so wonderful and meditative improvisation !!

I Lie - David Lang

https://soundcloud.com/faerytale - vocals
https://soundcloud.com/scienceteheran - keyboards
https://soundcloud.com/themonkbythesea - guitar

Elegy No.2

'Disappearing' is a piano piece that flows like a calm river in the night, carrying with it our memories, hopes, and vanities.
Life is a long goodbye, a dissolution in time.

It will be release in the rest of streaming platforms on december 1.

Best Regards!

Disappearing

Live Performance by Li-Chun Hsiao and Alpaca String Ensemble.

Philip Glass: Façades (1981)

Arvo Pärt - My Heart's In The Highlands

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by daigo hanada

Ichiru

Buy CD/Digital

And This Is How It Ends

Arvo Pärt - Für Alina

Für Alina, Arvo Pärt

De profundis (Out of the deep) is a choral composition by Arvo Pärt. He wrote the work in 1980, a setting of Psalm 130 in Latin for a four-part men's choir, percussion (ad. lib.) and organ. It was first performed at the Martinskirche, Kassel on 25 April 1981, conducted by Klaus Martin Ziegler. Pärt dedicated the work of around 7 minutes to Gottfried von Einem.   Pärt composed the work a year after he left Estonia for first Vienna and then Berlin. He set Psalm 130 in Latin, a text speaking of profound distress which has inspired composers through the centuries, from polyphonic settings by Josquin des Prez to use in an opera of the 21st century by Lera Auerbach. Pärt composed the work in his personal tintinnabuli style, using simple means of expression. He scored it for a four-part men's choir (TTBB), percussion (ad lib.) and organ.  De profundis is in one movement, set for a male choir in four parts, organ and percussion. The optional percussion might be bass drum, tam-tam and a single tubular bell. The organ provides in deep registers a slow continuous ostinato pattern. Pärt built the voices from simple melodic phrases, increasing gradually to a climax. They begin in low register, rising and reaching a passage of unison of the four parts, before returning to silence, marked by a final sound of a bell.

Arvo Pärt: De Profundis, The Gents olv Peter Dijkstra

Angele Dubeau & La Pietà - Tabula rasa (Arvo Pärt) - II. Silentium

G.I. Gurdjieff - チベット・ダンス (excerpt)

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G.I. Gurdjieff - チベット・ダンス (excerpt)

meditations

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Oriental Force (Oriental Love a.k.a Kaya Takada)

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