There is a solid tempo as Ci-Atlas moves beyond Mars!

It's dancing in the air as the earthlings dance to the music!

It just kept chugging along!  Wonderful pace!

THREE EYE ATLAS.   Take us to your leader Zijn!

A rare celestial visitor from beyond the void 🪐

3I/ATLAS is the third confirmed interstellar object ever observed. Discovered on 1 July 2025 by the ATLAS telescope in Chile, it’s up to about 28 km wide, traveling fast and will pass just inside Mars’ orbit in late October 2025. Likely an active comet, it may form a glowing coma and tail as it nears the Sun. 

Though hidden behind the Sun at closest approach, it should reappear by December 2025. Interstellar visitors like 3I/ATLAS carry material from distant planetary systems, offering a rare glimpse into worlds beyond our own and bringing significant changes into the energy grid of our solar system.

Buy on Bandcamp: https://medi-zijn.bandcamp.com/track/three-eye-atlas-original-mix
Stream: https://ffm.to/zijn-three-eye-atlas
With 🧡 by @medi-zijn
Published by @wintuwa-records

△

Three Eye Atlas

Stream & Buy

Three Eye Atlas (Original Mix)

Snow Storm – Steam-Boat off a Harbour’s Mouth by J. M. W. Turner’s (1842) immediately immerses the viewer in a tumultuous scene where nature and machine collide in a whirling storm of sea, wind, and snow. At first glance, the painting feels almost abstract a vortex of movement and light that seems to spin endlessly around a fragile vessel caught at the storm’s center. The steam-boat, barely distinguishable amid the swirling brushwork, becomes a symbol of human ambition and vulnerability, its mechanical strength rendered powerless against the immensity of the natural world. Turner’s mastery of texture and motion is on full display here: thick, gestural strokes of grey, white, and muted brown evoke the chaos of the storm while dissolving traditional boundaries between sea and sky. The viewer is pulled into the turbulence, sensing both awe and disorientation, as if standing within the tempest itself.

The painting feels less like a literal depiction and more like an experience an emotional and sensory translation of the sublime. Turner claimed to have witnessed such a storm firsthand, allegedly tying himself to a ship’s mast to study its violence, a story that, whether true or not, underscores the intensity of his vision. The work captures not just the external drama of the sea, but the psychological weight of isolation and surrender before forces beyond control. The faint glow that emerges from the center suggests a struggle toward survival or perhaps enlightenment within chaos a hallmark of Turner’s late period, when his art transcended realism to approach the expressive freedom of modern abstraction. Seen today, Snow Storm – Steam-Boat off a Harbour’s Mouth stands as both a technical marvel and a profound meditation on the limits of human power, the majesty of nature, and the beauty that can be found in the midst of turmoil.

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For this episode of MuséeCast, Habikat shares a set that reflects his steady curiosity and deep connection to sound. A sonic explorer since 1999 and part of the Afterhour Sounds collective, Habikat approaches mixing with patience and focus never in a rush, yet always attentive. The set drifts through downtempo, deep, and subtle psychedelic shades, staying mostly under 116 BPM. It unfolds with quiet intention, where each transition feels natural and every texture has room to breathe. What emerges is a grounded journey immersive, measured, and true to his way of listening a space where rhythm becomes observation and sound moves without hurry.


Follow the artist:
@habikat
https://www.instagram.com/habikat_
https://ra.co/dj/habikat
Mastered by @metatext

MuséeCast 031 by Habikat

✨ O’tawa Innervisions Festival 2025 – Official Playlist ✨

We are so happy to share with you a selection of magical sets recorded during this year’s edition of O’tawa Festival. Each mix is a reflection of the energy, joy, and beautiful moments we all created together on the dancefloor.

A huge thank you to all the artists for their incredible music, to our team for their dedication, and to our community for bringing so much love and light to this adventure. None of this would be possible without you. 💛

Turn up the volume, relive the memories, and let’s keep the spirit of O’Tawa Innervisions Festival alive until we meet again next year! 🌿🌍🎶

When K2WO took over the Shala Playgrounded Stage, the atmosphere turned smoky and delicious, like stepping into a vibrant temple of sound. Carpets underfoot, shadows dancing in the haze, and a mysterious glow wrapped the crowd in a sexy, playful energy !  With bassy, sassy grooves guiding the night, the music became a living pulse—delightful, daring, and irresistibly vibrant.

Artist : ࿐ @k2w0music *live  ｡𖦹°‧ Shala Playgrounded Stage

࿐ Follow the drums & join the movement :

✺ I Instagram: lc.cx/tEXktj
✺ I FB: lc.cx/qyXpxj
✺│ Artwork : @ismetra

࿐ K2W0 *live -  O'Tawa Innervisions Festival 2025  [Shala ˚꩜｡ Playgrounded Stage]

Happy Halloween, dear Laissiez! 🎃🕯️
Believe it or not, today we have a guest from across the Atlantic ✈️🌎. The mysterious @narcissemusique, known for his dark, groovy sound 🎧🖤, sent us a set that couldn't be more fitting for today's Halloween celebration. Crunchy 💥, techy, driving ⚡, and never over the top 💁‍♂️🪞!

🎃 Welcome Narcisse, what is the BPM range you normally play in?
110 BPM is the tempo I feel most comfortable with, but I like to adapt to what feels best at the moment. I've found that being curious and staying open to any BPM has nurtured my music production heavily. On this tour, I found myself playing a couple of times at 125 BPM, and it was a very fulfilling experience.

🕷️ How would you describe your music style in your own words?
Although it really changes depending on my mood and the situation, most of my latest releases can be described as raw, heavy, and edgy. I really like to bring the imperfect side of human beings into art and embrace it—I find it more interesting. I think that seeking perfection can end up killing music genres. At the last stage of a music genre, you will always see an explosion of extreme technic focus artists taking things to the limit, technically.

👻 Please tell us more about your artist name Narcisse.
The name came to me from two sides of my life. The first is a parody of how artists normally focus so much on their beauty or social appearance, and I thought it would be funny for an artist called Narcisse to have a picture of himself (my profile artist picture) highlighting bad facial features. The other reason why I chose this name—I'll leave that there for now :) [Editor's note: Sassy! :-D]

🧙‍♂️  How can we imagine the downtempo scene in Mexico? 
It's an incredibly diverse space of visions and styles with great potential waiting to be explored. You'll find downtempo references everywhere, from the most humble clubs to the poshest ones—two extremes just waiting to be connected.

🦇 Do you see a difference between the downtempo scene in Mexico compared to Europe? 
The downtempo scene in Mexico is still very underground. I think that the genre is still very unknown, even for people inside the electronic music scene. They understand the sound and most likely have heard it before, but it's less known than the bigger movement that has happened in the past years in Europe.
 
💀 In Europe Halloween is more commercial, while in Mexico Dia de los Muertos has a deep traditional meaning. Can you tell us about this tradition?
It does carry a deep meaning, and it shows how we see death. For me personally, it functions as a mechanism to accept, in a better way, when a person we love is no longer with us.

🧛‍♂️ Was it a challenge to plan this dark bounce halloween set or is it just your regular sound?
Thankfully I was able to just put mostly my productions together and it ended up being very fitting :)

🐍 If your sound was a Halloween creature, what would it be?
Hahaha interesting question, maybe medusa, does that count as halloween creature? haha

🖤 What's next for you after this set?
A lot of releases, I release a track a month so there is plenty to go and at the moment i'm writing this i'm finishing my europe tour so, more things to announce soon.

🧟‍♀️ Is there anything you want to tell to the listeners?
Thanks, I'm very grateful for the people that listen to my music, and all the things that I have been able to do, and most importantly all the lovely people I have been able to meet thanks to music, and thanks to the Laissez-Faire crew to put this together -such a lovely team <3 . [Editor's note: ❤️]

Thanks so much for your engagement, Narcisse. And now: Laiss' F(a)ire it up 🔥🎃🔥

Laissez-Fairecast #47 - Narcisse (Mex)

This Month features guest - Iris Anahata for the 52nd Elysium Cast.
Enjoy the journey!

https://soundcloud.com/iris_anahata

This was definitely one of my favorite gigs this year, played on the strawberry floor at monkey business II.🍓🍓

The dome, warmly lit in shades of red, cradled barefoot dancers tuning into the frequencies of music. the bass reverberating the space outside, as people gathered together and flow artists weaved their magic.🍓🍓

it is these intimate settings that truly touch my heart & weaving this set in the moment touched a vulnerable space within, bringing a sense of inner peace, flow and freedom. '🍓🍓

Thank you to all of those who brought life to the music, and to all the producers for their creations. '

Enjoy!

Iris Anahata

Elysium Cast #052 Iris Anahata (🍓🍓♡ strawberry floor ♡ monkey business🍓🍓)

liveset i played on a foggy sunday morning on the island

unlike the ele & aal sets, this one even has a tracklist:

ele - thrills [unreleased]
ele - hamlet [unreleased]
mowo & ele - burning bridges
ele - no fear [unreleased]
ele - homo homini lupus
bīsu & mike rauss - easier (ele remix)
ele - frozen
ele - set piece [unreleased]
ele - petites perceptions

thanks for attending & listening, means a lot.

live at Mystic Creatures Festival 2025 | Spirit Space

Comfort Zone is the first single from Seyde’s upcoming debut album of the same name. Thoughtful and understated, the track captures the tension between familiarity and change — between safety and the quiet pull of the unknown.
The track moves through what feels safe and what lies beyond. It’s about that quiet threshold where the familiar starts to shift and comfort begins to unravel. Uncertainty takes over, but so does growth. 
The full album Comfort Zone will be released on October 30.

@seyde-music

Artwork by Omar Tara & Seyde
Mastered by Cid Inc Mastering

support

Seyde - Comfort Zone

éner | Something Slow 0175
https://on.soundcloud.com/OsL2ZDRrRexLVgeCiL

soundcloud.com/ener-music
artwork: gate.sc/?url=https%3A%2F%2Fww…c17c7-1-1762881012239


https://on.soundcloud.com/JGsL069iDGP9kDY7d7

https://on.soundcloud.com/1OPMCsbnZFEudHLhrV


Artwork:

https://www.instagram.com/lisa_liess?igsh=OGt3N2RhZXozdmlk

éner | Something Slow 0175

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GRIDLOCK SIRENS

Booking & Contact
medizijnmusic@gmail.com

zijn (verb ‘to be’): to be present; to exist.
The philosophy behind: create a space where you can simply be. Away from the rush, entering a dimension where presence becomes a ritual.
.
. Future .
.

.
. Past .
.
Wurzelfestival (D)
lush.play Zürich (CH)
Chat:eau Festival (FR)
Beate Uwe Berlin (D)
Kaschemme Basel (CH)
Lucy’s Sky Düsseldorf (D)
Funkentanz Festival (D)
W**** Freiburg (D)
Ruefetto Freiburg (D)
Kulturraum Freiburg (D)
RängTengTeng Freiburg (D)
3samkeit Freiburg (D)
Schlossberg Festival (D)
Paradise Festival (CH)
Mensa Freiburg (D)
Blue Forest Festival (D)
Moody Music Budapest (H)
Tunnelblick Sunset (D)
Holzpark Klybeck (CH) 
Blaue Blume (D)

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Three Eye Atlas (Original Mix)

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