DekMental

Time again for some nostalgia with Newcleus. Last release with them in February went down with a storm. Massive feedback all over. This Electro classic from 1984 is nothing but pure class. Check out the original and you see it for yourself if you for some reasonmissed it. We at MB Disco decided to disco-it up and who wouldn’t be better than disco-edit maestro himself Drop Out Orchestra.A full vocal version together with a fantastic Dub. Both mixes contains all the key elements from a solid arrangement back in early 80’s. Feelthe funky guitar and classic horn arrangements. Can it get more disco-souly?

Who could believe that this combo would happen. Electro meets Disco!!!

Tensnake - loving this a lot ! the dub mix is the one for me!  5/5
Erol Alkan - Like the dub 4/5
Aeroplane - Great 4/5
The Glimmers - Wow You guys, keep it commin. 5/5
Dimitri From Paris - great production as always from DOO, Loving this
diskJokke - arraararat - tat- tat -tat - tat- tat - tara ! love it!
Ray Mang - Great release! 4/5
Rodion - one of the funkiest basslines ever! 4/5
Dan Tyler (Idjut Boys) - Thanks much ! Dub version for me.
Bruno From Ibiza - Awesome
Roy Dank (Wurst) - Party time! Another MB Disco killer.
Mario Basanov - 5/5
Ilya Santana - The dub is killer!! cant wait to play.
Dj Rocca (Ajello) - Dub version is ace!!
Manuel Kim (Gomma) - Finally 5/5
Dj Butcher (Chopshop) - Yeah! The Dub really works for me. Big fan of Newcleus and Drop Out Orchestra
The Magician - Amazing 5/5

Telonius (Gomma) - great mixes.




Automan

Newcleus-Automan (Drop Out Orchestra Dub Mix)

The Balearic Gabba Soundsystem is back, back with a new EP that features three more leftfield remixes from curious electronic specialist Enzo Elia that have all been licensed officially by Irma Records. The source material for his three unhinged reworks is a track by 90s Italian house duo Soft House Company and two from cult Italian DJ and producer Don Carlos.

Soft House Company released only two EPs, both in 1990, but made a big impact with them: pretty much everyone has heard ‘What You Need’ and that’s the track that gets remixed here. Elia turns it into a slightly more bouncy and disco leaning cut with raw silvery drums, huge vamping piano chords and those classic vocal cries and already Eddie C and Gerd Jansen have been playing it. At the breakdown there is the sound of waves breaking on a beach before pianos go wild: It’s a freewheeling and sure fire party starting track that still does the trick nearly quarter of a century after original release.

Don Carlos was behind such seminal club tracks as 1991’s ‘Alone’ and produced five studio albums in the nineties and naughties. He fuses Afro rhythms with deep house vibes and has DJed all over the world since the 70s. The first of his to get re-worked is ‘Overture’, which starts with tropical bird cries, whistles and loon calls. It’s the sound of a humid jungle that gets slowly consumed by lush pads, delicate piano melodies and stirring string sounds. With a truly magical atmosphere and uplifting joyousness permeating the whole thing, it cannot fail to make you feel on top of the world.

Finally, Elia tackles ‘Chicago’ (a track that’s already been supported by Soft Rocks) and does so with swathes of mesmeric effects. Organic hand congas, breathy vocal snippets and a bristling nebula of synths, pads and strings all dance around each other in reservedly euphoric symphony.

This might just be one of the most beautifully and bizarrely Balearic releases yet from the ever unhinged Balearic Gabba Soundsystem.

Soft House Company - What You Need (Enzo Elia Balearic Gabba Style)

Alone (Paradise Version) [Don Carlos].mp3

Cheryl Lynn (Expanded Edition)

You Saved My Day

Thank You

Thank You (12" Mix)

In Colour

The Rest Is Noise

DJs Take Control

After a long wait since last November’s ‘Catacomb’, Spektre are back on their home label with some original material, this time in collaboration with Chicago Loop.
Heading things up, the trio wear their oldskool hearts on their sleeves with ‘Shoot From the Hip’ , where crisp breakbeats and classic stabs are smoothly fused onto a bang-up-to-date backing. Alberto Ruiz adds his signature groove and funk to proceedings with a killer remix for less full-on floors, and last but not least: Paul, Rich and Ant give another nod to the 90s with the unashamedly R&S inspired ‘Strobelight’.

Spektre & Chicago Loop - Shoot From The Hip (Alberto Ruiz Remix)

LONE - Coreshine Voodoo

Dark Beat (Addicted To Drums) feat. Oba Frank Lords

Dark Beat (Addicted To Drums) (Danny Daze Fundamental Remix ; feat. Oba Frank Lords)

Spektre, Luca Gaeta - Cirrus (Durtysoxxx Remix)[Unusual Recordings]

On Hold

On Hold (Jamie xx Remix)

After last year's massive collaboration with Spektre: "Shoot From the Hip", Chicago Loop is back on Respekt with a brace of solo productions. 
Wolf at the Door is a dystopian slice of techno with vocals from an alternative future set atop a bending, twisting, disorientating monster of a bassline. Spektre turn in a remix that maintains the feel of the original, whilst bolting on an extra layer of hoover mayhem.
"Don't Let it Go" is a deeper cut, with bubbling arps and a soulful vocal snippet accompanied by a more raw mix from Tom Hades.

Chicago Loop - Don't Let It Go (Original Mix)

Pump Up The Jam

Pump Up The Jam (Radio Edit) [feat. Technotronic]

IM kellar is an underground EBM Electro Techno Wave band from Rotterdam members David Vunk and David Spanish
buy here support the source!:
https://moustacherecords1.bandcamp.com/album/im-kellar-im-kellar-ep-mst033-moustache-records-033

Im Kellar - Im Kellar - Moustache Records 033

Seeing Aliens

Seeing Aliens (Extended Breakthrough Listen)

The fourth release of Selva Discos is one that has been bursting audiences into flames for a good while. Barbatuques, a well-known Brazilian group of body percussionists, adapted "Baianá" back in 2005 (first released on the "O Seguinte É Esse" album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo Tropkillaz. The original is a modern folk song from Bahia composed by Maria do Carmo Barbosa, but it was the mouth harp sound and the stomping beat on the Barbatuques' arrangement that imprinted its trademark sound - like the first lightning strikes before the storm. 

A couple of years ago, Jan Schulte, the german producer known for his taste for tropical drums (and also for using a few different aliases), heard the song and decided to add an extra punch to it for his DJ sets: more drums, taken from a library record of "drumdrops" (hence the title). In his appearance at 2017's Dekmantel Boiler Room stage as Bufiman, he dropped it to the crowd's awe, and it's been like that wherever its played - believe it, it's been tested all around. 

So now for the first time "Baianá" is issued on vinyl. It marks the second volume of the BRASINGLES series, a new series on Selva Discos dedicated to releasing loud 12" singles with the original song on the A side and a rework on the B side, to please both the DJ and the listener.
credits
released June 29, 2018

Bandcamp: https://selvadiscos.bandcamp.com/
Facebook: https://www.facebook.com/selvadiscos/

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