GAS - Pop 2 (Slowed & Reverb)

"Lost and Found" blends soothing saxophone melodies with the hypnotic rhythm of the handpan to create a deeply immersive musical journey. The track evokes a sense of inner exploration, capturing themes of searching and rediscovery. It invites listeners to lose themselves in the flow of sound and find a renewed connection with their emotions. An intimate, reflective piece that speaks to the soul.

Lost and Found

LOST AND FOUND

lurk

Aegis

v.1  LAUREL HALO - DR ECHT (SHEIK EDIT)

Roberto Musci - Water Music (02:03)

DC Promo Tracks #114: "Morning Splendor" by Pauline Anna Strom is part of the upcoming release "Trans-Millenia Music" on RVNG Intl. @igetrvng

Pre-Order: https://smarturl.it/rervng10-rvng

Pauline Anna Strom’s unique style of inner space music reaches across time to futures and pasts far from our own. Trans-Millenia Music compiles eighty minutes of Strom’s most evocative work, composed and recorded between 1982 and 1988, for the first authorized overview of the enigmatic Bay Area composer. 

Pauline Anna Strom’s Trans-Millenia Music is available November 10, 2017 on double LP, CD, and digital formats. Vinyl and CD editions feature original artwork by visionary Karma Moffett.

Trans-Millenia Music (ReRVNG10 - Promo)

Pre-Order

DC Promo Tracks #114: Pauline Anna Strom "Morning Splendor"

From the album Raw Silk Uncut Wood (Latency 014)  
latency.fr/catalogue/raw-silk-uncut-wood

1. Raw Silk Uncut Wood feat. Oliver Coates(10:00)
2.  Mercury feat. Eli Keszler (03:56)
3. Quietude (02:32) 
4. The Sick Mind (04:24) 
5. Supine (01:27) 
6. Nahbarkeit feat. Eli Keszler and Oliver Coates(10:07)

"What works reliably is to know the raw silk, hold the uncut wood. Need little. Want less. Forget the rules. Be untroubled."

Laurel Halo presents six instrumental pieces that form a meditative, cinematic listening experience. Inspired by recent film score work for Metahaven and Ursula Le Guin's translation of the 'Tao Te Ching'. Featuring cello work by Oliver Coates and percussion by Eli Keszler.

Working in abstraction leads to a deeper longing for touch and closeness. The tactile sensation of struck organ keys and bowed strings, wood and felt on drum heads. Smoke and dirt and stone. Febrile and tactile, hairy and hissy. A clover of highway onramps, a continuous flow, like old leaves melting on their way down a stream at the back of a house. Constant contradiction, the truth's nowhere.

DATE
July 13, 2018

COMPOSER
Laurel Halo

FORMAT
Vinyl, Digital, Streaming

MASTERING
Dubplates & Mastering

DISTRIBUTION
Honest Jon’s

FEATURING
Oliver Coates (cello)
Eli Keszler (percussion)

ARTWORK
Jill Mulleady

@laurelhalo
https://www.latency.fr/

Raw Silk Uncut Wood

Laurel Halo - Raw Silk Uncut Wood (feat. Oliver Coates) (Latency 014)

Felicia Atkinson / Jefre Cantu-Ledesma - AND THE FLOWERS HAVE TIME FOR ME(excerpt)

US-born, Stockholm-based minimalist artist and apprenticing organ tuner Kali Malone gave a special organ performance in TivoliVredenburg's Grote Zaal as opening of Le Guess Who? 2019. The performance was part of The Bug's curated program for the festival. 

We can now share two exceptionally beautiful pieces from the performance: 'Sacrificial Code' and 'Glory Canon III'. Both are deeply immersive and mesmerizing tracks, drawing in listeners with Kali Malone's well-known warmth and timelessness.

Captured on Thursday, 7 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Philip ten Brink.
Photography by Jelmer de Haas.

Kali Malone - Sacrificial Code

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

Carmen Villain - "Agua Azul"

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Felicia Atkinson / Jefre Cantu-Ledesma - AND THE FLOWERS HAVE TIME FOR ME(excerpt)

meditations

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