Part three of "From Hell," Haze takes its name from the atmosphere it inspires. Droning and distorted guitar lines against rhythmic and simplistic drumming give the track as a whole feels hazy, as though looking at it through the smoldering heat of Hell itself.

From Hell

Haze

The title track off of "From Hell." Carrying with it a very Black Sabbath feel, the track opens slow, with atmospheric guitar playing over a repeating base line before giving way to a much speedier coda.

The opening track of "From Hell" and the least conventional, featuring screeching and squealing guitar tracks in an uncomfortable atmosphere.

Siren

A melodic track designed to invoke the feeling of being in a field of flowers on a sunny day in May.

Orchard Revisited

A Field of Flowers

A Field Of Flowers

Some simple experiments with a three oscillator synthesizer. The music is slow and atmospheric, designed to evoke feelings of the post-apocalypse—when the world has moved on. I've also partially imagined it as the soundtrack to a film that will never get made. Inspiration was taken from Eduard Artemyev's score to Andrei Tarkovsky's 1979 film Stalker.

A Final Word

The Other Side of Time

The Steamboat's Arrival

Endless Plains of Misfortune

Seranda

This and "Seranda" are the culmination of the influence that Pigs Pigs Pigs Pigs Pigs Pigs Pigs have had over me.

Hollow Foot

My music is just little experiments I do in my spare time.

Mechanical Dream