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Venom

Cyntax - Overlord VIP (Original Mix)

Venomous, Take Out

Venomous

// artist
@fourward
facebook.com/fourwarddnb

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport exclusive: 21.10.22
Worldwide: 04.11.22

It had been decades since the city had been abandoned by its inhabitants, inundated by flooding, and transformed into a vast urban wetland. Where flowers once grew on windowsills and signs once hung above doorways one could now find dense reeds and tendrilled vines that crept through the city as an ever-encroaching force to be reckoned with, the slow and steady boring of their roots wearing cracks into the walls of what remained bit by bit over time. Along with the damage from the floods, the ecosystem that now had begun to flourish in this once-concrete jungle seemed determined to lay bare the secrets of its former inhabitants, no matter the risk that they may have posed once exposed.

In this way, the walls to the great factories and powerplants had been sundered, their steel-piped industrial insides spilling forth into the open air as petrified viscera that was itself soon too broken through. Within the vital systems that had once powered this great metropolis
surged a varietal of malevolent and benign compounds that began to mix with the swamped landscape that surrounded them, seething within its waters and unleashing a mutagenic plague on the inhabitants therein. Though many perished until the toxic deluge that poured forth from the city’s insides, select specimens survived and even thrived within this newly tainted environment as it wrought changes in their being as though it were the hand of god itself, sculpting from their flesh novel forms unseen before amidst even myriad worlds. The steel-clad wetlands thus became a nursery for these new forms of life, which germinated within their shaded alleyways before beginning to emerge into the wider world. Therefore it was that the first DANGEROUS WASTE PRODUCTS began to appear on the fringes of civilizations that neighbored this forgotten land, seeking to spread the corruption of their septic home and absorb new realms from which they could birth forth further mutated spawn.

With DANGEROUS WASTE PRODUCT, FOURWARD reemerge from the EATBRAIN horde to deliver a pair of sonic concoctions effused with noxious atmospheres and thundering basslines that leave a lasting effect on their listener’s constitutions, mutating their sonic preferences towards the duo’s characteristic sound.

Dangerous Waste Product / Sound Of The Underground

Fourward - Dangerous Waste Product (Eatbrain 147)

Footpath / Leibniz (OUT NOW on Virus Recordings)
Spotify → http://po.st/FootpathSpotify
iTunes → http://geni.us/Footpath
Beatport → http://po.st/FootpathBeatport

Mefjus
Facebook → https://www.facebook.com/mefjus
Twitter → https://twitter.com/martinmefjus
Instagram → https://instagram.com/martinmefjus

Virus Recordings
Like → https://www.facebook.com/VirusRecordings

Listen on Spotify

Mefjus & InsideInfo - Footpath (ft. The Upbeats) OUT NOW

Warp9

evolved

Search of the century

Forget The World

Keep Our Love Alive

Download 'Keep Rock In - Original Mix" here: https://weapons.lnk.to/KeepRockInsc

Groove Armada - Keep Rock In

The Clamps Feat. Tasha Baxter - The Chase Fourward Rmx

GRAB IT HERE: https://www.beatport.com/release/the-chase-fourward-remix/2361318

The Clamps Feat. Tasha Baxter - The Chase - Fourward Rmx

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below.

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Jester (Eatbrain068)

Die Zunge des Todes

Kein Entkommen

Love Don't Live Here

Keep Talkin'

Bring Back The Funk LP - Part 4

Keepin It Dirty

Ich werde diesen Kanal nutzen, um zukünftig meine musikalischen Ergebnisse zu präsentieren.

Keepin It Dirty

Mean Teeth

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