lost in tranquility - impro-set live (r.s.stropharia + pantoclast + dac insomniac) 14.05.2019

Ethereal vocal over soothing synth and guitar bed. I read a book by Patrick Rothfuss and there was this faerie in it who seduced the main character and it was all he could do to escape from her and her world.

Lost I am for the way it was crossed
And the turns so tight
Lost you are for you followed me here
Under a white moon
Dazed by the moon as she tied up her hair
Falling

You took my hand 
For to lead us home
Counting the steps 
We take one for one
Don’t let me fall from this higher place
Or I’ll be searching
Take me everywhere
I’ll be searching

Should you fall in her opening arms
May you feel her breathe
And all the turns so tight and so crossed
With two not lost
Found you by white moon her hand in your hair
Falling

copyright Gina graham 2023

Every Conversation in June

Moondaze

Buy me if you love me

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten.
In the meantime, I'd been following John Anthony on both YouTube (youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion.
Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher.
You can even watch a video of us all adding our parts on John's page right here. www.youtube.com/watch?v=1mdeT8ySZ…owTechniqueCovers
Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

The Eclectic Collective w/ John Anthony - Hey Hey What Can I Do

Written in 1997
Dedicated to the streets of Historic New Castle Delaware...and my twisted ankle.

Cobblestones

And now this is the concluding track 10, "Stay with Me", in my just completed album "New Beginning" (2024): composed in Garage Band iOS in the late evening of 3 March 2024 and arranged, mixed and recorded in Logic Pro in the late evening of 4 March 2024, with final arrangement and mix in Logic Pro in the late evening of 5 March 2024, by Alex M, then posted on SoundCloud on 7 March 2024 (together with the album as a whole).

The album artwork cover, also used as the cover of each constituent track, was created in PowerPoint and annotated in Mac OS Preview on 19 July 2023 (and 5 January 2024, changing the year from 2023 to 2024 in the brackets of the album title).

Duration: 3:19 minutes
Tempo: 124 bpm
Time Signature: 4/4
Key Signature: Bb

Digital instruments used, in the order of composing and recording:

1. Piano - Boesendorfer Grand Piano
2. Bass - P-Bass
3. Keyboard - Alchemy Synth - Mallets - Spacetime Keys (Breathy)
4. Drums - Electronic - Simmons SDS-V
5. Synthesizer - Strings - String Decay
6. Cinematic - Textures - Tranquility
7. Synthesizer - Sound Effects - Thunderous Ambience
8. Cinematic - Ambient Drone - Twilight Splendor

Stay with Me

Ular's Words

2024-06-20

Meeting At Night

Just as Chaos was reaching it's peak, a giant bubble appeared and engulfed everything_01

To The Sea pt2

øneheart & james king // wistful — slowed version by weareflorence.

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