Ambient noise

Roberto Musci & Giovanni Venosta - Nexus On The Beach

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

Future

from Nº3
Kranky records
www.kranky.net
RELEASED OCT 16, 2015

inspired by Laurie Spiegel's The Expanding Universe
1980
http://www.unseenworlds.net/releases/the-expanding-universe

"Laurie Spiegel" was recorded in Kortrijk, Belgium w. The Chamber Players and in Brooklyn, New York w. synthesist John Also Bennett.

voices: Els Wollaert, Louise Kuyvenhoven, Pieter De Praetere
vibes: Simon Decraene
cello – Harm Garreyn
viola – Pieter De Rydt
violins – Freek Ruysschaert, Robin Van Heghe
synthesizers - John Also Bennett
recording engineer (The Chamber Players)– Chris Lambrechts
mixing Engineer – Francesco Donadello
mastered by – Jason Ward
conductor: Christina Vantzou
2015

Laurie Spiegel

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming

and EBEN BULL - Pocket trumpet and zither

The Same River Twice - Beatrice Dillon & Rupert Clervaux

ulla - table

B1  Speculation

WRWTFWW 019 / PF 006 
First track from 'Through The Looking Glass' reissue coming March via WRWTFWW & Palto Flats (EU/US).  LP & CD editions.
http://wrwtfww.com/album/through-the-looking-glass
http://paltoflats.com/release/midori-takada-through-the-looking-glass

Through The Looking Glass

Midori Takada - A1. Mr. Henri Rousseau's Dream

Poetry, speech, melody and electronics combine on this limited tape from new sub-label ‘Purely Physical Teeny Tapes’.

A change of pace for PP, ‘Figures’ is also a divergence for the two artists involved. Emerging from Melbourne, 'Figures' is a rare artefact for devotees of both poetry and electronic music. The release marks a protean coming together by two figures with curiosity for each other's practice, forming a union between sound and speech to explore themes of bodies, time, language and power.

Lucy Van, who works as a post-doctoral researcher in English and Theatre studies, offers her poems in spoken form and also transcribed in full for the poster in the release.

Laila Sakini, a DJ who has recently emerged as a songwriter-producer, shapes music around each poem intuitively, adding context with restraint, in an experimental, yet pop-conscious process.

Initially developed as a one track hobby project for a noise and spoken word poetry night (which was cancelled), 'Figures' continued to evolve into a more complete body of work, with Laila leaking the demos on her NTS guest slots, leading to this eventual, finalisation of an EP.

The release is presented on a pro-dubbed all clear tape, packaged with an A2 double sided fold-out newsprint poster, all housed within a PVC heat sealed pouch.

Out June 2nd, 2017.

Mastered by Rashad Becker.

Edition of 100.

Laila and Lucy:

Lucy writes about poetry and photography. She is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an editor at Cordite Poetry Review. Lucy also writes lyric and prose poems, and has spoken at venues including The Slow Canoe, Station Gallery, and the National Gallery of Victoria.

Laila's role as a DJ and emerging producer/songwriter has seen her traverse between her home town of Melbourne and London. She has performed across clubs and festivals in  Melbourne and in various venues throughout London, Paris and Belgium along with art spaces including The National Gallery of Victoria, Carriageworks and The Australian Centre for the Moving Image. She presents semi-regularly on NTS Radio, has appeared on Boiler Room and has opened for the likes of Dopplereffekt and Optimo. Laila has recently begun producing, writing and performing live solo and collaborative works.

Laila Sakini & Lucy Van - False Ceiling

Taken from the Maximum Joy compilation "I Can't Stand It Here On Quiet Nights: Singles 1981-82", forthcoming on Silent Street Records. 

Pre-order 2x12" here:
https://silentstreet.bandcamp.com/album/i-cant-stand-it-here-on-quiet-nights-singles-1981-82

Lyrics: Wrafter; Music: Maximum Joy
Produced by Dick O'Dell, John Walker, Pete Mayburn
Originally released on Y Records (12Y 11, 1981).

I Can't Stand It Here On Quiet Nights (SSR001 - Mastered WAVs)

Maximum Joy - Silent Street / Silent Dub

Black Sabbath - Planet Caravan 
Wilhelm - Mercurial 
Kevin Carey - Try_Again
Randomer - Percussion Workout 2 
Da Poet - Fly Over Palestine
EPROM - Samurai

MERCURIAL

Freedom

Taken from Futuro (Music for the Waldorf Project) released on 2LP and download 01/02/19.

• Not Waving’s engrossing, highly original soundtrack to Sean Rogg’s world-renowned art/theatre project
• Ambient tonal works and abstractions written between 2013-2018
• Mastered and cut at D&M, Berlin.
• Limited edition vinyl with full colour insert featuring photographs by Lee Arucci
• RIYL Laurie Spiegel, Steve Roach, Brian Eno, Shuttle 358

’Futuro’ is Not Waving’s sublime synth/ambient soundtrack to one of the world’s most intense art/theatre experiences: Sean Rogg’s radical immersive artwork ‘The Waldorf Project’ - fusing choreography, spatial design, music and performance into a cohesive experience.

Drawn from more than 20 hours of material made for the project between 2013-2018, ‘Futuro’ finds Alessio Natalizia exploring a style of tonal and spatial minimalism that works as a fine palette cleanser from much of what you’ve heard from him in the past. 

While not a new solo album, per se, the long form, Eno-like results of ‘Futuro’ demonstrate the full wingspan of Not Waving’s obsessive knowledge and emotive feel for electronic composition, making it in some senses one of the more substantial and unusual releases in his catalogue to date.

BUY!

Not Waving - Emotion 1.4 Decontamination [ELP040]

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

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Roberto Musci & Giovanni Venosta - Nexus On The Beach

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