tarabeesh

sa7er el 3ood - Magapay (Dalida Cover)

GodFather"Oriental" by Nahla EL-Bebawy

"At The End Of The River" is a deeply emotional and introspective Andean-folk instrumental track. The song is a poignant reflection on the bittersweet beauty of memory and the feeling of being a solitary traveler in a world full of ghosts. It’s a haunting and intimate journey that feels both personal and expansive, like a moment of quiet contemplation in the vast, open spaces of the Andes.

The production is a masterclass in building a vast and immersive soundscape. It opens with the melancholic and lyrical melody of an Andean violin, which acts as the main melodic voice, immediately setting a tone of quiet introspection. Acoustic guitars and a charango with a touch of reverb create an atmosphere of longing and introspection. The cajón and a bombo legüero mark a slow, steady beat that feels like a heartbeat, providing a gentle pulse without being distracting. The uniform gentle dynamics, without any loud climaxes or volume increases, ensure the music remains in the background, supporting the listener's focus rather than distracting them. A touch of natural reverberation gives the sensation of being in a massive, open valley, adding to the immersive and meditative quality of the track.

At The End Of The River

Elias Rahbany - When We Used To Meet

Oriental - Jihad Akl - The Mask Of Zorro

The Egyptian Harpist Manal Mohei Eldin Performing Playing Rakset Aziza for Mohamed Abdel Wahhab

Rakset Aziza - Manal Mohei Eldin

Tarabeesh- Unbreak my heart

مجموعة من عازفي الالات الشرقية اتحفونا بعزف مجموعة من المقطوعات الغربية ليتكون المزيج العبقري 

Tarabeesh- Unbreak my heart

Medota

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