogie and jazz they grew up on, producers and multi instrumentalists Badmandela (Jarrol Renaud) & Rosario (Ross Ferraro) formed The Goods and released their self-titled album in 2016, drawing on their wealth of experience as producers and session musicians, having cut their teeth with artists the likes of Mac Miller, Charli XCX, Sampa The Great, Omar, and more. The album attracted the attention of and ultimate signing to Bastard Jazz (NYC) and led to the addition of talented vocalist Black Tree (Adele, Ngaiire, Taku + Wafia). In 2017, they released their runaway single 'Make Your Move' which garnered radio support from Triple J and Fbi, with the accompanying video featured on Rage as 'Wild One' of the week. The 2018 EP of the same name yielded the break-out streaming hit ‘Glow’ and solidified the band’s position as the foremost act in Sydney’s emerging electronic soul scene.

Buy Vinyl LP

The Goods - Shots (feat. Touch Sensitive & Disco J)

VILDA proudly unveals his most important release so far. "Belongs To You" takes as little as 5 seconds to sit for at least 24h in one's head : A proper Dance tune, in true Vilda fashion & roots.

Listen here 👉 https://fanlink.to/villdabetoyou

Belongs to You (Radio Edit)

Belongs to You (Feat. John Linhart)

📶 Stream

Vilda feat. John Linhart - Belongs to You (Radio Edit)

'Lydia' is the second single from King Sweeties forthcoming EP 'We are the Bosses'

Song credits - 
Cass Basil: bass and vocals
Bic Runga: drums, engineering and production 
Songwriters: Bic Runga, Cass Mitchell 
Mixed by Kody Nielson 
Mastered by Brian Gardner 

Artwork by Frances Haszard

We are the Bosses

Lydia

Yesteryear

Limbo - Stereogamous Remix

“When listening to this track we can't help but lose our bodies to the uplifting beat and we hope it makes the listener feel the same way.” – dekleyn

Stream: https://fanlink.to/dekleyn_WhoWeAre

Socials:
https://facebook.com/dekleynmusic 
https://soundcloud.com/dekleyn 
https://twitter.com/dekleynmusic 
https://instagram.com/dekleynmusic   

Credits:  
Production & Mixing by dekleyn 
Mastering by Ben Feggans 
Artwork & Press Photos by Cath Connell

Publicity:
http://www.mammalsounds.com

Stream

Who We Are

"Counting Days" contains a catchy hook and melody, energetic rhythm and bass, and powerhouse vocals by “Sara Ray”.  The sound and vibe that’s delivered in this song is a perfect harmony of EDM and pop that will have fans of all music styles singing and dancing. Lyrically, this record is equally as powerful; thoughtfully written about overcoming a struggling relationship that many can relate to.  What’s also capturing is the dual meaning of the song, which is a reminder that there are better days ahead for us all in today’s environment as we overcome COVID-19; a juxtaposition that creates the perfect balance of reminiscence, resilience, and HOPE.

SM1LO 2020

Counting Days (ft. Sara Ray)

Glow

Not Alright

Today, I am so proud to announce the release of my newest single “Talk to Me” off my upcoming EP. 

We wish everyone the best during these times and understand the uncertainty of the future, but are confident in the fight against injustice and inequality around the world. 

Special thanks to 
Matt Mason 
Babymandel
Michael Golub
Lauren Jenkins
Jeff Ryon & Studio City Sound

IG: @realmomusic & @babymadel
Twitter: @realmomusic
TikTok: @realmomusic @babymandel
Fb: @realmomusic
MGMT:Babymandelmusic@gmail.com

2020.07.July

mcmad