milord, warm butter and honey dripping down the wallls

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Mes (Musique)

here's the full album: https://www.youtube.com/watch?v=wJWksPWDKOc

The Caretaker - It's Just A Burning Memory.

之 / OF

KOU / 口

Pillar Men Theme, but it's EPIC VERSION - Vaporwave

MIZGF.C Mashup - Write This Down x Dead Wrong

Wednesday - Bull Believer

Written, arranged and produced by Puro Instinct. 

Well I know I don't know how to feel
and I know I don't know what is real
and I know I don't know what to say
cuz no matter what I say to you you're gonna run away

Every time I see you pull the 6 of swords
it trips a cord
I love you more
Every time I see you pull the 6 of swords
it trips a cord
I love you more

and I know I don't know what is real
and I know I don't know how to feel
and I know I don't know what is right
but I know if I could talk to you baby you would spend the night

Every time I see you pull the 6 of swords
it trips a cord
I love you more
Every time I see you pull the 6 of swords
it trips a cord
I love you more

VI Of $word$ (demo)

out now, on lolipop records, it's...
Bicycle Day - "I Had A Place To Be" (CASS)
OAKLAND BASED, POST-PUNK GARAGE ROCK BANGERS!!! FROM THE HOMIES, BICYCLE DAY!!! DEBUT CASSETTE OUT NOW, ON LOLIPOP!!!
www.lolipoprecords.com

BICYCLE DAY - "Help Me Out"

Örtliche Betäubung: Beim Psychiater (1984)

i don't know what should i do
every people i do
i don't know what should i do
every people i do
i don't know what i'm just talking
every curve can make something better
but baby, we don't need a bit better
we need a lot of improvement
so danse with me,
i can...
just kiss me right a way
i need a physical action to remain
i need a physical action to remain
i need a physics action remain

last night
i saw you cry
message was too tight
i thought you'll be fine
cause I was a turture to you
but you cried like you don't want to break down
but last night, you packed a lot
you cried but that doesn't mean restart
so i'm down
last night, i saw your backbone walk by under my apartment 
last goodbye was tough

i buy a song
happy one
cause i can't make that kind of song
i buy a song
higher hope
give it away already
higher code
in this low vibe, i gonna cry
so can you danse with me like we did thousands years ago?
so can you danse with me like we used to do thousands years ago?
i buy a song
happy song
cause i can't make that kind of song anymore like the day before
higher hope
did you still hold it?
higher code
cause i might cry this low one
so can you danse with me just like we did before the thousands years ago?

Old piano

Once,When She Was Here(David Binney)

You're not sure why you decided to come alone to this karaoke bar. A sudden desire for people-watching, you suppose. You don't sing anything, just nurse a drink near the back. For the first half-hour, nothing out of the ordinary happens. Then, another spectator, one you've noticed hovering by a side wall, takes the stage. A slightly tinny drum machine comes forth from the P.A. The song is instantly familiar, but you can't quite place it. It must be some mostly-forgotten hit from the '80s that you haven't heard in years. At first, the singer's delivery is as shy as you'd expect from a fellow wallflower. But slowly, you come to perceive a deep, quiet confidence in his voice. He obviously knows the song by heart. He occupies it as if it were home. Actually, you think his rendition might be truer than the original performer's, although you still can't recall who that was. Although it might just be your second drink taking effect, you've almost begun to suspect that there is no original, that the enigma on the stage in this unremarkable bar, is, somehow, performing an entirely new song for the very first time. As the tempo slows and he begins to gently croon the next track, you become sure. By some weird turn of Lynchian magic, this man on the stage has reshaped the room to his will, coaxing his own private music out of the karaoke machine.

This is the kind of scenario one imagines when listening to Better Person's smoke machine pop. His (Adam Byczkowski) enigmatic stage presence is matched by his elusiveness as a recording artist output: while he's already toured with the wonderful Canadians TOPS and Timber Timbre, and as keyboard/guitarist with Sean Nicholas Savage, at six tracks It's Only You is his longest release, encompassing the critically acclaimed singles “Sentiment” and “I Wake Up Tired.”

While the EP's sonic touchstones – torch songs, Sade, Arthur Russell, synthed-up European and Japanese pop from the 80s, French and Italian movie soundtracks – are all unimpeachably romantic, there's a more Romantic undercurrent of isolation that begins from the way It's Only You was made – all recorded on a computer at home, on Berlin's Pannierstrasse (the same street where Magic Island's Wasted Dawn was recorded last year.) The title itself casually, elegantly captures the paradoxical phase shift which occurs when the movement toward closeness becomes a plunge into solitude. It's Only You is the sound of turning down the mood lighting so low you're no longer sure if anyone else is there.

The transmutation of being-alone-with into being-alone ignites a fixation on memory, and most especially on its entanglement with place. On repeated listens, It's Only You slowly reveals itself as a work of (self-imposed) exile behind a facade of seduction. In the aftermath of intimacy, one is left with only sensual remnants - smell leads to memory (“I found a smell that takes me home,” Byczkowski sings in opener “Somebody Cares”) and memories, of home and of people, lead to the question of place and belonging. In “Somebody Cares,” “I found a smell that takes me home” leads into “I try to notice all the things around” - reminiscence of there demands attention to here – but he concludes “God only knows where I'm gonna live.” “I Wake Up Tired” features the plaintive request “Show me a place / where I feel home;” while the refrain in “Everything Cold” asks the question on the mind of every expatriate in Berlin: “Why is everything closed on Sunday night?” In the still astonishing “Sentiment,” the singer is left unsure of his identity, with only sentiment remaining, precisely because he will “never be from here.” The real revelation of It's Only You may however be the closing track “Your Smell” which, atop a tragicomically funky shuffle, wraps in a cocoon of beautiful confusion all of Byczkowski's themes: lost love, lost locales, and finding oneself again, fleetingly, provisionally, in their pursuit.

Better Person - I Wake Up Tired

 Everywhere At The End Of Time 2nd Stage

the caretaker - What does it matter how my heart breaks (excerpt)

demo lyrics (since revised):

and you could've been a pack up and leave
if that's how you wanted it to be
seems a catch, kill and release
but I guess I bit a bit too deep

it's a loss that you try to defeat
well, it's only you who's got you beat
and it's the strength of the vice thats got you weak
and it's the length of your demise that makes you rinse and repeat

just like how the words in the bible
aid in the dissolving of a faction of history's idol
I was like a conflicted disciple
instead now that I'm with retrospect doing a passage recital
hell seems imminent and rather vital

but I'm good
I'm alright though

water don't make it clean
she's wet but she's mean
and I'm fucked but I'm me
I'll rest assured this is my death scene

water don't make me clean

ディスク1は1976年に記録され、場所は不明です。
Univive Recordsからリリース
_______________________________________________
Disk 1 recorded 1976, location unknown.
Released by Univive records

End Of Heavy Groove Disc 1

Flames of Ice (17-12-76)

molchat doma - sudno

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the caretaker - What does it matter how my heart breaks (excerpt)

meditations

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