English:
A radio play adaptation of the "The Statement of Randolph Carter" short story written by H. P. Lovecraft in 1919.

Adapted, directed and edited by myself (Milan Antić).
Produced by Faculty of Dramatic Arts in Belgrade, May 2016.

Cast:
Carter - Aleksandar Vučković.
Warren - Lazar Đukić.
Deputy - Aleksandar Ristoski.


Srpski:
Adaptacija kratke priče „Izjava Randolfa Kartera” H. F. Lavkrafta napisane 2019. godine u formatu radio drame.

Produkcija - Fakultet Dramskih Umetnosti u Beogradu, maj 2016. godine.
Adaptacija, režija i montaža - Milan Antić.

Uloge:
Karter - Aleksandar Vučković
Voren - Lazar Đukić
Zamenik - Aleksandar Ristoski


Izjava Randolfa Kartera H. F. Lavkrafta - M. Antić

Three pieces released on a compilation showcasing first wave of artists associated with 93.93 Publishing.

http://9393.bandcamp.com/

Released July 31, 2015.

Saundistroer 02

What Am I To You (Live & Improvised) /with KSNKST

Temporary music recorded for Sankofa (2014):
www.imdb.com/title/tt4600776/

Theme 6

Theme 5

Theme 4

Theme 3

Temporary music recorded for Sankofa (2014):

www.imdb.com/title/tt4600776/


Theme 2

Theme 1

Riechmann

Single track with vocal sample sent to three FX chains.

First FX chain:
Inserts:
* Soundtoys EchoBoy: Rhythm Echo, manually edited rhythm at 71.7BPM, High Cut at 11h, Saturation at max, Output at -24db
Sends: Valhalla Room: Narcissus, 100s Decay, Late Size 0.76

Second FX chain:
Inserts:
* Soundtoys EchoBoy: Simple Echo, Echo Time 275msec, Feedback at 4h, Low Cut, High Cut, Diffusion at max, Wobble at 11h, Decay Sat at 4 o'clock, Out Sat at 3 o'clock
Sends: Valhalla Room: Short Decay, High Cut at 4430Hz

Third FX chain:
Inserts:
* Soundtoys EchoBoy: Ping-Pong, Ping 125msec, Pong 125msec, Feedback at 2 o'clock, High Cut at max, Saturation at max, Diffusion at 2 o'clock, Size 50, Wobble at 12 o'clock, Decay Sat at 2 o'clock, Out Sat at 3 o'clock
* FabFilter Pro-Q: High Cut at 1647Hz
Sends:
* Valhalla Room: Darkroom, Decay 0.7s

Cubase 5
Recorded to a separate audio track
Improvised live with Feedback rate, Output Level and Saturation parameters on all three FX chains
Vocal sample taken from Judge Dredd (1995).

You Betrayed The Law (Single Vocal Sample Feedback Processing)

Signal path description:

Identical vocal sample loop on three separate tracks.

Track one:
Inserts: 
* Fabfilter Pro-C: Very low threshold, Ratio 100:1, High make-up gain, Classic style compressor
* Soundtoys FilterFreak: LPF, Frequency at 20Hz, Resonance at around 1 o'clock, modulated Rampdown, Input at almost +20dB
* FabFilter Pro-Q: HPF at 20Hz, Bell boost at 34Hz, LPF at 190Hz
* Soundtoys EchoBoy: Classic Ping-Pong delay, short Feedback time
Sends:
* Valhalla Room: Long Darkroom, Send level at -17dB

Track two:
Inserts:
* Soundtoys FilterFreak: HPF at around 13kHz, modulated by a relatively slow sinus wave
* Softube Saturation Knob: Saturation at max, Keep Low type of saturation
* Klanghelm MJUC: Mk2, Compress at 34, Make-up at 6.3, Ratio 8:1
* Valhalla Room: Large Room, medium decay, 100% Wet
* Valley People Dyna-mite: Gated Valhalla Room
* FabFilter Pro-Q: Narrow Bandpass at around 2kHz
* Waves S1 Imager: Width at 2.4, phase reversed
Sends:
* Valhalla Room: Long Darkroom, Send level at -5.4dB
* Eventide H3000: 50msec stereo delay, medium Feedback, Lo Cut, gentle Hi Boost
Automation:
* Volume
* Waves S1 Imager: Asymmetry

Track three:
Inserts:
* Waves DeEsser: Threshold -80dB, Frequency 5587Hz
* Softube Saturation Knob: Saturation at max, Keep Low saturation type
* Klanghelm MJUC: Mk2, Compress at 30.8, Make-up at 5.2, Ratio 8:1
* Eventide H910: 112msec Stereo Delay, Stereo Width at max
* Valhalla Room: Dark Space, long Decay, High Cut at 860Hz
* FabFilter Pro-Q: High Cut at around 6kHz, Bell at around 3khz
Sends:
* Valhalla Room: Long Darkroom, Send level at +4.3dB
* Valhalla Room: Short Darkroom, High Cut at 6350Hz (send inputs tripled)
Automation: 
* FabFilter Pro-Q: Bell at 3kHz Boost
* Valhalla Room: 3X Send Level to short Darkroom

Cubase 5
Audio Mixdown export
Vocal sample taken from Sans Soleil (1983).

Mekonin

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