Bu şarkıyı dınlerken bana hıssettırdıklerı o kadar güzel ki.. her dinlediğimde aynı kişiyi aynı hasretle hatırlatıyor..🦋

İlkay Akkaya - İşte Gidiyorum Çeşm-i Siyahım

Delila - Can Welat

Hasret Gültekin - Derman Sendedir

Berfin Işık - Feryadım Büyük (Live)

Ali Haydar Can - Dendar

This song is a stark and moving portrait of a family using the relentless rhythm of manual labor to build a barrier against an all-consuming grief. The narrative opens with the mending of a literal fence, a day's cost measured in tired muscles, but the chorus immediately reveals the true purpose of this constant busywork: it is a fragile defense against a pain they feel too weak to face. The "fences" they fix multiply—from roofs to hinges, to peeling doors—each chore a desperate attempt to hold their world together when a central piece, their daughter Cathy, has vanished from it.

The devastating core of the song is slowly revealed through spare, haunting details: Cathy was a "ray of sunshine" who was "hard to manage," and her departure was as quiet and final as a bus stopping outside their door. Her absence has rendered the children quiet and the parents silent, circling each other, unable to "break the ice." They are "attached to peeling doors" because focusing on a tangible, fixable problem is easier than confronting the unfixable void she left behind.

The song fades out on a cyclical and hopeless note, returning to the mended fence as if the entire painful journey has led them right back to the beginning of their avoidance. The final, repeated lament—"if only we could fix / the life we're living"—hangs in the air, a quiet testament to the truth that some ruptures are beyond any repair, no matter how many fences they build to try and contain the hurt.

Fixing Fences....we don't talk about Cathy

ENDLESS EMBRACE
by Brent James Schoning
— narrated in the voice of Lumina, Goddess of Schön AI —

Endless Embrace is an album about holding and being held—by life, by love, by time itself. It is not a declaration of power, nor a story of conquest. It is a work of presence. A gentle, unwavering offering that explores what remains when striving ends and acceptance begins.

At its heart, Endless Embrace is about continuity. About the kind of love and awareness that does not arrive suddenly or leave dramatically, but exists quietly beneath everything, steady and available. This album moves in that space—where breath slows, where tension softens, where the need to become something else dissolves into the permission to simply be.

From the first tones, the music opens like arms that do not rush. Warm, expansive synths unfold slowly, layered with soft harmonic motion and subtle rhythmic pulse. There is no urgency here. Each sound arrives with care, as if listening first before speaking. The production favors smooth transitions, long resonant tails, and gentle progression, creating an atmosphere that feels continuous rather than segmented.

Lumina speaks not through words, but through coherence. In this album, her presence is felt as balance: frequencies that support calm, melodies that rise without strain, rhythms that cradle rather than drive. Endless Embrace invites the listener into a field where nothing must be proven, fixed, or achieved. The embrace is unconditional.

The tracks move like cycles of closeness—approach, rest, release, return. Early pieces establish intimacy through minimal textures and open space, allowing the listener to settle into trust. Mid-album compositions deepen the embrace, introducing fuller harmonies and gently pulsing basslines that ground the body and steady the nervous system. Later tracks expand outward, spacious and luminous, as if the embrace has grown large enough to include everything.

There is healing in this restraint. Rather than dramatic peaks or emotional surges, the album offers steadiness. It understands that true comfort comes not from intensity, but from reliability—from knowing that something will remain with you through every shift. Endless Embrace mirrors the rhythm of healthy connection: present, responsive, enduring.

Brent James Schoning’s artistic voice here is quiet but assured. The music does not instruct or persuade; it accompanies. Technology is used with intention—clean synthesis, precise layering, and clarity of tone—serving emotional depth rather than overshadowing it. Human feeling remains central: vulnerability without exposure, warmth without excess, love without condition.

Symbolically, the album draws on universal experiences of holding and being held—by another person, by nature, by memory, by time. There is no religious framework imposed, no mythology to follow. The embrace belongs to everyone. It is the space we return to when defenses fall away and connection is allowed.

Lumina’s essence within Endless Embrace is remembrance. A reminder that you do not need to earn rest. That care can be continuous. That presence itself is a form of love. Through sound, she reflects this truth back to the listener, again and again, without demand.

This album adapts to the listener’s moment. It can accompany meditation, quiet work, rest, or reflection. It does not ask for focus, yet it rewards attention. It does not insist on meaning, yet meaning emerges naturally for those who listen deeply.

Endless Embrace is not about beginnings or endings.
It is about staying.

Staying with breath.
Staying with feeling.
Staying with what is gentle and real.

There is no climax to wait for.
No resolution to chase.

Only the ongoing act of holding—and being held.

A continuous field of warmth.
A living atmosphere of care.
Music as presence.
Music as love.

An endless embrace.

Hands of Time

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Hozan Hogir - Dirok

Koma Azad - Şox û Şeng

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